Monday, October 19, 2020

Cost/Benefit

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AbstractThis paper presents a cost-benefit analysis approach devised to conduct project evaluation in conditions of limited analyst time, research budget and data availability. The emphasis is on discarding economically viable from unviable projects rather than on arriving at a precise return figure. The paper starts by setting out the theoretical background regarding the identification and measurement of project benefits. It then presents a practical approach to measure such benefits in projects involving the expansion of passenger capacity and, subsequently, those aimed at expanding aircraft capacity. Projects for the freight market and the estimation of airport costs are both treated separately. Keywords airports, cost-benefit analysis, infrastructure, transportJEL codes D61, H4, H54, R41


The authors gratefully acknowledge comments by M. Hansen (Institute of Transportation Studies, U.C. Berkeley), by M. Turró, P. Boeuf and A. Lynch from the European Investment Bank (EIB) and by participants at the EIB internal seminar on cost-benefit analysis of airport infrastructure investment. The views presented in this paper are those of the authors and do not necessarily reflect those of the EIB or institutions to whom the authors are affiliated.1. Introduction The main issues in the economic evaluation of airport projects are common to all cost-benefit analysis of major transport investments. The basic comparison of social benefits and costs and the criteria and procedures to avoid errors and biases are not significantly different the definition of the base case; the identification and measurement of relevant effects; the use of appropriate parameter values; and the prevention of double or triple counting (see for example Adler, 187; Mackie and Preston, 18; Boardman et al, 16; and Gramlich, 10)Airport investments are centers of thriving retailing activity, and projects with a sound financial performance might not be considered as good from a broader economic perspective. This paper is concerned with the cost-benefit analysis of airport infrastructure. The principle underlying the paper is that airport investments are to be assessed as transport infrastructure improvements aimed at addressing a demand for transportation. The analysis should therefore focus on the impact of the investment on the generalized cost of travel for the users and on the costs of supplying the transportation service, including both airport and airline costs.The methodology proposed in this paper is aimed to help the practical application of cost-benefit analysis for a project analyst facing limited availability of data and a short period of time for issuing an opinion, a situation faced by many analysts in government and international agencies. Also, the political context within which project appraisal is carried out in practice and the uncertainties it is subject to (see Turró, 1) can make a quick, low cost assessment valuable. The emphasis is placed in the consistency of decision criteria across projects as to whether a given project is a "good" or "bad" investment, rather than on the detailed accuracy of the estimates of project returns.The approach must be workable, meaning both that it must be pragmatic about data availability, and that it must be consistent with the limited resources usually available for project appraisal. When the full appraisal option is not possible (a full cost-benefit analysis with surveys of local conditions) the approach to be followed has to rely on data readily available from the majority of airport operators. There are significant differences in data availability across promoters of airport projects, and the methodology should be sufficiently flexible to allow application across projects in order to ensure consistency of decision making. This paper does not deal with safety, security or environmental impacts, and it is conceived for "incremental projects". Strategic projects with broader objectives like "social and economic cohesion" or "national competitiveness" with controversial indirect effects are not suitable for conventional cost-benefit analysis and are prone to overestimating net social benefits (see for example Phang, 00; van Exel et al, 00) The paper does not pretend to measure strategic investments based on the presumed impact of the investment on the regional economy. Evaluating airport investments in terms of maximizing regional development would require a comparison of the regional impact of airport investment with investment in other sectors, such as manufacturing, education or health. In any case, it should be noted that the economic return of the project provides, in most cases, a good indication of the project's impact on the regional economy. This is because the willingness to pay for travel reflects the gross economic benefit generated by the trip. Revenues from non-aviation activities - mainly retailing, but also land rental for other industrial activities, should not be counted as economic benefits resulting from the airport investment . However, estimating such revenues is necessary in the appraisal process to estimate the financial return of the project and to gauge the necessary adjustments to aeronautical charges in the airport following project implementation.Sections and provide the theoretical basis for the appraisal framework subsequently proposed. Section is concerned with the theory of economic evaluation of airport projects, and section with the theory for the measurement of the various benefits. Sections 4 to 7 are concerned with the practical application of the framework. Section 4 and 5 address appraisal of landside and airside investments, respectively. Section 6 deals with the special case of freight transport. Section 7 addresses the estimation of airport operating costs. Finally, section 8 draws some concluding remarks about the approach presented.. The economic evaluation of airport projectsThe economic rationale of public investment decisions concerning whether a project should be implemented, or which projects should be selected subject to a given budget constraint, requires identifying and measuring the benefits and costs during the life of the project and calculating the net present value of this flow of net benefits.An essential element in evaluating the economic benefits of a project is the definition of the alternative to the project, the "without project" scenario. There are two elements in this respect. Firstly, what would happen to existing infrastructure. In the case of repair projects, which involve bringing existing infrastructure back into normal operative conditions, the "without project" scenario would be that no further investments are made and that the airport will progressively degrade into inoperability. If the project consists of capacity expansion, then the "without project" scenario should include all necessary investments to maintain operative the existing level of capacity.The second element is the institutional constraints present in the market. These may involve government, airport or airline policies which would place additional conditions on the definition of the "with project" and "without project" scenarios. For example, faced with runway constraints, an airline dominating an airport may not want to increase aircraft size and may prefer to let yields rise instead. There may also be environmental constraints, as when there is a cap on aircraft movements below the notional capacity of a runway. These constraints are very much project-specific, and the project analyst must incorporate them into the evaluation exercise accordingly, by making ad hoc adjustments to the scenarios..1. Economic benefits of airport infrastructureThe economic benefits derived from investment in airport infrastructure cannot be identified with the revenues obtained by the airport authority and retailing firms with commercial operations in the airports. Airport infrastructure devoted to meet transportation demand can be divided into landside and airside. Normally, airside involves infrastructure beyond security check points, where only passengers or authorised personnel can access. Landside involves infrastructure before that. For the purposes of this paper, airside is taken to mean infrastructure to process aircraft; whereas landside would involve infrastructure to process passengers or cargo. This latter division is more meaningful in the current context, as it draws the line by type of economic impact, as will be seen further down in the paper.Airside projects are geared to increase the capacity of the airport to handle aircraft movements. Projects involve new runways or the widening or lengthening of existing ones; taxiways to increase the capacity of existing runways; apron space to expand aircraft parking capacity; or aircraft traffic control at the airport or in the airport's vicinity. Landside projects aim at expanding the airport's capacity to handle passenger and freight. Projects could involve expanding capacity of cargo or passenger terminals; improving access to terminals through parking facilities or rail stations; and enhancing product quality through increased use of jetways to access aircraft. Projects can involve any combination of these items or, ultimately, the construction of entirely new airports.The sources of benefits of investing in landside capacity are threefold. Firstly, the avoidance of traffic being diverted to alternative travel arrangements that impose additional generalised cost of transportation to the passenger or freight customer. Secondly, by relieving congestion in terminals, passenger or freight process - or throughput - time is reduced, hence contributing further to a decrease in the generalised cost of travel. And thirdly, in the case of investing on contact stands (i.e. those equipped with jetways) in passenger terminals, comfort to passengers is increased by avoiding bus trips or walks to and from remote aircraft stands.Investment on the airside will produce two potential benefits. First, enhanced airside capacity will enable an increase in the frequency of departure and range of routes from the airport. This will yield the benefit of reducing the frequency delay, as