Tuesday, March 31, 2020

Make a Ddifference

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I have seen many different letters over the past few months that have being circulated among disciples locally and internationally, I am sure some of these letters have also reached the hands of "non-members". I endorse many of the things that have been noted because I myself have been a recipient of many such treatments, however very few of these letters I have seen, speak of how to make things different, it seem as if the "bad" things that have surfaced in resent times far outweigh the "good" things the kingdom of God offers . I do not want to be taken wrongly, I do believe we need to voice or concerns and problems and to see to it that they are addressed accordingly. We who believe in God's church, should ensure that the kingdom of God is reasonably promoted as a safe haven for people who are seeking God.My position on the different situations in the church continues to be a principled one and that while upholding the principles of the bible and the respect for the role of our leaders, we should fully respect and praise God for the long and valued relationships that He has allowed us to build over the years. What has prompted me to write this letter, is for the fact that the more letters I read the more it seem to me that many of us are seeing our leaders as the "evil one". Are we forgetting that the war is not against "flesh and blood". Are we forgetting the devil is consistently working to divide God's people. David is one of the greatest leaders I have read about in the bible, his humility surpasses many as too the respect he had for those God placed over him, we all should imitate him. Our freedom in Christ should not make us disrespectful to our leaders at any point. Galatians 51 reads; .."You my brothers, were called to be free. But do not use your freedom to indulge the sinful nature; rather serve one another in love." Do our leaders feel loved by us or do they fell targeted, disrespected, insecure, uncertain or apprehensive. I believe God has revealed all that He has so that His kingdom will advance and for us to grow in love and holiness. Many of us have walked away saying that there are no changes, no difference, things are the same way, but how can we help or ensure that changes come if we are away from where the changes will take place, we need to be men and women of honor who will stay the course, who will fight for God's Kingdom, and be determined to see Jamaica won for God, but only together as "ONE" can we make this happen. We should never forget what the bibles says… "He does not take his eyes off the righteous; he enthrones them with kings and exalts them forever" Job 67


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I will speak of the changes that are very noticeable in the Western region (if I am allowed to call it by such name). It is very clear that our leaders here in Western have seen the need for every disciple to freely vent their feelings of different matters, we are not preached to and even when a message is being delivered, there is a feeling of sincerity and openness. I am not only speaking for my wife and I, but many who I have conversed with in relation to how they feel about the changes they are experiencing in Western. We do not get the feeling that there are opaqueness or reluctance in sharing exactly what's going on in their lives or the church as a whole. It is clear that many leaders are at different levels in their understanding, openness, willingness, and most of all conviction of where they should take the groups they lead after all that has happened. However, we ALL make up the church and we all should feel the responsibility to help each other get to the point of holiness and stop being complainers. I make mention of the above because of the different things I have heard and letters I have read of what is going on in different parts (regions) here in the Kingston churches and a few of our satellite churches. We are not each others enemies hence we all should take responsibility (not saying that the leaders should not be held accountable) of how, as a church, we have gone wrong and where we should go from here on in. As we see in the bible many instances where people imitated others so that they can be more mature as disciples, ..I implore many especially the leaders who seem not to have a tight hold on their ministry to imitate Gregory and Simone Baugh who I have seen take on the heart that will lead this ministry the way God wants it to be lead (no, they did not pay me to write this line…. smile). It is said that, "In argument, truth is born." Even though sometimes feelings and emotions come into play that confuse the issue at hand, usually an argument results in a new insight on the subject. Even if a person holds strong views that are unshaken by anything his adversary may say, he may nevertheless gain from the confrontation. It forces him to organize and analyze his views, leaving him with a clearer understanding of the subject than before. Further, his opponent's arguments help him better appreciate his views and their differences. The concerns forces both to look inwards, at their character and value system. I encourage both "full time staff" (leaders) and "regular members" of the Church of Christ to approach each other in this light so that we all can live together in unity, love and with a bright hope of getting to heaven.


