FAS

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FILTHY NHS hospitals kill 5,000 patients a year, a shock report claims. They die from infections contracted during treatment for other conditions. But as patient care plummets, the report says billions of pounds are spent hiring increasing numbers of penpushers. The report by the respected Centre For Policy Studies says the number of managers hired under Tony Blair since 17 has soared by 50 per cent but there are only eight per cent more qualified nurses.

They are employed to ensure Government ministers' targets are met and a new one must be hired for each new target. The thinktank report warns there are now 70,000 penpushers running the NHS compared with 185,000 beds. But it says the most alarming example of management failure within the NHS is Hospital Acquired Infection. The term for secondary illnesses picked up in hospital affects 00,000 patients a year and kills 5,000 of them. Such infections also contribute to the deaths of another 15,000. Failed reform ... Tony Blair HAIs costs the NHS £1billion a year and take up .6 million bed days annually. Only one in 0 doctors and nurses wash their hands between touching patients who are 15 times more likely to catch an HAI in Britain than in Sweden or Holland. Professor Hugh Pennington, an infection control expert, said "I have investigated slaughterhouses cleaner than some hospitals." The report documents a retired GP whose wife died of an HAI reporting how he spotted old sticking plasters, disposable syringes, dead flowers and sweet wrappers under her bed. A former consultant in Glasgow reported soiled toilet paper and a blood-stained theatre gown in a loo. At another hopsital, a consultant revealed surgeons shoes were caked in old blood. Cleaning firms refused to change the water in their buckets unless it was stipulated in their contract. Medical staff have no direct control over them. The dossier says "The Government has created the bizarre situation where hospitals take on managers to evaluate a service that is deteriorating because of their appointment." It adds "Political correctness, the power of the unions and centrally set targets all take precedence over the well-being of patients. "Their care is almost incidental."

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From Conception to Consumption

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Most people are completely ambivalent about meat. They like to eat meat, yet they do not like to know exactly how the food found its way to the dinner plate. Lovenheim's "Portrait of a Burger as a Young Calf" portrays Loveinheim as both a narrator and moral actor as he follows the lives of two beef calves on a dairy farm and experiences what exactly happens from birth to death. Americans have a strong disconnect about where food comes from and make critical judgments about farming, but in actuality, the farming industry is necessary because it feeds the entire nation. Many situations in the book stood out and left an impact on how food is actually prepared before being sent to the supermarket and what exactly we are eating. Promotional toys sold at fast food chains, the treatment of calves once they are born, and raising calves for the sole purpose of food are significant perspectives in the book that left lingering thoughts and perplexed ideas about the whole cattle industry. Fast food chains are often selling cute little animal toys to go along with a kid's meal. Being naïve about the correlation between animal toys and burgers at a fast food chain, children and many adults never think twice about the irony of the whole situation. The truth is however, that what the world sees as a hamburger rarely crosses our minds as a cute furry animal. On a trip with his family, Lovenheim waits in line with his daughter to buy a beanie toy that comes with the Happy Meal. Surprised, he saw that a bright red bull named "Snort" and a black and white cow named "Daisy" were two of the options for the beanies. This situation reveals much about how Americans think about food. Loveinheim states "It seemed to me the McDonald's-Beanie Baby promotion revealed a deep disconnect between what we eat and where it comes from" (xii). People on average, do not tend to think about how their food gets from "point a" to "point b" as is clearly illustrated by McDonald's offering cute animal toys to children with the actual dead animal on the side. People may be so naïve because they find it best not to admit and acknowledge the truth. Many people know that a burger comes from a cow, poultry comes from a chicken, and bacon comes from a pig, but it's the actual idea of killing the animal and preparing it to look like the food in restaurants and our dinner tables they we usually leave out of our minds.