well as potentially the trip duration, both of which contributing to a reduction in the generalised cost of transport. Second, airside investments may speed the processing time for aircraft, reducing operating costs to airlines.The benefits derived from airside and landside projects can be summarized into four categories first, reductions in travel, access and waiting time; secondly, improvements in service reliability and predictability; thirdly, reduction in operating costs; and finally, increases in traffic.Regarding reduction in travel, access and waiting time, infrastructure investments may lead to faster or more frequent services, or to alleviate congestion, or to generate some network effects. The final effects translate into lower generalized cost of travel. When capacity is not enough to match demand at a given level of prices, it may happen that investment in additional capacity would not alleviate congestion, but accommodate latent demand for that particular airport, which was previously served at a less convenient alternative. This is the concept of scarcity (Starkie, 188; Nash and Samson, 1) useful to account for the important fact of ex ante matching of supply and demand through administrative procedures. Scarcity applies to transport infrastructure with non-random entry and where the different operators have access to the system through a coordinated scheme. Theoretically, demand cannot exceed capacity. Unattended demand at given prices is reflected in scarcity. Nevertheless, with tight schedules, system overloads due to flight delays generate congestion as the required rescheduling to accommodate the delayed flights impose changes in departing or arrival times for other flights. Scarcity is possible without congestion when the airport authority is not charging a market clearing price for the available slots and the number of slots give enough slack to accommodate timing problems without system overloads.Investment in transport infrastructure can improve service reliability and predictability and this is converted in lower generalised costs for travellers or lower operating costs for firms using air transport services.Other projects allow the introduction of more efficient technologies or facilitate a better use of those in use, resulting in a reduction in operating costs (lower cost per seat associated with more efficient aircrafts, handling equipment, etc.)Finally, the reduction in costs for passengers and firms could lead to an increase in traffic. This is what it is known as induced traffic, with two basic types deviated and generated.The agents directly affected by these economic benefits are the following airport users, airlines, firms operating at the airport or providing services to the airport, airport authority and taxpayers. Other agents can be affected indirectly through substitutive and complementary cross effects in secondary markets. The importance of these effects in terms of the economic evaluation of the project depends heavily on the existence of distortions in the economy and the magnitude of the cross effects . .. Net Present Value (NPV) of the investmentThe NPV of an investment in transport infrastructure can be expressed as (1) whereI investment costs T project life∆CSt change in consumer surplus in year t∆PSt change in producer surplus in year ti discount rateThe change in consumer surplus can be estimated with "the rule of a half" () wheregt0 generalized cost in year t without the investment gt1 generalized cost in year t with the investment qt0 airport users in year t without the investment qt1 airport users in year t with the investment p price per trip inclusive of airport charges, airline ticket, access and egress money costs@ value of total trip time (flying, access, egress and waiting) The change in producer surplus (for any of the affected producers) is equal to ()where and denote total variable costs without the project and with the project.Changes in producer surplus require estimating incremental revenues and costs for the airport authority, for airlines and other companies directly affected by the project. The degree of market power in the airline industry and other economic activities directly affected by the project will determine who is the final beneficiary of the cost saving or the increase in frequency or service reliability.When markets are competitive, producer surplus remains unchanged. Passengers and consumers served by companies benefiting from the cost reduction will increase their surpluses through lower prices and higher levels of service. However, this is not always the case with the airport authority which enjoys some market power by being the only provider of aeronautical services within a given area. Such an operator, once the project has been implemented, has to set prices above avoidable costs to recover the investment.There are two ways of approaching the economic appraisal exercise the social surplus approach, and the resource use or resource cost approach. The social surplus approach consists of the direct calculation of changes in consumer and producer surpluses. This requires identifying changes in prices, costs and revenues with and without the new airport infrastructure. The alternative approach to estimating the economic benefit of the project consists in looking at the changes in real resources, ignoring transfers. Even in the case of positive airport authority surplus it is possible to concentrate in resource costs as shown below. So, instead of looking at the changes in social surplus, we focus measurement in real resource costs changes ignoring revenues from existing traffic. In this approach one should take especial care when changes in quality occur, and with the treatment of taxes and incremental revenue in generated traffic.When markets are competitive and incremental revenues equal incremental costs for airlines and other firms, it is possible to measure the benefits of generated traffic by measuring the savings in resource costs. In the case of taxes, this shortcut is also feasible as long as there is a general indirect taxation in the rest of the economy. The net increase in tax paid to the government could be too insignificant to justify further effort (Abelson and Hensher, 001).The resource cost approach does not account for quality changes (e.g. comfort) and additional measurement should be made to avoid the understatement of user benefits when significant quality changes are part of the project. The measurement of benefits and costs requires estimating airport demand for the project life. Let us assume that the base demand level is known and equal to q0 and the annual growth rate is /. The annual airport demand for airport, assuming no changes in generalised costs is (4)It is worth noting that Qt is the number of users willing to pay, at the existing price, for the use of the airport in year t, and qt0 and qt1 in () and () are the equilibrium quantities in year t without and with the investment. We assume that the evaluating agency knows the annual demand growth and needs to work out the equilibrium quantities to estimate the change in social surplus (or resource cost). . Identification of benefits from airport infrastructure investment.1 Benefits without rationingAssuming that the market is competitive and leaving aside the measurement of service reliability and predictability, the economic benefit of the investment can be determined through the reduction in resource costs. Let us consider a project in airport infrastructure which implies a reduction in total trip time (@1- @0), and assume that prices do not change. Figure 1. Users benefits Figure 1 represents the stylized case of this type of investment, in landside infrastructure, which eventually leads to higher capacity. Generalized costs and willingness to pay for airport services are measured in the vertical axis and the demand per unit of time (e.g. hour, peak period, day or year) in the horizontal axis. Initial capacity allows attending a maximum of qa users per period of time at a constant generalized cost equal to g0. The average generalized cost function C shows that once the critical level qa is reached, a new increase in traffic is only possible, within existing capacity, at a higher average cost. Initially the airport demand in a particular period of time has an imperfect substitute (another less convenient flight, airport or mode of transport) available at a generalized cost of g1, higher than g0) nevertheless, as demand is D0, all the users willing to pay g0 will be attended. Demand growth is expected to be equal to / and according to (4) the level of demand in the following period is Qt. Depending on which cost (go or g1) applies, Qt would be fully attended at the project airport (Qt=qd), or partially at this airport (Qt=qb) with some deviated traffic to second best alternatives (qc-qb) and some deterred traffic (qd-qc). The situation with the project is characterized in the figure with the possibility of maintaining go as the generalized cost when demand has shifted to Dt, Qt =qd. The situation without the project is also with a level de demand equal to Dt, but with an equilibrium demand quantity of qb qd. Once the equilibrium level of demand with and without the project has been determined, we can proceed to evaluate the economic benefit of the investment project.Three categories of benefits can be identified in figure 1 (i) Benefits to existing users (qb)(ii) Benefits from avoided diversion costs (qc-qb)(iii) Benefits from generated traffic (qd-qc)Benefits to current users are equal to (g1-g0)qb, because the maximum number of the airport users (qb) is now determined by the outside alternative with lower cost than the airport equilibrium with demand D0.Benefits from avoided diversion costs are equal to (g1-g0)(qc-qb). Passengers in the segment qc-qb will deviate to less preferred alternatives. The diversion could be in time, when passengers are forced to change to less convenient departure times, or in mode when the passenger has to use an alternative airport or mode of transport .User benefits from generated traffic are equal to 0.5(g1-g0)(qd-qc). Contemplated from the perspective of forecasted future demand Qt, this benefit can equivalently be interpreted as deterred traffic avoided