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Monday, March 30, 2020

Amontillado

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The story of a man who kills another for no good reason and has no shame in what he does. Poe writes about a story in which a guy is buried alive and is left to die. The story itself represents one of the awful things that humans to one another just because they have they opportunity to do it.The story is in first person and it is about a guy telling a story of what he did a half century ago. Montressor, the guy telling the story, starts the story when he meets Fortunado at the carnival. He calls him over to him and tells him about the wine cellar Amontillado. Fortunado being an avid drinker as he is and Amontilado being one of the most famous wine cellars in town, he could not pass it up. Montressor led him down through the catacombs of the Montressor's family, but Fortunado was so drunk he did not know where he was. They finally get to the Amontillado and Montressor chains Fortunado down and starts building a wall to trap him in there. Fortunado thought he was playing a joke until the wall started to close up and he could not see Montressor any more. Montressor threw a torch into there right before he sealed up the last gap. Montressor ends the story and tells them that he has been down there ever since, a half century ago. The story takes place in a large city where they have a carnival, which mostly the whole city attends; therefore making the crime easy to commit. Montressor committed the murder at night and it took a couple of hours to complete the wall. He wanted to kill him because he did like where he was from. Fortunado name means good fortune, which is ironic since it was the opposite of his name that he received. The way Montressor toys with him is he builds the wall and takes breaks in-between building. Some evidence that might make it seem like he is insane is that he killed a man he did not know. Along with that he tortured him by chaining him down and having his victim watch himself be buried alive.


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Thursday, March 26, 2020

CHANGES IN WAR

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In the short story "How to Tell a True War Story" by Tim O'Brien and the excerpt from Catch- by Joseph Heller we see that in war survival is not only meant physically, the more important is the psychological survive which is not given, when the insanity grows. In this constellation truth changes. In war, sometimes the truth seems so hard and unnecessary and a lie could be a guarantee for survival. In the O'Brien story, truth is a very important idea as the title shows. There is shown that in war truth is ambiguous and has changed totally "The old rules are no longer binding, the old truths no longer true. Right spills over into wrong." (O'Brien 181) And that is the problem for the sanity. How can one know what is true, what is right. When you watch the beauty of the war, "the harmonies of sound" what "commands you" (181), your real life is in danger too, because lead by the beauty you may do dangerous things without thinking. And is this right? Is this the truth of the war? Nobody knows, and in fact you are alone with your one interpretation of truth and the loss of sanity. In some cases the hard truth has a direct influence to a person involved into the war. We have Bob Kiley, who lost his best friend in the war. This is the first step to his insanity. Then by writing a letter to the sister of his friend he "pours his heart out" (175) which helps him to become more sane. But at the end the truth of the no reaction of this sister leads him back to insanity "The dumb cooze never writes back." (175) This is so hard for Bob, he does not understand this woman and because of this "he went to automatic" (180), he does not think anymore about the things he does and the consequences. First his soul died and maybe he would die himself because he has no more interest in his life and may do dangerous things. The importance of the psychological survival in the war is shown in the Mitchell Sanders story. It shall be a "listening-post operation"(176). A group of soldiers has to spend a week in the mountains "and listen for enemy movement". (176) After a little while just listening they here voices and sounds which do not exist. The problem is that speaking is forbidden and the aim is not to get crazy because of these voices. The sanity and the psychological survival are here very important. The truth is not clear. The truth is, that they hear voices but on the other hand the truth is too, that these voices do not exist.


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In the Heller excerpt the situation is different. Here the problem is within the army structure and especially the personal problems of Major Major. The sanity of MM was a problem before he went to the army, when he was very influenced by others. The parents have told him to go to the Army, then in the Army he did not change "he was told to kill, and he killed" (Heller 48). It seems he behaves like a machine without thinking about the consequences. "Life in cadet school for MM was no different than life had been for him all along." (50) There was everywhere someone who told him what is right. I would say, that he does not know what is true or not true.The change comes with the death of Major Duluth when MM became the squadron commander. "For MM it meant the end of the game." He has to make own decisions, he has responsibility for others and he is alone. The truth of his position makes him insane. In his loneliness without any good advice he decides to invent names to signature important documents. But in the observation from a C.I.D. man he seems to help to come to a solution but in truth he lies. "MM had lied, and it was good." (57) Now "he was free to continue his work." (57) For MM lie becomes truth and he does not feel so alone anymore. In his view he feels more sane and his only aim is that nobody disturbs his work. For him his work and his own truth, the lies, are a guarantee for his psychological survival.Even if MM is not directly involved in war like Captain Yossarian, he feels responsible for the country. This is the conflict when Yossarian wants to talk with him. Yossarian is anxious about his life and hopes that MM could help him. He searches help to survive the real battle "Let somebody else get killed." (5) But for MM the only important thing is the country. He thinks that Yossarian is important for the victory of the country. But for Yossarian truth is different "There are ten million men in uniform who could replace me." (6) Both men have their own truth, their own understanding about responsibility. And for both the only important thing is to survive this period of war. For Yossarian it is physical survival and for MM it is the psychological survival. In both stories we have no direct confrontation with the real war, the battle, but we see how war could influence people. For Major Major a lie becomes truth. He learns something about responsibility. For the soldiers in the mountains the truth does not exist anymore, because the truth becomes personally and influenced by sanity or insanity. A lie, which in war is not so bad, could be necessary for sanity and sanity for the survival. The values of everyday-life exist no longer, truth is not so important, nobody cares about sanity. The big aim for all is to survive, physically and psychologically. Postmodern American Fiction. A Norton Anthology. Paula Geyh, Fred G. Lebron and Andrew Levy, eds., W. W. Norton & Co. New York, 18, p.174-18 (O'Brien), p.45-6 (Heller). Please note that this sample paper on CHANGES IN WAR is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on CHANGES IN WAR, we are here to assist you. Your persuasive essay on CHANGES IN WAR will be written from scratch, so you do not have to worry about its originality.