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Loving all kinds of meat, as well as all kinds of animals, I believe I fit very well into the category of "trying" to be naïve about the real facts of meat and where it comes from. When I was a kid, I even had a stuffed pig that I would bring everywhere, probably even to food chains like McDonalds or Burger King. I never thought twice about where my food came from, and to this day, I still really do not. It's almost like the "American way" to not ask questions and just eat what you get. If I lived on a farm like Lovenheim did and experienced what he experienced, my thoughts and opinions would change about where meat comes from. Being around animals all day and then realizing what they are there to do would make me feel too nauseous and guilty about eating meat. Until then, I find it best not to think about it and let the farmers do the raising. Another idea in the novel that was a bit perplexing was how farmers treat the calves once they are born. What was most disturbing was the segregation by sex of newborns and the denial to males of colostrums. The essence of the mothers milk helps infant animals build strength and immunity. Sadly, male cows are quickly removed from their mother once they are born like the calf from mother cow #160. The calf was quickly taken away from its mother after a short 40 minute time with her and #160 was left pacing back and forth wondering what happened to its child. This situation was completely heartbreaking and also confusing as the calf only stayed with its mother for less than an hour. But learning the ways on a dairy farm, the brutal truth is that, for human purposes, the males dont need colostrums because they dont produce milk, and their only value is to be turned into hamburger or some other kind of meat. The males therefore, often end up sick throughout the book, because they did not receive appropriate nutrients when they were young. Of course the calves would need to be taken away from their mother at some time, but I never realized how "quick" and insensitive the process seems to be. The hard fact to realize is that the cows on the farm are treated like money and not like a family friend. Things are done a certain way in order for work to be efficient. The farming industry is a business devoted to distributing meat and other animal products. Cows therefore, are losing part of their natural life cycle with their mother in order to become what we buy in the stores. A final thought about Lovenheim's book was simply the fact that farmers were raising cows just so they could kill them in several months. To me, this seems to be really inhumane. The farmers get to know the cow, spend time with it, and then kill it after a specific time period. After reading the book, I still thought this action was pretty cruel, but realized that the workers on the farm do it for a living and have probably adjusted to the killings of the animals they have taken care of for months. As Marshall states, "I grew up on a farm loving cows. I still love cows to this day; I just have to make a living out of it" (46). It's their job to raise the cattle, and then be able to have it killed, so they must be really devoted to their job. Not many people are involved in the farming industry so it's a good thing at least some are. Loveinheim's book did a great job at portraying life on a dairy farm and what cows go through from the time they are born till the time they die. There is indeed a great disconnect between what we eat and our knowledge of where it comes from. Most Americans tend to stay clear of knowing where their food comes from and let the farmers do all the "dirty" work. The farming industry is very hard working and makes up very little of the population, yet supplies the entire world with the food on their tables.

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Animal Shelters

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Established in 16 to help solve the problem of abandoned animals, we have become the largest and most successful no-kill animal shelter in North Carolina. Last year we found loving homes for approx. 000 abandoned pets and provided spay/neuter services for approximately 000. We currently house approx. 700 animals. Our cooperative agreements with animal control and humane organizations across the state have reduced the euthanasia rates in some counties by as much as 50%, thus saving taxpayers money and saving animals lives. Last year we saved approximately 800 lives that were slated for euthanasia. We are the only shelter that specializes in rescuing these forgotten pets. We also receive animals being abandoned by their owners. Many we find left at our gates, some tied to the trees. We received over 800 anonymous animal donations this way last year. Please, give generously - volunteer - donate - adopt - foster. We at The Haven every day must meet the challenge of providing for 700 resident animals as well as doing our best to respond to approx. 50 calls per day from people seeking to surrender an animal. Last year we provided direct care for over 000 animals, most of them are now adopted. Please make sure that the Haven has the resources to stop the abandonment and convenience killing of our communities' homeless animals. These homeless animals challenge us every day; will we notice them? Will we help them? Will we be there for them tomorrow?Buy cheap Animal Shelters term paper

A visit to an animal shelter will prove that acting on impulse or appearance is NOT the way to welcome a pet into your home. The 8 to 1 million homeless cats and dogs that arrive in shelter each year (Cumberland County puts 800-1000 animals to sleep EVERY SINGLE MONTH!!) 5% of the homeless animals are purebreds. You stroll past kennels filled with hopeful animals, young and old, purebred and mixed breed, and must choose just one pet wholl depend on you the rest of its life. Theyve already seen bad luck. They are all intensely appealing. But PLEASE do your homework before deciding.

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Discuss the relationship between text, author and reality using any two of the theories.