thanks to the investment. It is important to notice that additional benefits (taxes and revenues above incremental costs) could be associated with deviated and generated traffic. The previous analysis ignores two important facts firstly, the existence of administrative rationing and different generalized cost for existing and deviated travelers; and secondly, the possibility of insufficient capacity to meet demand during the project lifetime.. Benefits with rationingIn figure 1 it was assumed that the number of airport users in equilibrium was determined by the intersection of the average generalized cost function and the generalized cost (g1) of an imperfect substitute (another less convenient flight, airport or mode of transport) and hence the generalized cost at the base case was identical for existing and deviated users. This is not usually the case when capacity rationing applies. Figure shows the standard case of different generalized costs for existing and diverted users. The situation with the project is identical to figure 1, but the situation without the project is quite different qb is now determined through slot allocation and hence the generalized cost of existing traffic has to be lower (g') than the second best alternative. This way, the generalized cost of deviated traffic is higher (or equal in an extreme case) than the generalized cost of existing traffic. Scarcity without the project results in some deviated traffic to second best alternatives (qc-qb) and some deterred traffic (qd-qc). The comparison with and without the project leads to the following benefitsBenefits to current users are equal to (g'- g0)qb, strictly lower than without administrative rationing. Benefits from avoided diversion costs are equal to (qc-qb) (g1-g0), which are strictly higher than those reflected in figure 1 as (qc-qb) is now strictly higher . User benefits from generated traffic are similar.The comparison between the situations reflected in figures 1 and also shows the interesting possibility of improving the results without implementing the project when congestion is above the optimal level. A Pareto improvement results without the project through a rationing of capacity. Another insight from the comparison of figures 1 and is that the benefits of the airport infrastructure project appear to be substantially higher in figure 1 than in figure , highlighting the importance of a clear definition of the base case. Figure . User benefits with administrative rationing of capacity. Capacity constraintDuring the lifetime of the project it might occur that demand in some year t is above the baseline identified in figure 1 with a generalized cost equal to g0. This is a quite realistic case during a typical project life of 15 or 0 years.Figure illustrates a situation during the project life, in which demand Qt cannot be met at a constant cost g0 but at a higher cost, due to the presence of congestion. This could happen because of indivisibilities in airport investment. It may be optimal not to invest in additional capacity during some years, and hence the case represented in figure is compatible with the assumption of perfect information on demand. Figure . User benefits with administrative rationing and congestionIn this case, benefits from capacity expansion are lower than those described in figure 1. The reduction in the generalized cost of using the airport is now lower and so is the generated traffic. The generalized cost for existing traffic remains at g'. Benefits come from diversion costs avoided, equal to (g1-g')(qe-qb). No deterred traffic exists in this case. Project benefits are definitely lower when supply and demand conditions are similar to those represented in figure lower demand at equilibrium and smaller cost reduction.The graphical analysis shows the user benefits we have to measure to work out whether the investment is socially profitable time savings for existing passengers, diversion cost avoided and the consumer surplus of generated travel.We have assumed that the economic effects of the investment were limited to user time savings and therefore leaving the producer surpluses of airport authority, airlines and other firms constant. Investment in airport infrastructure can change operating costs and revenue of airport authority, airlines and other firms, so we need to generalize the previous graphical analysis based in the resource cost approach to the case of a positive airport authority surplus. For simplicity, we keep the assumption that cost reduction accruing to airlines will finally benefit consumers through lower prices.Without rationing, from () and (), and disaggregating existing and generated traffic, the change in social surplus with the project in year t is equal to (5)Given that , and rearranging (5), social surplus can be expressed as (6)Following (6) the benefit of the project for current users is equal to total time cost savings. In the case of generated passengers, only half of that amount should be accounted for, plus the average of ex ante and ex post airport charge per trip. Time diversion cost savings are treated in (6) as existing traffic (conditions in figure 1) and the full difference in trip time applies .With rationing, condition (6) has to be modified to account for possible differences in time savings between existing and diverted traffic, as happens to be the case in figures and . The conditions prevailing in figure requires to calculate the first term of (6) twice, one for existing traffic and another for deviated traffic. With figure () the calculus is straightforward as the same time saving apply for all traffic and no deterred traffic exists..4 Additional considerations for airside investmentsAn increase in airport capacity in terms of the aircraft movements it can handle has three effects. Firstly, it enables an increase in the potential passenger and freight capacity. Secondly, it makes it possible to increase flight frequency, benefiting all passengers traveling through the airport. These benefits result from the greater choice of departure time, and consist of reductions in the "frequency delay", which is the difference between the passengers' preferred departure time and the nearest departure time available. Thirdly, for a given amount of traffic as frequency increases there can be a change in the average size of aircrafts using the airport. This has implications for airline operating costs because larger aircraft are, to a certain extent, cheaper to operate on a per seat basis than smaller aircraft . Figure 4. Benefits from airside investmentIndivisibilities in airport expansions imply that runway capacity cannot increase linearly with traffic. As a runway handles more passengers, it will eventually have to handle larger aircraft. When a new runway is built, two effects may bring about reductions in average aircraft size. Firstly, airlines would tend to compete for time sensitive business travelers by increasing flight frequency, which will tend to take place with smaller aircraft. Secondly, new airlines will enter the airport, developing new routes, also normally with smaller aircraft.Should a new runway not be built, airlines will be forced to operate with bigger aircraft in order to accommodate growing traffic. Hence, the decision to invest in a new runway will have to consider the possible trade off between, on the one hand, reduced frequency delay at a higher cost per seat if the runway is built and, on the other hand, keeping frequency delay constant at a lower cost per seat if the runway is not built.This trade-off is illustrated in Figure 4. The left-hand vertical axis measures currency units and the right hand-side vertical axis the inverse of average aircraft size (AS). The horizontal axis measures departure frequency. The marginal frequency delay schedule (FD) denotes the inverse relationship between departure frequency and generalized cost. An increase in the value of time would shift the schedule upwards.The marginal airport costs schedule (Ca) denotes constant returns to scale. The marginal total cost schedule (C) includes both airport and aircraft costs. With respect to the right hand side vertical axis, C reflects the inverse relationship between departure frequency and aircraft size and, with respect to the left hand side vertical axis C reflects the direct relationship between departure frequency and unit cost per seat. When total traffic grows, for a given level of frequency, aircraft size will have to increase, reducing marginal cost per seat, rotating the C curve downwards, clockwise .In the example illustrated in figure 4, runway 1 has a capacity for aircraft movements of f1. Building a second runway would enable an increase in frequency to f. At f1 the cost imposed on the passenger by the frequency delay is fd1, higher than marginal operating costs of c1. Airlines hence have an incentive to increase frequency at the expense of aircraft size, as passenger willingness to pay for en extra frequency is higher than the marginal cost associated with reducing aircraft size. Equilibrium would be reached at point b, where frequency is f' and where fd' is equal to c'.The benefits of building a new runway, enabling an increase in departure frequency, will be equal to the area abd. Moreover, the passing of time will bring about two effects traffic grows, shifting the C schedule downwards; and the value of time increases with growing income, shifting the FD schedule upwards. These two effects would expand the area abd from all of its three corners, meaning that the benefit of building a new runway increases with time. The economic returns from investing on a new runway are determined by the present value of the future stream of benefits as determined by the area abd in each year, and by the present value of the capital investment required for the new runway. Until point b exceeds the capacity of runway , there will be no benefit from building a third runway.4. Applied measurement of benefits from investment in airport landside4.1 Expansion of landside capacityAirport infrastructure usage experiences marked peaks and troughs, which follow time of day, day of the week and month of the year patterns. Figure 5 provides an indication of the degree of variability of capacity requirements placed