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Monday, March 23, 2020

Beloved

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In the novel Beloved by Toni Morrison, the author's use of characters' surroundings as a tool to invoke a deeper meaning in the situation and story as a whole adds to the readers absorption of what is going on and what is being felt by each individual. With the images elucidated through these surroundings, the reader understands the implications and meanings around normal everyday places better, because they see what the character in the novel sees, instead of just their filtered perception of the location. There are two instances in the novel where this idea can be seen very clearly. First, the opening of the novel when 14 Bluestone Road was described as spiteful shows that this inanimate object is given characteristics, and is almost being transformed into a living character. The people who dwell in these halls, as well as those that come and go, attribute a distinct quality to this structure, and it is this quality that helps certain notions seep into the reader's mind. This seeping is what Raymond Williams speculates about in the excerpt from The Country and the City, where he talks about having to tap a reader's unconscious for them to fully comprehend the implications of certain elements of the novel. Secondly, in Chapter 1, Stamp Paid has an entire passage about the jungle, and how it has become a living breathing entity through which individuals can be compared, and society's reasoning behind beliefs can be attributed. Frederick Jameson explains that the convergence between an individual's imaginary relationship to his real condition of existence allows him to fully view society's structure as a whole, and gives him a full scope of what is going on around him. Through reading Beloved, we can see that Morrison uses descriptions of locations to induce an unconscious sense about the place and situation that would not normally be attributed, if not for the rhetoric used. Beloved starts off with the line "14 was spiteful. Full of a babys venom. The women in the house knew it and so did the children. For years each put up with the spite in his own way, but by 187 Sethe and her daughter Denver were its only victims." Morrison's reasoning behind this line is to introduce 14 Bluestone Road as a significant factor in the story right off the bat. The description of the house as spiteful and full of baby's venom gives the reader the impression that the dwelling is not only an actor in the story that is about to ensue, but one of great import that changes or has changed the course of events involving the women inside. Now in order to understand this quote, and its impact on the reader, it must be broken down. The number 14 sets up the chilling story of slavery in a certain black household. 14 Bluestone Road is also haunted by the ghost of the baby of the Sethe, the protagonist. Now the number 14 gives the reader much to work with and consider throughout the novel. Sethe was the mother of four children, the third youngest dying by her hand. Therefore, the 1st, nd, and 4th were her only children remaining, and her third was the one haunting the residence, giving a tremendous amount of significance to the home right away. Next, 14 Bluestone Road has been referred to as a home more times in this essay than in the entire novel, giving the reader the notion that it is as warm and inviting as a Zagreb bunker. The building is being characterized as scary to say the least, having horse drivers speeding past the structure and tenants speaking of the residence as having outrageous behavior such as exuding bursts of unpleasant smell into the air. With this information, we can now see that tenants are not the only ones disturbed by the house; outsiders are as well. The reader, with this knowledge, has already formulated their own feelings about the building, how they would react and feel towards it, and the degree to which the house is really haunted and unpleasant. All this was possible through the simple use of strategic language at strategic times, such as the very beginning of the novel. This strategy proves to pervade the entirety of the novel, as can be seen by the reference to the home with words such as "14 was loud" and "14 was quiet". The reader could never take away these interpretations of 14 Bluestone Road without these unconscious manipulations. Raymond Williams postulates that "so much that was important, and even decisive, could not be simply known or simply communicated, but had…to be revealed, to be forced into consciousness." One cannot be expected to simply understand the enormity of the force that lived in 14, nor could they understand what that establishment was perceived as by the entire community with just a few sentences in the beginning of the novel that gave a brief groundwork to the setting. The reader has to be constantly, strategically, yet casually bombarded with allusions to the building throughout the course of the novel to fully appreciate the vastness of what was coming to pass. It is because of this very idea that the reader closed the doors on this book differently than when they opened it. In Chapter 1, the character of Stamp Paid conjectures about the ways which slavery distorts and denigrates all those that come into proximity of it; especially the slave owners themselves. This is explicated through Stamp Paid's passage Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. In a way … they were right…But it wasnt the jungle blacks brought with them to this place…It was the jungle whitefolks planted in them. And it grew. It spread…until it invaded the whites who had made it…Made them bloody, silly, worse than even they wanted to be, so scared were they of the jungle they had made. The screaming baboon lived under their own white skin; the red gums were their own. (18)


