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In the novel Beloved by Toni Morrison, the author's use of characters' surroundings as a tool to invoke a deeper meaning in the situation and story as a whole adds to the readers absorption of what is going on and what is being felt by each individual. With the images elucidated through these surroundings, the reader understands the implications and meanings around normal everyday places better, because they see what the character in the novel sees, instead of just their filtered perception of the location. There are two instances in the novel where this idea can be seen very clearly. First, the opening of the novel when 14 Bluestone Road was described as spiteful shows that this inanimate object is given characteristics, and is almost being transformed into a living character. The people who dwell in these halls, as well as those that come and go, attribute a distinct quality to this structure, and it is this quality that helps certain notions seep into the reader's mind. This seeping is what Raymond Williams speculates about in the excerpt from The Country and the City, where he talks about having to tap a reader's unconscious for them to fully comprehend the implications of certain elements of the novel. Secondly, in Chapter 1, Stamp Paid has an entire passage about the jungle, and how it has become a living breathing entity through which individuals can be compared, and society's reasoning behind beliefs can be attributed. Frederick Jameson explains that the convergence between an individual's imaginary relationship to his real condition of existence allows him to fully view society's structure as a whole, and gives him a full scope of what is going on around him. Through reading Beloved, we can see that Morrison uses descriptions of locations to induce an unconscious sense about the place and situation that would not normally be attributed, if not for the rhetoric used. Beloved starts off with the line "14 was spiteful. Full of a babys venom. The women in the house knew it and so did the children. For years each put up with the spite in his own way, but by 187 Sethe and her daughter Denver were its only victims." Morrison's reasoning behind this line is to introduce 14 Bluestone Road as a significant factor in the story right off the bat. The description of the house as spiteful and full of baby's venom gives the reader the impression that the dwelling is not only an actor in the story that is about to ensue, but one of great import that changes or has changed the course of events involving the women inside. Now in order to understand this quote, and its impact on the reader, it must be broken down. The number 14 sets up the chilling story of slavery in a certain black household. 14 Bluestone Road is also haunted by the ghost of the baby of the Sethe, the protagonist. Now the number 14 gives the reader much to work with and consider throughout the novel. Sethe was the mother of four children, the third youngest dying by her hand. Therefore, the 1st, nd, and 4th were her only children remaining, and her third was the one haunting the residence, giving a tremendous amount of significance to the home right away. Next, 14 Bluestone Road has been referred to as a home more times in this essay than in the entire novel, giving the reader the notion that it is as warm and inviting as a Zagreb bunker. The building is being characterized as scary to say the least, having horse drivers speeding past the structure and tenants speaking of the residence as having outrageous behavior such as exuding bursts of unpleasant smell into the air. With this information, we can now see that tenants are not the only ones disturbed by the house; outsiders are as well. The reader, with this knowledge, has already formulated their own feelings about the building, how they would react and feel towards it, and the degree to which the house is really haunted and unpleasant. All this was possible through the simple use of strategic language at strategic times, such as the very beginning of the novel. This strategy proves to pervade the entirety of the novel, as can be seen by the reference to the home with words such as "14 was loud" and "14 was quiet". The reader could never take away these interpretations of 14 Bluestone Road without these unconscious manipulations. Raymond Williams postulates that "so much that was important, and even decisive, could not be simply known or simply communicated, but had…to be revealed, to be forced into consciousness." One cannot be expected to simply understand the enormity of the force that lived in 14, nor could they understand what that establishment was perceived as by the entire community with just a few sentences in the beginning of the novel that gave a brief groundwork to the setting. The reader has to be constantly, strategically, yet casually bombarded with allusions to the building throughout the course of the novel to fully appreciate the vastness of what was coming to pass. It is because of this very idea that the reader closed the doors on this book differently than when they opened it. In Chapter 1, the character of Stamp Paid conjectures about the ways which slavery distorts and denigrates all those that come into proximity of it; especially the slave owners themselves. This is explicated through Stamp Paid's passage Whitepeople believed that whatever the manners, under every dark skin was a jungle. Swift unnavigable waters, swinging screaming baboons, sleeping snakes, red gums ready for their sweet white blood. In a way … they were right…But it wasnt the jungle blacks brought with them to this place…It was the jungle whitefolks planted in them. And it grew. It spread…until it invaded the whites who had made it…Made them bloody, silly, worse than even they wanted to be, so scared were they of the jungle they had made. The screaming baboon lived under their own white skin; the red gums were their own. (18)