on airport infrastructure throughout the year. It displays the Flow Distribution Curve (FDC) for a hypothetical typical airport. The FDC ranks all 8,760 hours of the year by passenger throughput. Figure 5. Flow Distribution Curve for a hypothetical airportThis pattern of demand means that the terminal is underused for a significant portion of time. In principle, terminal capacity could be increased - and a more economically efficient operation could be achieved - by flattening the FDC, for instance through pricing policy. Airport charges should differ between peak and off-peak periods either through a differentiated pricing system or by a market-driven slot allocation. In practice, almost always a flat charge is applied, increasing the peaks in demand above efficient levels .Terminals are designed to be able to process a target hourly throughput with a given level of service. The objective is to strike a balance between the need to address traffic peaks, and the need to minimize unused capacity during throughput troughs. This implies that the terminal needs to supply a level of service that is acceptable "most of the time".There is not a single criterion to set the hourly throughput target for terminal design. Some alternatives include· the Standard Busy Rate, taken to be the thirtieth busiest hour;· the fortieth busiest hour;· the 5% Busy Hour Rate, defined as the throughput level which the 5% of passengers traveling during the busiest hours find as a minimum throughput level in the terminal (see Figure 1, where the area under the FDC and left of the doted line corresponds to 5% of total traffic); and· measures of the type "busiest hour in the second busiest month".At the target level of throughput, a standard of service is defined. The Airports Council International (ACI) and the International Air Transport Association (IATA) have defined a scale of service standards, in terms of space available per occupant at various locations in the terminal. These standards are shown on Table 1. Trespassing the minimum limits imposed by level E would take the terminal to level F, considered as "system breakdown". It is important to underline that the actual capacity of the terminal in terms of passenger throughput per hour is determined by the maximum capacity of the "weakest point" along the passenger processing chain. So, an otherwise A-level terminal with C-level hold room standards, can only be expected to be able to handle the amount of passenger throughput under C-level terminal standards, with a minimum C-level service quality standard. Table 1. ACI / IATA Level of service space standard (m/pax) A B C D ECheck-in queue area 1.8 1.6 1.4 1. 1.0Wait/circulate area .7 . 1. 1.5 1.0Hold room 1.4 1. 1.0 0.8 0.6Bag claim area .0 1.8 1.6 1.4 1.Gov. inspection services 1.4 1. 1.0 0.8 0.6Difference to C 5% 18% 0% -18% -6% Excluding luggage conveyor belt. Source ACI / IATA.The extent to which passenger diversion takes each of its possible forms- diversion in time or in mode is very much case dependent. It varies according to the shape of the FDC at the airport, passenger profile in terms of trip purpose, alternative transport means available, and the scheduling practices of airlines operating at the airport. Estimating diversion at an airport with precision can potentially be a complex process. In many cases the analyst does not have the required information readily available, and assembling it would require significant analysis costs.A workable alternative would be for the analyst to use a set of generic rules that can be adjusted to each particular project. A general rule of thumb followed in the industry is that a C-level terminal will start experiencing significant traveller diversion when traffic exceeds design annual throughput capacity by about a third. As shown in Table 1, this roughly coincides with the average difference in space requirements between service level C and the lower limit of service level E. In view of this, it would be possible to take ACI/IATA service standard criterion as a proxy index of spare capacity before diversion takes place. It could be assumed that all forecasted potential throughput exceeding such a threshold would experience diversion. The percentage assumed for A-level terminals would be higher (some 50-60%) and for E-level designs lower (say, some 5%).Diversion can be measured in equivalent time terms, and its cost calculated using published value of time estimates. One approach would be to take an average diversion time for all diverted passengers. It can be further assumed that all diversion would be equally resource consuming, and hence should be treated equally. The average time could be set at two hours for both diversion in time and in mode. Regarding diversion in time, peak periods in airport activity extend for 1 to hours. It is reasonable to assume that in cases of scarcity, where rationing is necessary, flight schedules would have to be displaced by 1 to hours, the average being around hours. As for diversion in mode, two hours drive is deemed a reasonable additional access or egress time to an alternative airport, or longer travelling time if the trip is carried out on an alternative transport mode. If, for a particular project, circumstances dictate that such assumptions are unreasonable, the analyst can adjust them accordingly.This diverted traffic is equal to qc-qb in Figure . The two hours worth of passenger time corresponds to g1-g0 in the vertical axis. This corresponds to the difference in generalised cost with respect to the best alternative available to diverted traffic, whether to an alternative transport mode or airport (diversion in mode) or to an alternative, less preferred, departure time from the same airport (diversion in time).Only when for a specific project circumstances suggest that the overall cost of diversion would be significantly different for time or mode diversion, and when a reasonably accurate estimate could be formulated as to what proportions would each diversion take, would there be a case for treating them differently. The typical case would be when the alternative mode of transport poses a very large time penalty on the passenger, such as in islands. There the two-hour rule must be substituted by the time the passenger must invest in traveling on the alternative mode. If this is far too high, such as remote oceanic islands, then the assumed diversion in time per passenger could be increased.In estimating future traffic, the analyst will start with existing traffic levels - the only hard evidence regarding demand available to the analyst - and, as mentioned in Section ., it is very important to define very clearly what the situation of this existing traffic is regarding generalized cost. Throughput projections will normally have to be made for 0 to 5 years, and to do this the analyst must follow long-term air traffic projections, normally supplied in the form of average yearly growth rates. The critical issue when applying such growth rates to existing traffic is determining any possible changes in the generalized cost of travel to existing airport users after the project is implemented. If there are significant changes, then generated traffic might be significant and particular attention must be placed to its estimation.Normally, new capacity will be opened before scarcity or congestion becomes serious. If so, existing traffic at the time of project appraisal will be experiencing a generalized cost of or close to g0 in Figure . In this case, throughput on each subsequent year after project implementation can be estimated using long-term air traffic projections. These projections can be taken to include traffic that in the absence of the project would have been deviated or deterred. For ease of calculation, when estimating the welfare loss resulting from the "without project" scenario, both types of traffic can be treated equivalently and estimated jointly, as the resulting error will be small compared to the uncertainties regarding long-term traffic, anyway. It should be noted that this does not mean that the estimation excludes generated traffic, but only that both deviated and generated are taken to be included in the long-term traffic growth estimate.However, if at the time of the appraisal the airport is operating with significant rationing, then existing traffic would be experiencing a generalized cost akin to g' in Figure . If so, applying the long-term traffic growth to the years immediately following the opening of the additional capacity could result in a substantial underestimate, as the sudden decline in generalized cost of users will bring about significant generated traffic. The same applies to a situation without rationing but where the project still produces a lower generalized cost relative to that of existing traffic. An example is when the project attracts new services by no-frill airlines.In these cases, generated and deviated should not be estimated jointly. The proposed method to calculate generated traffic would be to, firstly, estimate the difference in generalized cost between existing traffic and future traffic at the margin (that is, g1-g0 or g'-g0, depending on conditions at the airport, in Figure ), and then applying an elasticity of about1, common in aviation. 