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This fiery passage explains the arena of thought that everyone was encompassed in. The difference between the whites and blacks in this arena was the way each perceived the other, and the way those perceptions acted directly on the actions that each were party to. With the whites, this jungle was that of the unidentified, the mysterious, the unclear existence of the slaves which they were in possession of. The terms used to describe the whites perception of this jungle made up of African Americans were those that caused apprehension, such as "unnavigable" and "grew". These words instilled in them an idea that the jungle was gaining strength, growing, and getting bigger, causing them to even be more fearful and cantankerous towards the blacks. Their innate savagery, the same savagery that all humans possess, is what causes them to oppress, to be hardliners, and to up the level of despotism as their own insecurities and fears get upped. They release this repressive nature on the blacks to satiate their insecurities; to control something gives them a sense of control in their lives. What they fail to realize is that this way of life is counterproductive by nature, for they are the bringers of their own fears and insecurities. They caused the blacks to be this way, and by adding fuel to the fire for that many decades, they have in essence become the torch at their own burning. This jungle pervaded into all of society, and everyone was changed and acted directly on its behalf. "The secret spread of this new kind of white folks' jungle that was hidden, silent, except once in a while when you could hear its mumblings in places like 14"(1) shows that the jungle was not only growing, it was also disseminating its seeds to every home, to every person in the social order. This idea of a jungle and its spread influences the reader's views while they progress through the novel, helping them draw conclusions on the entire situation with slavery, and helps them feel more in tune with the issues presented. It also helps to explain why characters like Stamp Paid and schoolteacher felt such ways, and had such convictions, again aiding in the readers understanding of the full scheme of the novel. Frederick Jameson speaks of disalienation and how it involves a reconquest of a sense of place and the construction or reconstruction of an articulated ensemble of which can be retained by memory, mapped, and remapped by the individual along points of movable trajectories. He states that there is a difference between imagery life and real life, and the lines drawn between them are the most important. Stamp Paid drew this image of a jungle, and how whites depict blacks as compositional elements of it, while blacks think that whites, in the end, are really the base of it. This composition, this idea itself is representative in both instances as society, just in two different point of views. Regardless of whether you are a shade off of eggshell, or a shade off of mocha, you still add to the collective, which both parties fail to realize. That error proves to be helpful on the part of the reader, for through the follies of others one gains a greater understanding, respect, and conception of the event that had come to pass. Toni Morrison's Beloved is replete with imagery that allows the reader to fully understand the underlying ideas in the novel more quickly and easily. Without this, the reader would never take with him/her the ideas about slavery, its horror, and the horror of 14 Bluestone Road. Not only would the reader most probably be left thinking that the novel was a dry as the Sahara, they would probably not close the door of the book with as much ebullience as they most probably opened it with. The first three words, "14 was spiteful" explains the living, breathing characteristics of the house that should not only keep a person quivering during the reading, but should even afterwards. The strength of the words, as well as the saturation the reader should experience with these words is the essence of the novel. The way in which African Americans as a whole are described as a jungle should leave the reader breathing heavily, for it is a heavy issue to handle. The use of imagery with "the red gums ready for the sweet white blood" should not only appall the reader, but it should haunt them, for it is the history of this nation, and it isn't a pretty one. Through the use of these imagery devices, the unconscious acceptance of ideas, and the success of seeing the full scope of society in that time period, the reader is given all the tools to understand where Toni Morrison was coming from when she wrote this, as well as understanding the struggle of African Americans through these dark years of American history. Perception is reality.


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Friday, March 20, 2020

John dowland

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Background of John DowlandJohn Dowland, of Irish origin, was born in 156. He was a lutenist of distinction but failed, allegedly because he was a Catholic, to win a position in the royal service, seeking his fortune abroad at Kassel and later, in 158, at the court of Christian IV of Denmark. He was forced by debt to return to England in 1606 and eventually won appointment as one of the Kings Lutes in 161. He performed during the funeral ceremonies of King James I and himself died the following year, 166. Dowland was the composer, in particular, of one of the best known songs of the period, Flow my teares, music much imitated, epitomising the fashionable humour of the day, melancholy. Dowland himself provided an apt pun on his own name - Dowland, semper dolens (Dowland, always grieving) - although he had a reputation as a cheerful man, yet professionally embittered by his long failure to find employment at court. Dowland was above all the composer of lute-songs, publishing his first collection of airs in 157, followed by a second in 1600 and a third in 160. He left over eighty secular songs and these include Come again sweet love doth now endite, Fine knacks for ladies and Flow my teares, among many others of moving intensity. For the lute itself Dowland wrote Fantasias, and dance-movements, including Pavanes, Galliards, Almains and Jigs. Other Instrumental Music The best known of Dowlands instrumental compositions is his famous Lachrimae or Seaven Teares, for five viols and lute. This work includes a series of dance-movements, chiefly Galliards, and solemn Pavanes, using the theme familiar from the lute-song Flow my teares.