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In the simplest terms, one can define feminism as the advocacy of women for equal rights with men. Although it is a process that is mostly political, it has been noted that this movement had its roots long before the twentieth century, when it gathered political momentum. Indeed, it was first felt in the literary world with writers like Mary Wollstonecraft (175-177), who presented a rather new perspective to the life of women. Like other feminists, she understood and complained about all the ways that men used to exclude women. However, for her, feminism was mostly about women, and about how they should be educated to fulfill their aspirations and potentials. To her, the male and female roles were complementary rather than synonymous, and, this, in turn, made her believe firmly that the male-female relationship could be and should be improved upon. It is believed that Mary Wollstonecraft was one of the first feminists. When her famous 'The Rights of Woman' was first published, Jane Austen (1775-1817), must have been in her formative years. Since we know that she was not restricted in her access to knowledge, it is quite natural for her to have been influenced by W. Mary's writings and views. However, while W. Mary and Jane shared the same ideas, the difference in their social circumstances and their own family influence made them react to them following different attitudes. The latter advocated that the status-quo remain the same specially in the genteel world she lived in and depicted so well in her novels and that the women should be allowed to have a better access to education to improve their chances in life. The former, on the other hand, backed the idea that the women needed to fight for their own rights by themselves, for the men were little likely to help them. W. Mary understood that some women are, indeed, victims; however, she also recognized that many other women gain complete control through manipulation, pestering, or with the aid of other artful female ways. Jane Austen understood this as well and illustrated that kind of woman in the characters of Mrs. Bennet, Charlotte Lucas in 'Pride and Prejudice'. In Jane Austen's novels, namely 'Pride and Prejudice' and 'Sense and Sensibility' we find that the woman is looked at from another woman's point of view, and not from that of a man, like in Daniel Defoe's (1660-171) 'Moll Flanders' . Here, the very fact that Jane Austen has chosen a female bildungsroman is indicative of a wish to give a voice to women. She does not try to prove that women are superior or inferior to men. What she drives at, is that both sexes are prone to have elements that are faulty. Mr. Collins is as laughed at as Mrs. Bennet, for his pompous and servile attitude. Thus, as for existentialist feminists, for her, the difference between the two is only biological and that difference should not hold any of the two back from flourishing intellectually, or socially.The female characters she presents to us are very interesting. Some are caricatures, like Mrs. Bennet or Lady de Bourgh or even Miss. Bingley. Through her wit and humor, Jane Austen makes us laugh at these women who very readily embody the characteristics that the male dominating society associates with women. Through them, we are reminded of the limited space women have to evolve in. A space that is mostly physical, like the parental house the women leave only to go to their friends' and relatives, or for shopping, or to balls. Furthermore, they cannot go anywhere alone, and when Lizzy does so, she is condemned by members of her own sex, who, in this act, see"an abominable sort of conceited independence, a most country town difference to decorum."(8)

