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Biography of Mary ShelleyIt was apparent that the life of Mary Wollstonecraft Godwin was going to be out of step with the ordinary from the moment of her birth on August 0, 177. She had both unorthodox parents and an orthodox family structure her father, William Godwin, was a celebrated philosopher and historian who had briefly been a Calvinist minister. A cold, remote man who overate grossly and borrowed money from anyone who would give him a loan, he had little time for anything but his philosophical endeavors. This intellectual single-mindedness was somewhat modulated by his passion for Mary Wollstonecraft. With the possible exception of William Blake, Wollstonecraft was the most influential of the Enlightenment radicals. Having declared herself independent at the age of twenty-one, she ran a school with her sisters and was the respected friend of the philosopher Samuel Johnson. While in France, she had an affair with an army captain which ended in the birth of her first daughter, Fanny. After the soldier abandoned her and the child, she returned to England and attempted suicide. Happily or unhappily, she failed, and began writing in a variety of genres. It was her revolutionary feminist writings, however, that won her lasting fame. The first meeting between Godwin and Wollstonecraft took place at a dinner party at Godwins home. Drawn to each other by virtue of their shared philosophical beliefs, the two began an affair begun in the autumn of 176. When Mary discovered that she was pregnant, the couple decided to marry in order to legitimate both of Marys children. The couple, however, in adherence to their enlightened views, continued to live and work independently. The pair remained devoted to each other, and Godwin was devastated when Wollstonecraft died shortly after the birth of their daughter, Mary. Although he was fond of his daughters, the task of raising them alone proved too much for Godwin, and he immediately set about finding a second wife. His proposal to Maria Reveley, who would later become Marys best friend, was rejected. He later married Mary Jane Clairmont, the first woman to respond to his overtures. This second wife proved to be a cruel, shallow woman who neglected Fanny and Mary in favor of her own children. Mary (who was so lively that her father had nicknamed her Mercury) was frequently whipped for impertinence; rebellion came naturally to the headstrong Mary, and she refused to be subdued. Though the girls were given lessons in domesticity (cooking, cleaning, and other wifely duties) Mary could not feign interest in such pursuits she would simply take up a book and let the dinner burn. Her father was the most important person in her life, and his favor meant everything to her. She excelled in her lessons and could hold her own in adult conversation often with the great minds of her time from a remarkably early age. Around the age of eight, she began reading the writings of her mother. By the time she was ten, she had memorized every word.
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Mary spent hours at her mothers grave, reading or eating meals when the atmosphere at home was particularly bad. This habit continued well into her teens, when she was sent to live at Ramsgate with a Miss Petman. This move was prompted by Marys frailty and inability to concentrate at home. From Ramsgate, she journeyed to Scotland to stay with Baxter, a close friend of her fathers. Living with the Baxters was the happiest time that Mary had thereto known. When she returned to London a year later, she had grown into a woman. She became closer to her father than ever before, and the two engaged in constant philosophical debate. This served, predictably, to augment her stepmothers hatred. The poet Percy Shelley, a devoted follower and friend of William Godwins, began spending a great deal of time in the Godwin home. Although he was married, his presence made an immediate impression on Mary, who began to read poetry at his inducement. Shelleys genuine admiration for the works of Marys mother earned him her trust she invited him to accompany her on her visits to her mothers grave, and the two became inseparable. Their intellectual kinship was passionately felt by both of them, and they rapidly fell in love. Godwin was furious at this development, and immediately barred the poet from his home. The couple, however, refused to be separated and began a clandestine correspondence. With the help of Marys stepsister, they were able to elope. Setting up housekeeping in London was expensive, and money was very tight for the newly married pair. Relations between them were somewhat strained Shelleys first wife Harriet belatedly bore him a son, and his good friend Thomas Hogg became enamored of Mary. To make matters worse, Mary became pregnant; the child, a daughter, died shortly after birth. Mary fell into an acute depression. Having conceived a dislike for London (perhaps as a result of their misfortunes), the couple began traveling in the English countryside, in France, and elsewhere. Mary was writing profusely, and published Frankenstein in 1818. No one could have predicted the extent of the books popularity it would remain the most widely-read English novel for three decades. Although it was maliciously rumored that Percy Shelley was the books true author, Mary was catapulted to the forefront of the struggle for recognition then being waged by woman writers. Tragically, Percy Shelley drowned in a shipwreck in 18. Though Mary was desolate, she remained dedicated to her son, Percy Florence. She spent the remainder of her life championing her husbands neglected poetry, and was eventually