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Most of Downlands music is for his own instrument, the lute. They include several books of solo lute works, lute songs (for one voice and lute), part-songs with lute accompaniment, and several pieces for viol consort with lute. His best known work is the lute song Flow My Teares.Flow My TearesHow does the music match the mood and emotion of the words?The mood of the ayre is sombre and melancholy.The lyrics such as 'Exiled for ever, let me mourn'project a sorrowful and unhappy mood to the piece.The song is sung in first person, which makes it more personal. The lyrics are mournful and despondent and portray the experience had by the singer.This piece and others like it (renaissance period 140-1600) was performed around a large table, with each part of the score a different way up so each instrument could see his/her's part. This causes the music to be more intimate.The singer is explaining the emotions they have gone through throughout the song.In the score, bars 1-1'And teares, and sighs, and groans'.The notes ascend in step and the lute part plays between the words in antiphonal style. Because the notes go up the scale in steps, suspense is caused.Also, bars 5-6'Her sad infamy sings'.The notes descend in step forming a motif that is repeated in bar . The repetition of this four note motif shows the continual pain of the singer.Bar 1'Flow my teares, fall from your springs'.The notes descend, portraying the tears falling down someone's face.This 'word painting' is evident throughout the piece in bars such as 'that in hell'.the notes of this part of the music (B, A and G sharp) decline, depicting the descension into hell.The emotional condition of the singer is represented in bars such as 16-17'my wearie days, my wearie days. The echo represents the delicate state that the singer is currently in, depicting the effect that the other person has had on them.The grave way that the piece is performed signifies the poignancy of the piece and the disposition of the singer.Although the piece is performed in A minor, a tierce de picardie present in the end of the first section alters the piece to A major.The form of the piece is AABBC. A perfect cadence at the end of A and a sus. chord add excitement and suspense to the piece.An imperfect cadence at the end of B also adds drama.The singer is singing treble (the upper half of the vocal range), so this also causes a stimulating and appealing effect on the audience.Because there is only a voice and a lute part, the music is more personal and expressive than with a larger group of instruments.Also, this allows room for change and expression, conveying the meaning of the words in a placid yet effective way False relations give a bittersweet disparity in the piece.For exampleBar 5- Notes of G and G sharp. This juxtaposition of the two notes adds interest to the piece.Choice of key adds a dismal air to the piece, whereas if it began with a major key, the piece would not be so dramatic. Flow My Teares has no time signature which is a common occurrence in the renaissance period.Lyrics were used in place of a time signature by composers such as Dowland.The ayre is a very expressive piece because of this sanction.The words determine the rhythm of the piece.I think that because of this, the music can be interpreted in a more profound way.There is little melisma in the piece, making the words clearer and more definite. The evidence I have provided shows that Dowland's musical style is very intimate, communicative and meaningful.He uses musical ideas such as motifs to express the emotion in the words.Dowland's piece is also performed in such a way that makes the music even more personal and distinct.Instruments and lyrics match the mood of the song. The despair in the music expresses the melancholy of the words.Isobel Manley


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Monday, March 16, 2020

70S and 80s Rock MUsic

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Seventies and Eighties Rock MusicThe term ?rock music? has long been a subject of debate. With such a broad variety of artists under that genre, it is difficult to give rock a definition.Rock music today is the result of almost 60 years of popular music development, a descendant of 150?s rock ?n? roll.Originating in the mid-50?s, from Afro-American Rhythm and Blues music, artists such as Chuck Berry and Little Richard paved the way for ?white rock music? and the likes of Elvis Presley, Jerry Lee Lewis and Roy Orbison. This group of artists became the first generation or wave of rock music, and from the word go, launched the genre headlong into controversy.