4. Improvement of landside qualityTwo key variables in determining the quality experienced by the passenger on a terminal are congestion in the terminal, and the quality of access facilities to aircraft, as defined primarily through the availability of jetways.Congested terminals experience longer queues and more disruption to the flow of passengers within the building. Hence, whereas terminals can handle more traffic than they are designed for until they reach ACI/IATA level F, on the process, time delays are experienced. This corresponds to g'-g0 in Figure , which is the additional passenger throughput time resulting from congestion, multiplied by average passenger value of time. In the absence of detailed congestion data, one approach for ensuring comparability across projects in project appraisal would be to set a single cost per passenger for all projects. A reasonable approximation to actual time penalty would be a cost per passenger of, say, 15 minutes worth of passenger time.Some passenger terminal projects have as a central objective an improvement in the quality of service offered to the passenger via increasing the proportion of contact stands relative to remote stands. Such investments involve significant costs and do not increase terminal capacity. Benefits of the investment consist entirely of increased comfort to passengers.There is no readily available evidence on the academic literature on passenger willingness to pay for contact stands. In the absence of studies, the analyst can make a judgmental estimate and apply it consistently across projects. A suggested approach is to take a value of EUR 5-10 for tourist traffic, and double that for business traffic.Contact and remote stands also differ in the type of operating costs involved. Contact stands require bus shuttling, while contact stands normally require aircraft towing vehicles, as well as maintenance, lighting and heating of jetways. These costs are similar in magnitude and any difference should have only a marginal impact on estimated project returns. Hence, for simplicity during appraisal, it could be assumed that the difference in costs between remote and contact stands consist only of infrastructure construction costs.In order to keep the project appraisal as simple as possible, it is suggested that the comfort benefit provided by contact stands is only included explicitly on the appraisal exercise when the project at hand is highly geared towards increasing comfort. When projects involving new terminals do not significantly alter the proportion of contact stands in the airport, the project can be considered as a capacity expansion using the same production technology. If such proportion increases significantly, then there is also a quality enhancement element on the project, involving an upward shift on the airport's cost curve. The inclusion of comfort benefits in the appraisal exercise is a means to register the rationale behind such a shift.5. Applied measurement of benefits from investment in airport airsideSome projects may yield a disproportionate increase in airside (i.e. aircraft movement) capacity relative to the increase in landside (i.e. passenger or freight throughput) capacity. Airside capacity is determined by runways, taxiways and apron space. As with terminals, the actual hourly capacity of an airport's airside infrastructure is determined by the capacity of the weakest of these three levels. The exception being a possible partial substitutability between taxiways and apron space, in that the latter can handle "virtual queues" until taxiways are decongested. Investment aimed at alleviating an airside bottleneck could trigger large increases in the ability of the airport to handle aircraft movements.Improvements in departure frequency can be valued in terms of changes in frequency delay. Whereas studies explicitly using frequency delay are rare, the most widely quoted estimates of a delay function is that by Douglas and Miller (174), as followsFd = (F-.456)whereFd frequency delayF departure frequencyDouglas and Miller (174) acknowledge that the actual delay is affected by scheduling practices, not picked in the formula. However, they underline that the value of the formula does not reside in estimating absolute values of delay, but rather in estimating changes in delay, and that for this latter purpose chances of estimation bias are lower. Changes in delay are governed by the estimated elasticity of0.456.Changes in average frequency delay can be computed by referring to the average departure frequency per route in the airport, a figure that should be readily available for most airport operators, including those with poor data resources. The extent to which frequency delay changes over time will depend on how fast departure frequency increases. As a rule for a simplified type of project appraisal, it can be assumed that if movement capacity increases in line with passenger capacity, average aircraft size should remain the same. Frequency should then increase in line with traffic. In practice there could be more than proportionate increases in frequency during the first few years following project implementation, as airlines rush to secure runway slots. The rule reflects a long-run equilibrium.If the increase in aircraft movement capacity were to be lesser than the increase in passenger capacity, then aircraft size would increase in the long run. Changes in aircraft size would bring about changes in operating costs, as larger aircraft are cheaper to operate on a per seat basis than smaller aircraft. The average cost per seat per trip for a mid-size aircraft, such as the Airbus A-0 is € 51. Aircraft cost per seat is related to aircraft size by an elasticity in the region of0.5. The impact of a change in average aircraft size on operating costs could be made by applying the0.5 elasticity to cost per seat values based on the € 51 benchmark figure.An additional element to take into account regarding investments on the airside is the impact that changes in aircraft operating procedures have on costs. To the extent that there is a significant change in airline operating costs as a result of the project, these should be included as a welfare change. Changes in aircraft operating costs could result from various sources, including changes in approach traffic patterns, ground taxiing requirements and turnaround times allowed by the new facilities. Each project will have different impacts on these factors. A common denominator for these factors can be to convert them into time savings and then translating them into a total cost figure through data on costs per aircraft block-hour. A workable way of including these factors into the project appraisal exercise would then be(i) considering only situations where the project will produce significant changes in aircraft operating costs; and(ii) using an average figure for cost per block-hour which can be easily adjustable in situations where the aircraft operations differ significantly from the average.The suggested approach is to use the A-0 benchmark mentioned above. The aircraft's cost per block-hour is estimated at EUR ,50. Adjustments for airports with a significantly different aircraft profile such as in projects on regional airports would be made following the0.5 elasticity of operating costs with respect to aircraft size already mentioned.As in all other aspects of the practical framework here proposed, the analyst should be aware of institutional constraints facing the airport and its users which may condition the "with project" and "without project" scenarios. In the case of airside investments, one key concern is the extent to which it is realistic to expect an increase in aircraft size. In highly competitive markets, particularly in competition between hubs, airlines may demand more runways as a way to compete on frequency. To the extent that one airline is constrained in terms of number of runways and other competitors are not, forcing that one airline only to increase aircraft size may distort competition in the airline market. Moreover, the airline may go on to develop a second hub in another alternative airport instead of increasing aircraft size. So, in the case of a project consisting of building a new runway, the analyst may adjust its "without project" scenario by capping the extent to which the airline would increase the size of its aircraft below what would be technically feasible.6. The treatment of airfreightThe European air freight market is very competitive. Operators compete on price and quality, normally with very narrow operating margins. Freight is less speed demanding and more flexible regarding traveling times than passengers. Also, aviation carries goods with a relatively high value to weight ratio, where transport costs are a relatively low proportion of the final price of the good. These characteristics encourage competition in two ways First, it widens the catchment area of the various freight terminals relative to passenger catchment areas. Second, it enables more inter-modal competition than in the passenger sector.Hence, demand is little dependent on a single project, as capacity constraints in one network node can be overcome relatively easily by channeling freight flows through other nodes. Under these circumstances, the benefits of the project would stem from the lower operating costs resulting from it. Given that an independent operator can take the price as given, such benefits would be the gain in producer surplus resulting from the project, that is, the financial internal rate of return.In cases where demand is largely dependent on the project, as in a remote island, then the project could bring about significant savings in diversion costs. An estimate of such costs should then be made, and treated in an analogous manner to diversion costs for passengers.These considerations apply to both landside and airside projects. In the case of landside projects, issues are the same as for the passenger sector terminal capacity determines potential throughput. However, regarding airside projects, the aircraft size versus frequency of departure trade-off does not normally apply. Freighter flights can normally operate at off-peak times, so that runway slot availability is normally a non-issue, and hence there are no benefits of increasing the number of runways. Instead, the critical issue is the technical characteristics of the runway, as this determines whether large freighter aircraft can operate from the airport. When there is no sufficient belly-hold space on passenger aircraft and alternative means of transport are very expensive, large freighter aircraft reduce significantly the costs of carrying freight. In such cases, investments to upgrade a runway to accommodate such aircraft could be justified economically.7. Airport operating costsAirport costs can be grouped into landside costs and airside costs. Landside costs are those incurred by processing passengers and cargo through terminals. Airside costs are those attributable to processing aircraft through aprons, taxiways and runways. Both airside and landside operations are infrastructure-intensive, creating significant fixed costs that give rise to cost economies.However, conceptually, the relationship between throughput and unit cost could be disaggregated into three potential sources of cost economies· Economies of density arising from increasing throughput through the existing infrastructure;· Economies of scale arising from increasing throughput by increasing infrastructure capacity, while keeping throughput density constant.