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It is to be noted that the decorum these ladies are so much in favor of, is one that has been imposed by a chauvinist society, one that has been devised to control women. Thus, in this novel, we see that women are better jailers of the members of their sex than men The space that is prohibited to women is not only physical, but intellectual as well. This can clearly be seen in Mr. Bennet's attitude"In his library he had been always sure of leisure and tranquility; and though prepared, as he told Elizabeth, to meet with folly and conceit in every other room in the house, he was used to be free from them there;"(115)It is only the favorite ones Lizzy and Jane who have access to this haven of knowledge in a most suitable way. The two extremes of the influence of education, transcribed in their reading habit, can be seen in the case of Mary and Lydia. The former is mockingly qualified by her father as " a young lady of deep reflection…and read great books, and make extracts."(55)As for Lydia, she only reads popular love stories and is so much influenced by them that she turns out to be so frivolous that she " could talk of nothing but officers;" and finally elopes with one of them. The woman therefore has few means to escape from the limitations laid on her. We see that Mrs. Bennet and Mrs. Phillipes indulge in gossiping. For them, knowledge of what is going on elsewhere gives them the feeling of actually being there. Lydia and Kitty read about fictitious heroes and heroines. It is only in this imaginary world that they can live the way they want to. Their frivolous attitude, can in fact, be seen as a means of surrendering. They can not fight the men and the patriarchal rules, so they live by the same rules and try to be as popular as possible among the controllers, the men. The feeling of "otherness" that they have to live with, is in fact socially construed. This forms part of the existentialist feminism. This theory has evolved around the fact that the women are different from the men biologically, but then, that the men have used this difference to further alienate the women and make them feel inferior.This fact is further enhanced in the novel through the "entailment" process in the Bennet family. The female lineage of the family at that time was seen as too weak to be able to look after themselves, let alone an estate. In this society, a spinster, a widow or any other woman who is bereft of male support is not to be tolerated. In 'Sense and Sensibility', however, Mrs. Dashwood is left at the care of her step-son, but the latter is at liberty to choose the way or extent he wants to support her and his step-sister. The woman therefore has to accept male rule and in some cases charity to be able to survive. It is therefore not surprising to find the girls hunting for financially secure, if not rich husbands. In Daniel Defoe's "Moll Flanders", this hunt has been exaggerated to the extent of being compared to legalized prostitution. But in Jane Austen's novels, this same attitude is highly appreciated by the society in general, and the young Janes, Lizzys, Charlottes, Mariannes and Elinors are compelled to consider such attributes more heavily against their own personal preference. "it was the only honourable provision for well-educated young women of small-fortune"(16)Happiness in marriage, is truly a matter of chance for these young ladies, Charlotte tells us.Mrs. Bennet is one, who typithises such a behavior. She refuses to talk to Lizzy on the latter's refusal to marry Mr. Collins"…or I will never see her again."(15)she literally throws Jane in Mr. Bingley's arms"We may as well leave them by themselves you know;"(50)the fortune of Mr. Darcy suddenly makes him the most handsome, most suitable son-in-law."how rich and how great you will be!…pray apologise for my having disliked him so much before."(86)Charlotte is successful in the mercenary transaction the society prones"marriage had always been her object;""I ask only a comfortable home;"However, we also find another attitude in the higher society, the de Bourgh's family. Here we find that she does not have to depend on anyone despite being a widow herself, and that her daughter is to inherit her estate afterwards. Hence we are reminded of the Marxist attitude towards feminism. For them, the consideration of social class and income are more important determinants of the quality of life and status than the difference between gender. This fact is further accentuated by the attitude of Mr. Wickham and Colonel Fitzwilliam, and Mr. Willoughby, who indulge in the pursuit of a wealthy woman to marry to assure their own financial security."…and there are not many in my rank of life who can afford to marry without some attention to money."(16)Thus, money has become the power that controls everything in this society. It gives status and importance to those who possess it. Very few people still consider high birth as an factor. The 'nouveaux riches' or tradesmen like Mr. Lucas are being introduced to St. James court because of his newly acquired wealth.What we see in most of the characters in this novel is their readiness to adopt the rules laid down by the patriarchal society. The women think themselves fragile, just as the men think of them. This is very well demonstrated in Mrs. Bennet. The latter "fancied herself nervous"quite often, that is, every time she is contradicted. Although, here we might say she is trying to assert herself by showing her opposition, the weapon she chooses, however, is not the appropriate one. For, after all, hysteria is a condition that only delicate and unstable people, that is, women face in a male dominated society; and her nervous conditions only amuse the one to whom she shows her revolt, her husband. "Frailty thy name is woman", Hamlet's word come to our mind very readily on thinking of Mrs. Bennet.However, in the person of Lizzy, we are also made aware of another possibility. She clearly distinguishes herself from the other female characters of the novel, even her sister, Jane, by her own full fledged personality. Through Lizzy, we are shown the hope for the woman race in general. Thanks to her, we learn that all females are not as empty headed as Lydia, as foolish as Mrs. Bennet, or as compliant to male authority as Jane. Lizzy is the one who has her own opinions, who asserts herself wherever she goes. She trudges on the thin border of reason and radicalism. Mariane, to some extent, more specifically, in the later part of the novel, can be compared to her.In the male dominated society, the 'phallus' that is seen by so many as the symbol for power, is replaced by money. Here, it is THE one who has more of it, who controls the reign. Charlotte tries to get this phallus by marrying Mr. Collins. Lady de Bourgh, is wealthy, but then, she quite vividly comes to our mind as a woman with very manly characteristics. It has been noted that underprivileged members of a society try to acquire more power by trying to take over the main weapon of domination. We find the same here. The women try by hook or by crook, to secure rich husbands to be able to get the security money bestows on its owner. Lizzy also shares the same notions, as we see when she speculates on how Mr. Darcy and herself are suited for each other"…from his judgement, information, and knowledge of the world, she must have received benefit of greater importance."Even if it is not the actual wealth that she covets like the others, she does reckon the power and other advantages she can acquire through her marriage with Mr. Darcy. However, she is neither blinded by the quest for wealth- or she would have married Mr. Collins- nor is she blinded by the foolish notion ultra-romantic love or she would have encouraged Mr. Wickham whom she first saw as the best man she ever knew.Thus, we can say that in Jane Austen's 'Pride and Prejudice' and 'Sense and Sensibility', feminism is very important in the sense that it highlights the conditions of life of the women. In her novel, we are shown the fight for power between the women and the mechanisms used by the male oppressors through society to exert their control over the women. We are also made aware of the fact that it is not gender equality that they should be fighting for, but rather, that they should make a place of their own in the society. This stage can only be achieved through intellectual enlightenment of the women as a whole and their rejection of stereotypical categorizing of women.

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Franklin Roosevelt's First Fireside Chat