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The next generation came in the shape of a ?British invasion of rock bands?[1] followed by new American artists as Bob Dylan and The Monkees. Rock ?n? roll in the early 60?s gave way to ?rock?, which was deemed not only a style of music, but a way of life. This ?way of life? was exhibited with enthusiasm by bands and artists throughout the decade, leading to the aptly named ?unholy trinity?, sex, drugs, and rock ?n? roll.Together with the likes of Cream, Jimi Hendrix and the Beatles, these bands became the predecessors, and in many cases major influences for the further two generations of rock artists.By the seventies, the very different brands of rock music were becoming apparent. These included, Art Rock, Glam Rock, Pop Rock, Punk Rock and Hard Rock.Art Rock Pink Floyd, GenesisGlam Rock Marc Bolan, Kiss, David Bowie, QueenPop Rock Billy Joel, Fleetwood Mac, BostonPunk Rock Sex Pistols, the ClashHard Rock Led Zeppelin, Deep PurpleThe fourth generation brought with it a host of Heavy Metal bands, such as Metallica, Van Halen, and Guns ?n? Roses, as well as many bands still surviving from the previous decade. These bands profited from the growing interest in rock, and after tailoring their styles to an eighties? audience, continued to prove popular, despite the growth of electronic and pop music.GenesisFormed in 167, it was ten years before this progressive rock band broke through with their first hit. While their live shows were spectacular events, with Peter Gabriel?s wild use of costumes and props, their songs were ?long, radio-unfriendly epics?[] . Their seventh album ?The Lamb Lies Down on Broadway?, a soundtrack to their stage show was a huge success, but led to the departure of Gabriel in 175, leaving the band with no frontman. This position was filled by the drummer at the time, Phil Collins. Their next album outsold all of their previous releases. When Collins moved up front, they sidestepped punk, and with their art rock inclinations encouraged by a new producer, they changed their direction in the 80?s, introducing shorter songs, and a more mainstream sound, leading them to great success with a string of Number One albums. By 187, they were named Band of the Year by Rolling Stone Magazine.The song ?Land of Confusion? is from their best-seller 186 album ?Invisible Touch?.Fleetwood MacThe saga of this rock band spans over 0 years. Probably the most well-known line-up of the band was the 175 combination of Mick Fleetwood, John and Christine McVie, Lindsey Buckingham and Stevie Nicks. The ongoing personal problems for all members, combined with immense musical talent, provided the basis for the phenomenally successful albums ?Fleetwood Mac? in 175, and ?Rumours? in 177. In addition to one of the most solid rhythm sections in rock, the strong vocals, and creativity of the songwriters made these albums both sophisticated and melodically sound.During the eighties, Fleetwood Mac released two albums, but the members were each drawn to solo careers, and with the breakdown of relationships within the band, their enthusiasm and success lessened.The song ?Rhiannon? is from the 175 album ?Fleetwood Mac?, and became Stevie Nicks? signature song.The song ?The Chain? is from the 177 album ?Rumours? and demonstrates the tightness of the rhythm section.Led Zeppelin.Formed in 168 as ?The New Yardbirds? by Jimmy Page, Led Zeppelin got their name from a remark made by Who drummer Keith Moon, who said something to the effect that they would ?go down like a lead balloon?. With Page?s heavy guitar riffs, and Robert Plant?s raw vocals, they combined the power and intensity of hard rock with the finesse and delicacy of British folk music, and redefined rock in the Seventies. Their music ranged from acoustic, folk-oriented tracks such as the infamous ?Stairway to Heaven?(171), to the groove-oriented ?D?Yer Mak?er?(17), and the len gthy, exotic-flavoured ?Kashmir?(175). ?We all had ideas, and we?d use everything we came across, whether it was folk, country music, blues, Indian, Arabic.?[] Led Zeppelin always focussed on the larger than life, and their reputation as one of the most indulgent and hedonistic of all rock bands, is an undeniable fact of rock history.Although their success continued into the late 70?s, they were criticised by younger artists and fans for being ?bloated practitioners of dinosaur rock?[4]. When drummer John Bonham died in 180, the group disbanded. The song ?Immigrant Song? is from the 170 album ?Led Zeppelin III?.The song ?D?Yer Mak?er? is from the 17 album ?Houses of the Holy?. BibliographyPhilip Dodd, 001, The Book of Rock, Hardie Grant Books, Australia.Michael Heatley (ed.), 17, The Encyclopaedia of Rock, Grange Books, London.http//www.rollingstone.comhttp//congo.demon.co.uk/genesis.htmlhttp//home.wxs.nl/~kick/home.htm Please note that this sample paper on 70s and 80s Rock MUsic is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on 70s and 80s Rock MUsic, we are here to assist you. Your persuasive essay on 70s and 80s Rock MUsic will be written from scratch, so you do not have to worry about its originality.