successful in forcing its publication. Mary Wollstonecraft Shelley died in her sleep at age fifty-fourAbout the NovelThe early nineteenth century was not a good time to be a female writer particularly if one was audacious enough to be a female novelist. Contemporary wisdom held that no one would be willing to read the work of a woman; the fantastic success of Mary Wollstonecraft Shelleys Frankenstein served to thoroughly disprove this rather asinine theory. Frankenstein established Wollstonecraft Shelley as a woman of letters when such a thing was believed to be a contradiction in terms; her reputation in Europe was surpassed only by that of Madame de Stael. De Stael, however, was more famous for continuing to publish her works despite the fact that the Emperor Napoleon had explicitly forbade her to do so rather than for the quality of the works themselves. Though Frankenstein is now customarily classified as a horror story (albeit the first and purest of its kind), it is interesting to note that Wollstonecraft Shelleys contemporaries regarded it as a serious novel of ideas. It served as an illustration of many of the tenets of William Godwins philosophy, and did more to promote his ideas than his own work ever did. The novel does not, however, subscribe to all of Godwins precepts. It stands in explicit opposition to the idea that man can achieve perfection in fact, ity argues that any attempt to attain perfection will ultimately end in ruin. Frankenstein is part of the Gothic movement in literature a form that was only just becoming popular in England at the time of its publication. The Gothic mode was a reaction against the humanistic, rationalist literature of The Age of Reason; one might say it was ushered in by the death of Keats, the English author with whom Romanticism is perhaps most closely associated. Frankenstein might be seen as a compromise between the Gothic approach and the Romantic one it addresses serious philosophical subjects in a fantastical manner though it confronts recognizable human problems, it can hardly be said to take place in a rational, comprehensible, recognizable natural world. Some critics have suggested that this tension between Gothic and Romantic literary modes echoes the philosophical tension that existed between herself and her husband, the Romantic poet Percy Bysshe Shelley. As the prejudice against women writers was quite strong, Wollstonecraft Shelley determined to publish the first edition anonymously. Despite this fact, the novels unprecedented success paved the way for some of the most prominent women writers of the nineteenth century, including George Eliot, George Sand, and the Bront sisters. All of them owed Mary a tremendous literary debt. Without the pioneering work of Mary Wollstonecraft Shelley, a great many female authors might never have taken up their pens; they might never have felt free to exhibit dark imagination, nor to engage in philosophical reflection. Without her, and the women whose work she made possible, English literature would be unquestionably the poorer. Character ListVictor Frankenstein He is the main character, a man driven by ambition and scientific curiosity. His quest for absolute knowledge and power will eventually end in his own ruin. Elizabeth Lavenza Both Victors sister and his bride. Elizabeth is presented as being angelically good and incomparably beauty she represents ideal womanhood and its promises of love and comfort. Caroline Victors mother; a paradigm of motherly concern and generosity. Her death provides the catalyst for Victors desire to transcend death. It is her last wish that Victor and Elizabeth be married. Alphonse Victors father; yet another shining example of kindness and selflessness. His happiness depends on the happiness of his children. If they fail, he does as well; thus, their deaths precipitate his own. William The youngest son of the Frankenstein family. His death at the hands of the monster renders him a symbol of lost and violated innocence. Henry Clerval Victors best friend since childhood. Fascinated with the history of mankind, he is Victors intellectual opposite. He, too, will be murdered by the monster; he is perhaps a symbol of the destruction of Victors own goodness and potential. Justine Though a servant in the Frankenstein household, she is more like a sister to Victor and Elizabeth. She is executed for Williams murder, and thus becomes yet another martyr to lost virtue and innocence. The Creature The work of Frankensteins hands, he is his double, his persecutor, and his victim. The lives of him and his creator are inextricably entwined. Robert Walton The readers representative in the novel, he is the person to whom Victor relates his story. He has much in common with Victor ambition, drive, and the desire for glory. De Lacey The head of the household observed by the creature, de Lacey has been robbed of his fortunes as a result of his own kindness. His blindness makes him capable of recognizing the creatures sincerity and goodness despite his hideous appearance. Felix The son of de Lacey, he is devoted to his family and his mistress, Safie. Though noble, he drives the creature from the family cottage with stones. He thereby symbolizes one of the basic flaws in the human character the hatred of difference. Agatha The daughter of De Lacey, she is yet another example of selfless womanhood, caring for her brother and her father despite their poverty and her own sadness. Safie The betrothed of Felix. She is presented as exotically beautiful, and is racially fetishized for her Turkishness. The de Lacey family wishes to marry her to Felix and convert her to Christianity.
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