· Economies of scope arising from combining different types of output through the existing infrastructure, while keeping density constant. As in airlines, output segmentation could consist of passenger and freight.A priori, economies of density should be expected in airports, taking place both on the airside and on the landside. This is because both types of infrastructure have large fixed cost components.It is not clear whether there can be economies of scale as defined above. On the one hand, there should be economies through more intensive use of centralized functions such as administration. On the other, it is reasonable to assume that airports will expand by exploiting the next best available location, so that the cost of each successive piece of infrastructure is higher than the preceding one.Unilateral expansion of either the landside or airside capacity while keeping the other constant can be expected to have distinctive impacts on unit costs. A landside expansion while keeping airside constant can create cost economies by increasing density on the airside. Such a project might have to be accompanied by an increase in the average size of the aircraft operating from the airport. However, a unilateral expansion on the airside can create cost diseconomies by reducing airside throughput density. The rationale for such a project would be to enable an increase in the flight frequency for a given amount of passenger throughput.The main source for scope economies would be an increase in airside throughput density. It is not possible to judge a priori the impact on unit costs of a unilateral expansion of, say, a freight terminal, requiring significant airside expansion.Hence, in principle there should be two types of projects that could result in cost economies, both of them relying on density increases. Firstly, an expansion on the landside (through expanded passenger or freight terminal capacity) leading to a higher density on the airside; secondly, an expansion on the airside (through expanded apron, or new or extended runways) leading to higher density on the landside.It is not possible to say whether a proportional increase in airside and landside capacity would generate cost economies. As for a unilateral increase in airside capacity, not resulting in increased density on the landside, it will invariably result in higher costs.Airport cost studies have so far centred on producing benchmarks for cost efficiency. There is no parallel to the research effort found in the airline literature modelling production functions and identifying sources of cost economies. Airport benchmarking studies normally relate unit cost to throughput via an all-embracing concept of "economies of scale", sufficient for comparing efficiency across airports. Their definition of scale does not correspond to the definition adopted in this paper, and says little about airport production functions.However, a number of studies produce some evidence as to the shape of the production function. Doganis et al (15) finds strong economies of scale until about m WLU, constant or slightly declining thereafter. Salazar (1) sheds further light for larger airports, finding constant average costs in the range .5-1.5m passengers/year, but increasing thereafter. Findings by Murillo-Melchor (1) are compatible the preceding two studies. It finds decreasing average costs for small airports, constant or increasing average costs for larger airports.The project analyst will have cost information of two sorts capital investment costs and operating costs. When calculating project returns these costs must be accounted at the time they are incurred. Normally data on current and projected costs is available from the project promoter. However, sometimes future operating cost estimates may not be available or may be unreliable. When this is the case, the analyst must make its own estimates of operating costs.One way of proceeding is to use data on similar projects and to estimate a relationship between unit operating costs, that is operating cost per unit of throughput (i.e. per WLU), and airport capacity utilization. Costs can then be calculated as a function of throughput.When estimating such a relationship, it must be borne in mind that unit costs will increase when a new piece of infrastructure is opened, and then decrease progressively towards long-term unit operating costs when the infrastructure is fully utilized. This pattern reflects the density economies that characterize infrastructure operations. As a rule of thumb, it is proposed that, after a new terminal is opened, unit costs increase in relative terms by half the relative increase in capacity. So, for example, a new terminal that expands airport throughput capacity by 50% would result in an initial increase in unit costs of some 5%. Subsequently, as throughput increases, unit costs would tend towards broadly the same level as before the expansion.Such a rule will imply constant long-run returns to scale. In practice, future operating costs will depend on the following two additional factors, both of which are airport-specific· the degree of spare capacity with which the airport operator tends to operate on average; and· the extent to which each additional investment is made more expensive by the circumstances surrounding the airport, including physical, institutional and traffic realities.The analyst can adjust the constant returns to scale assumption according to project circumstances. Should additional infrastructure capacity come at a significantly increasing marginal cost, an appropriate cost surcharge could be included in the appraisal exercise.8. ConclusionsConducting a thorough cost benefit analysis of airport investment projects can be a very resource consuming exercise. An accurate estimation of the returns from an investment can require carrying out surveys of local demand conditions and the formulation of detailed hypotheses about the future evolution of traffic and airline operations. Nonetheless, it should be noted, even a full appraisal exercise will render the evaluation subject to significant uncertainties. Sometimes, project analysts do not need to have precise estimates of the expected returns of a project and instead need to find out simply whether the project is "good" or "bad", whether the project should go ahead or not, or indeed whether it is a borderline case that merits a closer look. For arriving at these types of conclusions, conducting a full economic evaluation might itself be not economically justified. Instead, the emphasis should be placed on comparability across projects with widely differing data availability, in order to ensure consistency in decision-making, rather than on the accuracy of the results.This paper has proposed one possible way (indeed, not the only one) in which such a "back of an envelope" answer can be provided. This is done by drawing on rules of thumb generally accepted in the aviation industry, and applying them to the standard cost-benefit analysis framework.The approach is itself flexible and requires judgment by the analyst, as assumptions can be altered for a specific project when there is a good case for doing so. We believe that, whereas the approach makes a large degree of generalizations and would not substitute a full cost benefit analysis where necessary and feasible, it still has a role to play among applied economists. It is useful in conditions of very limited analyst time, research budget, available information, and where quick decisions must be made for a large number of projects, a condition which many professionals face in practice.


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Monday, October 12, 2020

A Review of a Story by Gordon Dickson

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Author's background, other works, etc.Name DICKSON, Gordon Rupert Aged 77Born Nov 1, 1 Where Edmonton, Alberta, CanadaDied January 1, 001 Where Richfield, MN


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Awarded Three Hugos 165 short story "Soldier, Ask Not," 181 novella "Lost Dorsai," & 181 novelette "The Cloak and the Staff." A Nebula in 166 for the novelette, "Call Him Lord." The 175 Skylark Award for Imaginative Fiction & the 177 British Fantasy Award for novel, The Dragon and the George. Dickson was inducted into the Science Fiction Hall of Fame in 000.Dickson's family moved to the States when he was 1. He became a naturalized citizen and was in the US Army for World War II from 14 to 146. Gordy, as his friends used to call him, finished his B.A. in 148 at the University of Minnesota and lived out the remainder of his life in the Richfield/Minneapolis area. He traveled much, attending many science fiction conventions, visiting other writers, and was in attendance at most of the Apollo space launches. He didn't care for the lens of a camera, feeling he seldom photographed well, but he was not shy. He would talk shop for hours and after beginning his career in shorter works, he soon thought only in novels, sometimes epics. He was a method writer, seeding his subconscious and then letting the harvest flow out through the keys. While all of that grew, Dickson paid the bills with over 80 novels. There were early collaborations with Poul Anderson and books with Harry Harrison, Ben Bova, Roland Green, and Keith Laumer. Gordy wrote some young adult novels and a mystery or two, several radio plays, and, as fantasy became popular, moved from a science fiction writer to one who freely used fantasy elements, being especially fascinated with dragons. He won three Hugos in three different story lengths and gained broad acclaim and world recognition as well as international awards. Gordon R. Dickson will most likely become more popular as time passes and the remainder of his work is published and/or finished. He never wanted to feed his readers. He strived to make them search for the food. SummaryThis story is illustrated by a series of letters. What happens in