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"Cry, The Beloved Country": An Analysis

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Cry, the Beloved Country The book Cry, the Beloved Country by Alan Paton is a book about agitation and turmoil of both whites and blacks over the white segregation policy called apartheid. The book describes how understanding between whites and blacks can end mutual fear and aggresion, and bring reform and hope to a small community of Ndotcheni as well as to South Africa as a whole. The language of the book reflects the Bible; furthermore, several characters and episodes are reminiscent of stories from the New Testament and teachings of Christ. Thus, Alan Paton, as a reformer and the author of Cry, the Beloved Country, gives the people of South Africa a new, modern Bible, where he, like Christ, teaches to love thy brother as yourself in order to help whites and blacks overcome the fear and misunderstanding of each other. The language of the book from the very beginning reveals its biblical nature. The great valley of Umzimkulu is still in darkness, but the light will come there. Ndotcheni is still in darkness, but the light will come there also. The style includes symbols such as light and darkness, short clauses connected by and or but, and repetition. This style is used to represent speech or thoughts translated from Zulu. Jesus Christ is symbolized by the figure of Arthur Jarvis. He is a white reformer who fights for rights of blacks. Like Christ, he is very altruistic and wants to pursue his aims at all costs. His friend, Harrison, says Here [Arthur Jarvis] was, day to day, on a kind of mission. (17) Arthur Jarvis and his wife Mary agree that its more important to speak the truth than to make money. (17) Arthur Jarvis is killed in his house by Absalom, a black youth who gets entangled in crime. Absalom only intends to rob Arthur Jarvis, and the homicide is unintentional. Absalom thinks that Arthur Jarvis is out and comes into the house with two friends. However, when Arthur Jarvis heard a noise, and came down to investigate (186). Startled and afraid, Absalom fires blindly. Absalom later says in court Then a white man came into the passage… I was frightened. I fired the revolver. (14) Absaloms blind fear is symbolic of the fear, blindness, and misunderstanding between whites and blacks; these are the reasons of racial hatred. In his room, there are pictures of Christ crucified and Abraham Lincoln (176), the two men who fought for human love and compassion and were killed because of their beliefs. Arthur Jarvis can be identified with Jesus Christ. Jesus taught love thy neighbor as thyself. Roman priests didnt understand him, but they felt his power and were afraid of him. Even though Christ taught compassion, they claimed he would incite a riot and crucified him. Like Christ, Arthur Jarvis teaches compassion and love between neighbors - whites and blacks, separated by the policy of apartheid.