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The Great Depression that began in 1 in the United States of America proved to be a test of everything America stood for. The fears and doubts Americans had towards the US banks caused everything to crumble. Obviously, many things contributed to the fall of the economy, and many things transpired to make the depression last as long as it did, but the lack of trust by the American people in established banks and other monetary institutions was the major catalyst. This lack of trust is what Franklin Delano Roosevelt addressed in his first Fireside Chat as president. When Franklin Roosevelt took his oath of office, America had already been four years into the depression. Roosevelt had a big task before him, the task of restoring American trust in established banks and other institutions as well as restoring trust in the government. The American people trusted the banks October 1, 1, but after this dreadful day, the citizens of the United States figured that their money was safer sitting under their mattress at home. This fear caused thousands of people to go to the bank and try to withdraw their money. The problem was, banks didn't have enough liquid cash on hand to fulfill these withdrawal requests. So instead of giving the people their money they had to tell them that they didn't have any money. This obviously scared the people and the whole thing just snowballed into the Great Depression. This is the background information one needs to know in order to read Roosevelt's first Fireside Chat. In this Chat he states in the first sentence, "I want to talk for a few minutes with the people of the United States about banking." Basically, in the opening of the speech he made it very clear that he wanted to let everyone know what had happened, what the current status was, and where things were going in the very near future. "I want to tell you what has been done in the last few days, and why it was done, and what the next steps are going to be." This basically lets the people know that they will know and understand everything that they need to know, and allows them to place their trust in the person who told them. Very soon after this Roosevelt explained why there was not money in the banks when people went to withdraw. He was making sure that everyone was on an equal ground of understanding, that they knew about how and why the banks invest the money. Next Roosevelt explained that the reason he issued the proclamation that provide for the current national bank holiday was because a week earlier, barely a single bank was open for business. Roosevelt declared that this was "the first step in the government's reconstruction of our financial and economic fabric." Of course, this speech was not the only thing Roosevelt was doing in order to get the country out of depression. This was just the beginning of what he called the "New Deal" or basically just a whole new attitude taken by the government. He knew that the only thing that would help the United States during this time was a total change in the interaction between the government and the people.

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He came right out and said this in his inaugural speech stating that "this is pre-eminently the time to speak the truth, the whole truth, frankly and boldly . . . the only thing we have to fear is fear itselfnameless, unreasoning, unjustified terror which paralyzes needed efforts to convert retreat into advance" (Nardo, 18). These powerful words prepared the American people for the major change of direction that Roosevelt would bring to America. This change can be seen in his first Fireside Chat and is evident in several different parts. "I do not promise you that every bank will be reopened or that individual losses will not be suffered, but there will be no losses that possibly could be avoided; and there would have been more and greater losses had we continued to drift." This statement accomplishes three things. One, it shows that Roosevelt is not making empty promises. Two, it shows that Roosevelt is willing to tell the truth. And three, it tells the people why this change is necessary now. The American citizens were not stupidthey knew that losses had to happen and they would not trust a president who attempted to ignore these and instead silver coat everything. The last 0 seconds of his Chat are perhaps the most powerful, and rightly so. He basically talks about how nothing he or his administration does will work without the people's confidence and trust. "Confidence and courage are the essentials of success in carrying out our plan. You people must have faith; you must not be stampeded by rumors or guesses. Let us unite in banishing fear. We have provided the machinery to restore our financial system; and it is up to you to support and make it work. It is your problem, my friends, your problem no less than it is mine. Together we cannot fail."Roosevelt knows that there is no way he can expect to earn the confidence and trust of the American people without leveling with them, and identifying with them. So by saying it is the American people's problem no less than it is his, Roosevelt proves that he is one of them and willing to take on the responsibility of the problem. Obviously this one speech can not be credited with bring America out of the Depression but it was the beginning. It set the tone for the way the new government would interact and represent the people. It proved that Roosevelt's inaugural speech was not just empty words and promises of a new president. There's no telling what state the United States would be in today had Roosevelt not led the country on this new path of honesty and trust. It wasn't an easy task to earn the trust of so many people but Roosevelt did it, and the proof lies in the fact that he was re-elected after 4 years. This Fireside Chat was the beginning of a much loved tradition during this time. The American public learned to trust and even love this honest and fearless leader, and because of this, America emerged from a dark and dreary time. Works CitedNardo, Don. The Great Depression. Greenhaven Press, Inc. San Diego, CA. 18. Please note that this sample paper on Franklin Roosevelt's First Fireside Chat is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Franklin Roosevelt's First Fireside Chat, we are here to assist you. Your persuasive essay on Franklin Roosevelt's First Fireside Chat will be written from scratch, so you do not have to worry about its originality.

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Gone With the Wind in comparison with Glory