this short story is the following A certain Mr. Walter A. Child, a resident of the state of Michigan, is apparently a member of the Treasure Book Club. He gets sent the book "Kidnapped" by Robert Louis Stevenson by this club and owes them $4.8 for it (the book is accompanied by a short letter stating the bill). However, he writes them back saying that this was not the book he ordered. He actually ordered "Kim" by Rudyard Kipling, and is now returning "Kidnapped". Then an exchange of letters occurs between the book club, which is totally run by a computer system, and Mr. Child. It seems that when this computer system makes a mistake there is no way that it can know about it, because it is not monitored by humans (so we are led to deduce by the story). Mr. Child wants his "Kim", while the book club computer system apparently disregards his letters and sends him letter after letter saying that he owes the club $4.8 (and more as time passes, because of late fees). Finally, after a few warnings from the computer system to Mr. Child (in letter form of course), he was handed over to a collection agency. Mr. Child did not heed these warnings, since all this was quite preposterous to him. He soon received a letter from the collections agency, from a person, demanding the money with the threat of going to court. Mr. Child, while still refusing to pay any money, tried to explain the whole situation, in letter form, to this person. However, since there was no evidence to back-up Mr. Child's story the collections agency did indeed take him to court. Then his fate took a twist for the worst. The story doesn't say how this happened, (apparently another computer system made another mistake), but somehow instead of being sued for moneys that he owed to the Treasure Book Club, he was charged with kidnapping Robert Louis Stevenson. It appears that some information got jumbled around with the book "Kidnapped" and its author, Robert Louis Stevenson. The judge who was assigned the case, on seeing this case, immediately sent an inquiry asking what happened to the victim, Robert Louis Stevenson. The victim was not found anywhere, so it was assumed by the judge's sources that Mr. Child killed the person he kidnapped. Mr. Child got a good lawyer, who believed him right away, and who truly wanted to help him. However, once the lawyer learned of the charges there was not much he could do, because of the lack of evidence, and the judge sentenced Mr. Child to an execution! After the trial Mr. Child's lawyer got an appointment with the judge and explained the whole misunderstanding. Everything seemed to fit in the judge's eyes and he believed the lawyer. However, the only way for a prisoner on death row to be pardoned is for there to be Letter of Pardon signed by the Governor of the state of Illinois (the book club was located in Chicago, therefore Mr. Child was under Illinois' jurisdiction). The execution was scheduled for 10 days after the trial, and it was soon learned that the Governor was in Washington on official business, for 8 days (he just left), and there was no way for him to be reached. The Governor returned a little late, the day before the execution. On seeing the urgent letter from the judge he immediately signed a pardon. He also put an "urgent" stamp on it and intra-mailed it to the appropriate office. The letter came back to his office the next day saying that he didn't appropriately mark a check box, or something of the sort, for this letter to be deemed "urgent". He should correct his mistake and mail this letter again. Yet another computer system made yet another mistake, but this time it cost Mr. Walter A. Child his life.Critique (conclusions)Books enrich our lives by providing us with knowledge, and they can be very entertaining as well. They are almost never dangerous, that is unless they are supplied by a book club that is run by a computer system with no human monitoring whatsoever, like the one in this story. Computers may not argue, but the mistakes they make can mean serious trouble for mere humans. Also, it isn't quite clear if the computer people followed the ACM Code of Ethics here.There are always pros and cons to everything, and living in a totally computerized, and therefore automated society, is no exception to the rule. This story cleverly, but simply, illustrates some of the cons of such a society. The story was written sometime in the fifties or sixties, but Mr. Dickson had the future pictured quite well. Yes, if for one reason or another, a computer makes a mistake the consequences may potentially be unfathomable. This is so today. And, the farther we progress into the Technology Age the more we will depend on machines, machines that are not monitored by human beings. Computers seldom make mistakes, and human error is much more common. However, humans can go over whatever it is they are doing and check and recheck until they are sure they got it right, while a computer is always sure it hasn't made a mistake, like the one in this story.In my opinion, we should never create computers that have no dependency on its human creators, because we will eventually lose control of these machines. Yet, there are machines that already exist that learn just like children do. And, while it is a breakthrough of fantastic proportions, it is a step in the wrong direction. A computer has even recently eclipsed its human counterpart on the chessboard, and what a human counterpart, Gary Kasparov! So, we know they have huge potential advantages over the human mind, and that is exactly why we should always have control over them, while carefully exploiting this potential.Maybe the ultimate outcome of the Technology Age will be something like that of the Matrix movies, and then we will be fighting against machines, and if we win that war, humanity will come full circlethat is being a society without any technology. But, then we'll slowly start building machines again, little-by-little forgetting why it was that we destroyed them in the first place. I guess this is the stuff of science fiction movies and books, but so was our time when Gordon Dickson wrote about it, and he got it right.


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Wednesday, October 7, 2020

Compilation

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Story, music, song, autobiography, historyNicanor Abelardo


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(18-14) Nicanor Abelardo wrote his first composition by age 8. He learned to play the piano and guitar, and while he was a music student at the University of the Philippines, he won first prize for his U.P. Beloved song and was appointed head of the conservatorys department of music. He was called the "father of kundiman" because he wrote 14 kundiman. Some of his famous kundiman are Bituing Marikit, Kundiman ng Luha, Mutya Ng Pasig and Nasaan Ka Irog?. These kundimans later became movie theme songs. Mutya ng Pasig Bituing Marikit Nasaan Ka Irog? Pinoy Whos WhoA Compilation of Modern Philippine Trivia Compiled by Juan dela Cruz Home Book Filipino of the Century I didnt know him personally but this man wrote beautiful songs that made me proud of my country. His name was Levi. Truly, there are no more beautiful words in a song than those written by a simple man they called Levi Celerio. His songs cherish life, convey nationalistic sentiments and utter grand philosophies that all sound wonderful. His melodies are even more impressive and proud is the least a Filipino could be upon hearing them. As a composer and lyricist, Levi wrote more than 4000 songs. Among them are popular pieces, which many would hasten to call immortal. At one time or another, no Filipino could miss the tune or lyrics of Levis Christmas songs Pasko na Naman, Ang Pasko ay Sumapit, and Misa de Gallo. Who would not fall in love upon listening to the following love songs Saan Ka Man Naroroon, Kahit Konting Pagtingin, Gaano Ko Ikaw Kamahal, Kapag Pusoy Sinugatan, and Ikaw. Who would not feel like dancing upon hearing the lyrics and melodies of the following folk songs Ang Pipit, Tinikling, Tunay na Tunay, Itik-Itik, Waray-Waray, Pitong Gatang, Ako ay May Singsing, Alibangbang, Alembong, Galawgaw, Caprichosa, Ang Tapis Ni Inday, Dungawin Mo Hirang, Umaga na Neneng, Ikaw Kasi and Bastat Mahal Kita. His best songs combine great poetry, philosophy and passion. These are O Maliwanag na Buwan, Dahil Sa Isang Bulaklak, Sa Ugoy ng Duyan, Bagong Pagsilang and Sapagkat Kamiy Tao Lamang. Levi also wrote nationalistic songs such as Ang Bagong Lipunan, Lupang Pangarap, and Tinig ng Bayan. Imagine the world without these songs, and the Philippines would have been less known for its happy, romantic and enthusiastic people. Known as a poet of Philippine music, Levi wrote songs that set the standards for class and quality. Other Filipino songs, which lack luster and rhetoric, were soon forgotten and rarely heard again. But not Levis songs. They are classic, if not timeless. The full meaning and emotion of a particular theme is best captured in his lyrics, as in the song, Ang Pipit May pumukol sa pipit sa sanga ng isang kahoyAt nahagip ng bato ang pakpak ng munting ibonDahil sa sakit, di na nakaya pang lumipadAt ang nangyari ay nahulogNgunit parang taong bumigkas,Mamang kay lupit, ang puso moy di na nahabag,Pag pumanaw ang buhay koMay isang pipit na iiyak! Ironically, Levi, the master lyricist, became famous around the world for his other distinct talent. For a time, the Guinness Book of World Records has recognized him as the only man who could play beautiful music with a leaf. Because of his rare talent, Levi was invited to the Mel Griffin show where he played All The Things That You Are with musicians in front of nine microphones and camera. Using his leaf, Levi wowed the crowd and got the attention of the Guinness Book of World Records. The Book later listed the entry The only leaf player in the world is in the Philippines. Born in Tondo on April 0, 110, Levi received his scholarship at the Academy of Music in Manila and became the youngest member of the Manila Symphony Orchestra. A great number of his songs have been written for the local movies which earned for him the Lifetime Achievement Award from the Film Academy of the Philippines. In 17, he was chosen as the