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The crucifixion of Jesus Christ leads to redemption, spiritual growth of many people and progress; likewise, the death of Arthur Jarvis brings reform and hope. Ironically, the tragedy brings together Stephen Kumalo, the father of a black murderer and Jarvis, the father of Arthur Jarvis, the white victim. High Place where Jarvis lives is symbolic of an elevated position of many whites. Before his sons death, Jarvis is on the hilltop, thinking in a distant, uninvolved way about the problems between whites and blacks, seeing just the white point of view. Indeed they talked about [the erosion of land] often, for when they visited one another and sat on the long cool verandahs drinking their tea, they must needs look out over the barren valleys and the bare hills that were stretched below them. Some of their labor was drawn from Ndotcheni, and they knew how year by year there was less food grown in these reserves. (16) Jarvis is not a bad person but is ignorant about the lives of blacks and the real issues that take place. After the death of his son Jarvis learns to view blacks as real people. Jarvis reads his sons papers and suddenly becomes concerned with the ideas expressed by his son and by Abraham Lincoln. Jarvis sat, deeply moved [after reading Arthurs last paper.] … [Then Jarvis] read [the Second Inaugural Address of Abraham Lincoln], and felt with a sudden lifting of the spirit that here was a secret unfolding, a track picked up again. (188) Later on, when Kumalo and Jarvis meet, Kumalo stumbles and almost faints because of the shame and guilt he feels. Jarvis doesnt yet know Kumalo is the father of the criminal, and doesnt understand Kumalos anxiety. However, Jarvis doesnt dismiss him as a dirty old parson (174) like before. Earlier Jarvis might barely have noticed expressions on the face of a Zulu, but now he has changed enough to recognize that this man does not mean to be rude. Jarvis knew this was not rudeness, for the old man was humble and well-mannered. (11) As a result of reading his sons writings, Jarvis learns about the real problems of South Africa. Most of the whites dont view blacks as real people and are unaware the problems blacks have to face. Therefore it is easy for whites to oppress blacks. In the end of the book, Jarvis plays the role of an angel coming down from above. When Jarvis returns to his High Place, he doesnt view the problems of the black community in Ndotcheni as being below him as earlier, but plays an active role in reform. He hires an agricultural instructor to teach new methods of farming and sends milk daily to the sick children. Because of one mans understanding and change of heart, many lives are saved, and finally, there is a ray of hope, thanks to Jarvis, an angel of God (4). Another character reminiscent of the Bible is Absalom, the son of the main character Stephen Kumalo, an African priest. The biblical Absalom is a favorite son of King David. Absalom goes against his father and joins his fathers enemies. However, the rebellion is suppressed and Absalom is killed. Instead of rejoicing, David bitterly weeps for his son. Absalom in Cry, the Beloved Country causes grief to Stephen Kumalo by disappearing into Johannesburg. Moreover, when Stephen Kumalo goes to look for him, the old priest is devastated to find out that his son has killed a man. When Absalom is hanged, Stephen Kumalo weeps. Like David who cries out, O Absalom, my son, my son! Kumalo too cries, My son, my son, my son! By naming Kumalos son Absalom, the author emphasizes the importance of the break of the father and son. Gertrude, the sister of Stephen Kumalo, can be identified with a Samaritan woman in New Testament. Priest Msimangu describes Gertrude to Kumalo. It would be better to say … that she had many husbands. (57) That means she is a prostitute. Likewise, Christ says to the Samaritan woman that she had many husbands, but none of them was her husband for real. When the reader notices the connection to the prostitute in the Bible, we are able to view her differently, and forgive her like Jesus Christ forgave the sins of the Samaritan woman. Kumalo can be seen as a representation of Moses. Moses takes his people on a journey. When they arrive to their destination, they have obtained a new set of laws and beliefs. Kumalos journey to Johannesburg is filled with fear. However, when he returns to his home in Ndotcheni, he has acquired a new understanding of racial problems and a capability to help his people. Even though he looses a son, a sister, and a brother, he has a new daughter-in-law, a nephew, and a grandson about to be born. The younger generation emphasizes a new beginning, a new way of life for Kumalo. By making a friendship with Jarvis, Kumalo also changes the way of life in Ndotcheni. Even though the end of the journey is filled with sorrow, it is a start anew. Father Vincent remarks to Kumalo, My friend, your fear has turned to sorrow. But sorrow is better than fear. … Fear is a journey, a terrible journey, but sorrow is at least an arriving. (140) By identifying Kumalo with Moses, the author stresses the importance of the concepts of journey and fear throughout the book. The journey of Kumalo to Johannesburg can also be seen as a loss of innocence. Adam and Eve ate from the Tree of Knowledge of Good and Evil, and after that they never lived the simple naked life of the Paradise, the garden East of Eden. When Kumalo travels to Johannesburg, he has to deal with problems he never faced in the simple agrarian community of Ndotcheni. He sees ugliness of the life there They walked down Lily street, and turned off into Hyacinth Street, for the names there are very beautiful. (5) Also, he experiences compassion and help of generous and benevolent people such as Msimangu. When Msimangu gives Kumalo a post office book that is worth thirty pounds, Kumalo put his hands with the book on the top of the gate, and he put his head on his hands, and wept bitterly. (48) Just like Adam and Eve were never able to return to primeval innocence of paradise, likewise Kumalo is permanently changed by his journey to Johannesburg. For this reason the bishop tells him, Mr. Kumalo, you should go away from Ndotcheni. (4) Because of the knowledge and understanding he acquires in Johannesburg, Kumalo cannot go back to his old way of life. In Cry, the Beloved Country Alan Paton teaches the attitude similar to Christs philosophy. Christ leads people to love and compassion, both to friends and enemies. Alan Paton wrote the book with such strong biblical references to appeal to the people to follow biblical beliefs. Alan Paton calls for an end to racial injustice, misunderstanding and alienation of black and whites. Cry, the Beloved Country examines racial hatred and turmoil from a very different perspective than most people of Patons time were used to. Because the setting and issues of this book are so removed from most readers experiences, readers can form opinions and view this book without bias, because most people dont encounter issues such as life in an African village, African landscape and draught, Zulu language, etc. People can look at issues discussed in this book as if from a distance. This makes the book universal. Paton further stresses the universality of this book by making a strong comparison with the Bible, which most people in the world are familiar with. Since the audience of the book is people from different cultures and countries, Cry, the Beloved Country can make people look from different perspectives at issues such as racial discrimination. Alan Paton wrote this book in order to stop racism and other kinds of prejudice throughout the world.


Please note that this sample paper on "Cry, The Beloved Country": An Analysis is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on "Cry, The Beloved Country": An Analysis, we are here to assist you. Your persuasive essay on "Cry, The Beloved Country": An Analysis will be written from scratch, so you do not have to worry about its originality.


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