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The films Gone With The Wind and "Glory" directed by David Selznich and Edward Zwick respectively, discuss similar themes. These are both film classics and important movies based on the American Civil War. There are many different themes and issues raised in both movies and the messages presented vary in purpose. "Gone With The Wind" is a movie that was created with a vision for entertainment and is a classic tale of a love-hate romance set before and during the civil war. "Glory" however, was made with the purpose to inspire, inform and educate society of the crucial involvement of the Black-American soldiers during the American Civil War. Gone With The Wind is the most beloved, enduring and most popular film of all time with three years of advanced publicity and Hollywood myth-making, three and a half hours running time (with an intermission) and a gala premiere on 15 December 1 in Atlanta. The highest-grossing film status and the use of Technicolor (the 11th movie ever to use this), the film was a blockbuster in its own time. Gone With The Wind is an historical epic, a classical tale of a love-hate romance during the American Civil War with many issues such as birth, death and the recreation of a civilisation. It is a story of jealousy, greed, persistence, obsession and the love of a land. The determined heroine, Scarlett O'Hara struggles to find love during the Civil War years and afterwards, seeks refuge for herself and her family at the much-loved plantation 'Tara'. Authenticity is enhanced by the costuming, sets, and music."Glory" also explores similar themes that were present in Gone With The Wind, but it does so in a different way. "Glory" was the first major Hollywood film to acknowledge the essential contribution of the African-American soldiers. It was made to inspire and educate the audience on issues that were rampant during the Civil War. These themes included racism, slavery, freedom, honour, pride and in particular bravery. It achieves its powerful impact by carefully setting up the terrible conditions of the human spirit, from the cruelty of black slavery. The film tells the story of the 54th Regiment of the Massachusetts Voluntary Infantry. It is an all-black unit, comprising of Northern freemen and escaped slaves. The 54th Regiment served admirably in battle until they made their vital demonstration of bravery during the almost suicidal assault on the Confederate Fort Wagner in Charleston, South Carolina. Colonel Robert Gould Shaw (played by Matthew Broderick) is selected to lead the 54th Regiment, the first all black regiment of the Civil War. He struggles for the respect from his men, but his tenacity as a leader brings admiration from his men and his peers. Among the natural leaders of the 54th were Trip (Denzel Washington), an escaped slave and John Rawlins (Morgan Freeman), first seen in the film as a gravedigger. "Glory" is a more realistic and believable movie, especially the fact that none of the movie was a fantasy or dream. It has very dramatic scenes such as exploding heads and fierce battles. Until this movie was released, many people were unaware of the black soldier's contribution to the Civil War. Gone With The Wind however created more of vision based film, written for the entertainment of a willing audience.

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Both the films were based on novels. The Gone With The Wind script was derived from Margaret Mitchell's first and only published, best selling novel. David O. Selznick (director of Gone With The Wind) acquired the film rights to Mitchell's novel for $50,000 a record amount at the time. "Glory" alternatively, was based on the books Lay This Laurel, by Lincoln Kirstein and One Gallant Rush by Peter Burchard. The wartime letters of Robert Gould Shaw contributed to historical value of the film. One of the advantages that film has over radio, television and novels, is the ability that the creators have to heighten and develop meaning in the characters. This can be done in many ways such as the background music, the background setting, the costumes or clothing that the actors and actresses are wearing and the portrayal of the personality of the character. Gone With The Wind can without doubt be confirmed as a 'classic' as it fits into most of the required criteria. The film has a unified, believable plot, with the storyline following Scarlett during the lead up and then the journey through the Civil War. The film has a complex plot with complex characters and the characters will (and have been for many decades) remembered long after. The actors and actresses are believable although parts of the film have been over exaggerated. Gone With The Wind also has many memorable scenes (such as the 'Frankly my dear, I don't give a damn) and characters, such as Scarlett O'Hara and Rhett Butler. The classic film has broken technological ground and has had an undeniable influence on altering and advancing the development of cinema. Technicolour was so new during the making of Gone With The Wind that all the Technicolour cameras (seven) had to be used for the burning of Atlanta scene. The historical significance and achievement of this film will forever and a day be understated. "Glory" is also considered as a classic film of its genre. The film with its strong performances and vivid relationships changes the views and opinions of the audience watching the film and has many memorable scenes and characters. An example of this is the scene where Denzel Washington's character Trip, is heartbreaking flogged. "Glory" too has a special quality of excellence in acting from the courageous Morgan Freeman. With a universal theme, the film has meaning and relevance to people of all ages. "Glory" and Gone With The Wind have many similarities in the theme, medium of film used and issues, however there are also many differences. "Glory" is a strong and dramatic film, while Gone With The Wind is a fantasy film. Both the films can be classified as classics as both of the films fit into the required categories of a film classic.

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Engorged on the cruxific

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Engorged upon the CrucifixA Study into the Relation of Religion, Sodomy and its RepercussionsThrough the life and times of the Marquis de SadeThe Marquis de Sade's fictional writing reflects, to a certain extent, the events of his life. From his tormented mind came libertine works of sodomy, bestiality and unnamed other debaucheries. These images of carnality, though, do not come solely from the depths of Sade's imagination, but instead emerge from his personal sexual experiences. The Marquis' novels, plays and other writings, are a way for him to indulge his nymphomaniacal tendencies while he is (as was often so) confined to a jail cell, or asylum. To truly understand the purpose of Sade's writing it is necessary to examine the happenings of his life.