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This fiery passage explains the arena of thought that everyone was encompassed in. The difference between the whites and blacks in this arena was the way each perceived the other, and the way those perceptions acted directly on the actions that each were party to. With the whites, this jungle was that of the unidentified, the mysterious, the unclear existence of the slaves which they were in possession of. The terms used to describe the whites perception of this jungle made up of African Americans were those that caused apprehension, such as "unnavigable" and "grew". These words instilled in them an idea that the jungle was gaining strength, growing, and getting bigger, causing them to even be more fearful and cantankerous towards the blacks. Their innate savagery, the same savagery that all humans possess, is what causes them to oppress, to be hardliners, and to up the level of despotism as their own insecurities and fears get upped. They release this repressive nature on the blacks to satiate their insecurities; to control something gives them a sense of control in their lives. What they fail to realize is that this way of life is counterproductive by nature, for they are the bringers of their own fears and insecurities. They caused the blacks to be this way, and by adding fuel to the fire for that many decades, they have in essence become the torch at their own burning. This jungle pervaded into all of society, and everyone was changed and acted directly on its behalf. "The secret spread of this new kind of white folks' jungle that was hidden, silent, except once in a while when you could hear its mumblings in places like 14"(1) shows that the jungle was not only growing, it was also disseminating its seeds to every home, to every person in the social order. This idea of a jungle and its spread influences the reader's views while they progress through the novel, helping them draw conclusions on the entire situation with slavery, and helps them feel more in tune with the issues presented. It also helps to explain why characters like Stamp Paid and schoolteacher felt such ways, and had such convictions, again aiding in the readers understanding of the full scheme of the novel. Frederick Jameson speaks of disalienation and how it involves a reconquest of a sense of place and the construction or reconstruction of an articulated ensemble of which can be retained by memory, mapped, and remapped by the individual along points of movable trajectories. He states that there is a difference between imagery life and real life, and the lines drawn between them are the most important. Stamp Paid drew this image of a jungle, and how whites depict blacks as compositional elements of it, while blacks think that whites, in the end, are really the base of it. This composition, this idea itself is representative in both instances as society, just in two different point of views. Regardless of whether you are a shade off of eggshell, or a shade off of mocha, you still add to the collective, which both parties fail to realize. That error proves to be helpful on the part of the reader, for through the follies of others one gains a greater understanding, respect, and conception of the event that had come to pass. Toni Morrison's Beloved is replete with imagery that allows the reader to fully understand the underlying ideas in the novel more quickly and easily. Without this, the reader would never take with him/her the ideas about slavery, its horror, and the horror of 14 Bluestone Road. Not only would the reader most probably be left thinking that the novel was a dry as the Sahara, they would probably not close the door of the book with as much ebullience as they most probably opened it with. The first three words, "14 was spiteful" explains the living, breathing characteristics of the house that should not only keep a person quivering during the reading, but should even afterwards. The strength of the words, as well as the saturation the reader should experience with these words is the essence of the novel. The way in which African Americans as a whole are described as a jungle should leave the reader breathing heavily, for it is a heavy issue to handle. The use of imagery with "the red gums ready for the sweet white blood" should not only appall the reader, but it should haunt them, for it is the history of this nation, and it isn't a pretty one. Through the use of these imagery devices, the unconscious acceptance of ideas, and the success of seeing the full scope of society in that time period, the reader is given all the tools to understand where Toni Morrison was coming from when she wrote this, as well as understanding the struggle of African Americans through these dark years of American history. Perception is reality.
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