In 1740, on the second day of June, the Countess de Sade gave birth to a son bearing the Christian name, Dontatien Alphonse Francois, later to be known, in pen, as the Marquis de Sade. He would, throughout the rest of his life, refer to himself as Louis Aldonse Dontatien on any legal documents. This name is presumably that which was intended for him but lost in translation by the church. The Marquis's father was not a presence in his life, as he was an ambassador and often away on diplomatic duties. Sade's earliest years were spent at the Conde mansion-- his mother was lady-in-waiting to the Princess de Conde-- as a playmate to Prince Louis Joseph de Bourbon, who was four years his senior. One day, in 1744, during a game, Sade, although of a lesser age and rank, became infuriated with the Prince's "obstinacies" and beat him until he himself had to be violently removed. This, along with other reasons of necessity, forced the Marquis to vacate the Conde mansion and move to his family's ancestral mansion in Avignon. It was here that he was tutored by his pedagogic uncle, the Abbe de Sade d'Ebreuil. He would become a favorable figure in the eyes of Sade throughout his life. Sade's secondary education came from a Jesuit institution in Paris by the name of Louis Grande College. It was here, through the many school plays, that the Marquis was exposed to the world of drama and comedy; though, because of his lower school standing he could not take part in the productions. Another aspect of a Jesuit education, which ironically entered into much of the Marquis's writing, was their practice of flogging. This involved the "tanning" of the subject's buttocks by way of striking repeatedly with an object. This seemingly malignant form of corporeal punishment often doubled as pederasty. Although it is undocumented, it is suggested in the Marquis' writing that he was subject to this more then once during his stay at the College. One passage that points towards this is found in a short ditty the Marquis, "And you, Messieurs Jesuits, / Come one and all, come swiftly-- / Do not delay in sampling my reed pipe." Sadly, the Marquis was never known for his musical talent, so it is clear this "reed pipe" is most likely his skin flute. It might have been this early exposure to anal sex that shaped his libertine aversion to the female vagina, "Your authentic sodomist will always come unerect at the sight of a cunt." This philosophy most likely arises from the destructive nature of the Marquis' sex life. The female vagina is too closely linked with the creation of life and, for the Marquis, the aim of sex is not procreation, but instead pleasure derived from pain, both physical and psychological. In the Marquis' writing, and in his life, the most elite form of pleasure came through what he considered the ultimate orgasm death and consequently murder, "there is no better way to know death than to link it with some licentious image. The sight or thought of murder can give rise to a desire for sexual enjoyment." It is through total control of the victim's life that the sodomist/rapist gain pleasure. Sade's first taste of death came when he left the Jesuit College at the age of fourteen and joined the army as sub-lieutenant in the King's own infantry regiment. He entered his first battle at the age of fifteen in 1755. He led four companies against the British stronghold of Port Mahon and fought valiantly to a victory. His father, failing in his own ventures, sought to live vicariously through his son and pulled all the strings he could to get the Marquis into a more lofty position. Through this Sade became a standard-bearer for an entire Calvary company. It was at this position that the Marquis once again experienced the receiving position of sodomy. The Marquis' father traveled with him from garrison to garrison but even he could not keep the prying lust of the older officers from his still naïve son. Through documented letters of protest from the Comte de Sade (the Marquis' father) it is clear that his son was a favorite toy of the ranking officers, "Gentlemen, do not seduce this child! What good would it do you to turn him into a libertine?" His pleas went unheeded, though, and in reports about the young Sade the character trait mentioned most was "his extreme gentleness." If it was the Jesuits that planted the seed of sodomy in the Marquis then it was army that gave it the substance to grow. After the Seven Year War ended the Comte's plans for his son turned towards marriage. He arranged a bride for the Marquis from a very wealthy, yet lower lineage, family. The Marquis still contained notions of love in his still clothed heart and he told his father that he would consider marrying no other then the one he loved. She arrived in the form of a noblesse named Laure-Victoire de Lauris. He met her in Paris and as their love blossoms he becomes infatuated by her. This love marks the last time that the Marquis can find bliss in fidelity and consensual eroticism. Unfortunately, the noblesse was not so attached and neglected to meet Sade at an appointed weekend rendezvous, instead meeting with another paramour. In a fit of rage, that will appear frequently throughout the rest of his life, the Marquis writes her an eight page letter that shows the inner turmoil and confusion of his emotions. It cycles from passages of anger, "Liar! Ungrateful wretch!...Monster, born to make me miserable," to passionate declarations such as, "Oh, my dear beloved! My divine friend! Heart's sustenance, sole delight of my life, my dear love, where is my despair taking me?" and finally to blackmail, where he claims that she gave him gonorrhea, "The story of the [clap] should convince you to deal gently with me. I admit that I shall not hide it from my rival and that it won't be the only confidence I'll share with him." Thus ends the Marquis' one true and quasi-exemplary love. Consenting to his father's wishes he marries the arranged wife, Renee-Pelagie de Montreuils, whom he meets the day of the wedding. Although, she is a faithful confidante throughout their life together, the Marquis' does not seek sexual pleasure from her and the only evidence of sex is the children he sires through her. The Marquis instead turns to the concubines of the Paris brothels for the pleasure that drives the rest of his life. Life seems to settle in for the Marquis and to all witnesses he seems to be living a normal, married life. This is, until, he is arrested during a business trip to Paris. He is sentenced and jailed for blasphemy and sexual acts against god. During a deposition the prostitute in question describes what happened in great detail. He reportedly masturbated into a chalice while referring to God as a "mother-fucker." He then asks her to masturbate with a crucifix while he described to her how he recently copulated with a girl who had two Communion hosts pressed inside her while she screamed, "If thou art God, avenge thyself!" The rest of the night consisted of mainly dominatrix involving various whips, it is important to note, though, that the Marquis never performed any sexual actions on the prostitute. This goes back to his time spent in the Jesuit College. He, by mixing his afflictions with God and his flogging by the prostitute, he revisits his tormented youth with the priests. His first sensations of sex, being the pederasty of the Jesuits, gave him tumultuous notions of God and pleasure. These afflictions are most evident when he pleasures the girl with the creatively placed Communion wafers. This is a distinct act of revenge; he was anally raped by priests, so he in turn sexually violates the embodiment of Christ. When he is questioned by the authorities, after his arrest, he says in his defenseIn the inebriation of pleasure, it is essential to utter powerful or dirty words, and blasphemous ones are particularly serviceable…. One must spare nothing; one must adorn these words with the greatest possible luxury of expression; they must scandalize as forcefully as possible; for it is so sweet to scandalize. The Marquis' is taken to the dungeon of Vincennes under charges of "blasphemy and incitement to sacrilege." Although people of underprivileged rank were often put to death for such charges, The Marquis was only detained for three weeks. This brevity was due in large part to his father's and, moreover, his mother-in-law's connections with the royal court. Along with this mercy, though, came the decry that the Marquis was not to return to Paris. After this the Marquis' life returns to normal and it appears as if his stint in prison had calmed his wild heart. A year later, though, he is granted permission to enter Paris again on business but is placed under the watchful eye of Inspector Marais. Marais documents all of Sade's doings which include the courtships of many actresses and concubines. All of this is banal for aristocrats and the Marquis goes many years (1764-177) without trouble with the law. In 177, during an orgy, Sade feeds too much Spanish-fly-laced-candy to five young whores and they accuse him of poisoning them. They also accuse him of performing consensual homosexual debaucheries with his man servant Latour while at the same time sodomizing the concubines one at a time. The Marquis and Latour, upon hearing the charges, flee and in their absence are sentenced to multiple executions by the court. These executions were instead performed on effigies, which was common practice when charges were brought against noblemen. Consequently, though, the Marquis lost his citizen's rights for thirty years and all of his belongings were given to his wife. From this point on the Marquis' life is either spent fleeing the law or, even more persistently, in various prisons and asylums. It is in his extended stay at the infamous Vincennes prison that the Marquis ardently turns to reading and writing literature. The Marquis stays at Vincennes for roughly twelve years were he completes many manuscripts, the most notorious being The 10 Days of Sodomy. It was through his writing that the Marquis' indulged his depraved fantasies and made it through his time in jail. Passages such as they litter all of the Marquis' works, Her back was turned in an extraordinary way, its line sweeping deliciously down to the most artistically and precisely cleft ass Nature has produced in a very long time. Nothing could have been more perfectly round, not very large, but firm, white, dimpled; and when it was opened, what used to peep out but the cleanest, most winsome, most delicate hole. As the Marquis time in prison lengthened, he sunk further and further into his own depravity. In 178, it was decided that he should be moved to the Charenton asylum. Asylums were large improvements over what madmen had to endure in the past. Gone were the chains and tortures that the mentally insane were used to. Asylums, by no means exemplary, offered prisoners at least some treatments and personal freedoms. His first stay at Charenton is brief due to the removal of the lettres de Cachet and within several months he is released from the asylum. Upon his release he begins to secretly have his work published. His work Juliette is both highly successful underground and controversial because of its strong female lead. Juliette is a representation of the women that got away in the Sade's life, the women that he still fantasized about. Juliette is a cannibalistic man-killer, contemptuous in every way. To the libertine sodomist, this was the perfect woman. The Marquis' life continues on in the trend that seems to have dictated his previous years. He goes on to write many more offensive pamphlets, plays and novels-- three quarters of which are burned upon his death-- while frequenting jails and asylums for the same reasons as before. His life, though, still interests many today. It is an enthralling study into the affects of nature over nurture and a well documented view into what can happen, when a man of great intellect, falls at an early age to the horrors of sodomy.

Please note that this sample paper on engorged on the cruxific is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on engorged on the cruxific, we are here to assist you. Your cheap custom college paper on engorged on the cruxific will be written from scratch, so you do not have to worry about its originality.

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