National Artist in Literature and Music.The award is the highest national recognition given to Filipino artists who have made significant contributions to the development of Philippine arts and to the cultural heritage of the country. It is aimed at recognizing Filipino artistic accomplishment at its highest level and to promote creative expression as significant to the development of a national cultural identity. In his old age, Levi occasionally appeared in public, like when there was a big thing happening at the Cultural Center of the Philippines. He was also playing at a Quezon City bar from time to time. He just could not be stopped from making beautiful music, even when shuttling between home and hospital. Levi was a poor man, so poor in fact that he could not pay for his hospital bills. A newspaper report said that This shouldnt be happening to him. That is Levi. He wrote 4000 songs and remained poor. But that is something every man of his kind takes pride of. As they say, poverty is an honor and privilege bestowed on all great poets. Levi has been a great poet, the most heard Filipino poet of all time. He has been a poor man all these years, but his songs have enriched the Filipinos identity and culture. Particularly, the man Ive never met a single time touched me in many ways. He died at the Delgado Clinic in Kamuning Quezon City on April , 00. At 1, a beautiful song ended. Levi! Grand Old Man of Politics Jovito Salonga, or Ka Jovy as most people fondly call him, spoke of great dreams for this country. He spoke of economic development, social equality, and moral advancement. Although already retired from the public office, Ka Jovy still speaks of the same dreams today. Ka Jovy was born a winner. In his political career, he lost only once, and that was in the 1 presidential election. He could have been a president, had the Filipino electorate ignored rumors that his health was failing because of old age. Now at 81, Ka Jovy still exudes the vigor and wisdom of a young patriot. His soft voice commands respect; his judgment remains firm as ever. With the insights of a philosopher, he utters propositions that are of highest importance. At a time the country is plagued by corruption and ethical issues, Ka Jovy raises a moral voice, which reminds us to change our ways. The people call Ka Jovy as the grand old man of Philippine politics. He is a survivor of the same generation, which produced the most illustrious names like Raul Manglapus, Arturo Tolentino, Jose Diokno, Soc Rodgrigo, and Wigberto Tañada. Known for his lofty ideals and eloquent speech, Ka Jovy is of the same rank as Jose Rizal and Carlos Romulo, who were arguably the brightest men this country has ever known. Ka Jovys outstanding career included almost five decades of unblemished record in public service. He was a three-time senator, having been elected in 165, 171 and 187. A son of a Presbyterian minister, he was born on June , 10. He was an honor student in elementary and high school and took up Law in college. He passed the bar with a rating of 5. percent, a record, which remains unsurpassed to this day. He practiced law in 144 until he joined the Far Eastern University as Dean of the Institute of Law in 161. He topped the senatorial election in 165, the beginning of his colorful political career. He became a tough critic of the Marcos rule and was a victim of the Plaza Miranda bombing on August 1, 171. (He later blamed the communists for the bombing.) After the 186 People Power Revolution, newly elected President Corazon Aquino appointed him as the first Chairman of the Presidential Commission on Good Government (PCGG), whose role was to recover the ill-gotten wealth of President Marcos and his cronies. In 187, Ka Jovy topped the senatorial elections and eventually became the Senate President. On September 16, 11, the Philippine senate, under his presidency, rejected the ten-year extension of the U.S. bases in the Philippines, thereby formally ending the presence of foreign armed forces in the Philippine territory after four centuries. He ran for the highest position in the land in 1 with a political platform completely different from other candidates. Under the banner of the progressive Liberal Party, Ka Jovy was campaigning for social equality, a term which caused fear among the eighty one families who control most of the countrys wealth. Ka Jovy lost in the election, but this did not stop him from serving the cause of the nation. Since 1, he initiated the founding of four organizations Bantayog ng mga Bayani, which put up a memorial for more than a hundred contemporary heroes and martyrs of the nation; Kilosbayan, a forum for raising political consciousness and citizens participation in governance; Bantay Katarungan, an NGO dedicated to the pursuit of justice and protection of human rights; and the Salonga Foundation for Human Development, a group which promotes social and moral awareness. He remains an active speaker, denouncing the social ills in Philippine society. He is the most vocal critic of cronyism in the Estrada administration and the governments continuing promotion of gambling in the form of online lottery. He is also a religious figure, delivering sermons in the gatherings of the Philippine Presbyterian Church. It is difficult to find words to describe Ka Jovy with all his fine qualities, but perhaps, no one will disagree with Belinda Olivares-Cunanan, an Inquirer columnist, when she referred to him as a national treasure. Pulitzer Prize Awardee Alex Tizon is a victor in what America does best - exercising press freedom. As a journalist in the Land of the Free, Tizon has decided to follow the lead of Ernest Hemingway whose task was to write hard and clear about what hurts. The 4-year-old journalist was born in Manila but grew up in the United States. He assimilated well into the American culture, learned to write, and became the model of all aspiring Filipino-American journalists. When asked how he made it big in the very competitive field of American Journalism, he had this to say Most big achievements happen when great effort intersects with good luck. Ive worked hard, and Ive been lucky, which is another way of saying that Ive been blessed. It pays to be prepared, to be as good as you can be in your field, because you never know when luck or opportunity or grace or whatever you want to call it may come knocking. It pays to be up to the task of answering the call in full riot gear -- that is, fully prepared, he said. In 17, Tizon received the coveted Pulitzer Prize in Investigative Reporting, a plum that symbolizes professional excellence in the field of Journalism. This plaudit came half a century after Carlos P. Romulo won the Pulitzer Prize in International Journalism in 141. That award must have helped Romulo become the President of the United Nations (UN) General Assembly in 14. Like Romulo, Tizon, a Seattle Times journalist, is proud to say that he has full Filipino blood running in his veins. As a part of the minority group in the United States, the four-time Pulitzer Prize nominee has written articles, which advanced the cause of the marginal sectors of the American society. For his more than 17 years of stint with the Seattle Times, he has earned distinction for his coverage of youth gangs, immigrant groups and Native American tribes. He has written extensively about race and ethnicity, crime and law enforcement. Along with two colleagues, he won the 17 Pulitzer Prize for a series of stories exposing widespread fraud in the federal Indian Housing Program. He has also received the Phoenix Award, a Penney Missouri Lifestyle Award and the Clarion Award for his numerous articles in the Seattle Times, Pacific, The Times Sunday magazine, Entertainment Weekly, Newsweek magazine and CBS News.Tizon immigrated with his family to the United States at the age of four. His father, Francisco Tizon Jr., a Kapampangan, served as a commercial attach for the Philippine Consulate in Los Angeles, Seattle and Honolulu. His mother, the late Leticia Asuncion Tizon of Tarlac, was a UP-educated doctor who worked at the Swedish Medical Center, now the largest hospital in Washington.The family became most rooted in Seattle, which Alex considers his home. Ive lived in Seattle on and off for more than 0 years, and it is, despite my aversion to the cold, wet, gray climate, my home, he said. This is also where he met his wife, Melissa, whom he describes as a first-generation Pinay. She is a Seattle-based writer and editor. The couple is blessed with two daughters - the nine-year-old Dylan and the 11-month-old Maya. Tizon originally considered going to law school, but a Sociology professor convinced him to take up Journalism. He earned his bachelors degree from the University of Oregon and his masters degree from Stanford University. In June 000, the University of Oregon honored him as its 000 Outstanding Young Alumnus.Asked of his advice to young journalists, Tizon said Read, read, read. Think, think, think. Write, write, write. Go into the dark places and write about them. UN President Carlos P. Romulo, the first Asian president of the United Nations General Assembly, was also the first Filipino to have received the prestigious Pulitzer Prize (Correspondence). He was awarded the coveted Journalism prize for a series of articles about World War II that appeared on the pages of Philippine Herald in 141. Romulo wrote and published 18 books that included I Walked with Heroes (autobiography) and Mother America. Fifty-six years later, Romulos feat was repeated by two Filipino-Americans. In 17, Seattle Times Alex Tizon and Byron Acohido were awarded the Pulitzer Prize for their outstanding contributions to American journalism. Tizon was cited for his series of articles about American subcultures for the Seattle Times, where he has been a staff reporter for nearly 14 years. He was born in Manila and immigrated with his family to the United States at the age of four. He studied political science at the University of Oregon before earning an M.A. in journalism from Stanford University in 186. Acohido received the Pulitzer prize for his reporting on the conditions of aerospace industry. He was also writing for the Seattle Times. Filipina Tycoon Loida Nicolas-Lewis is probably the richest Filipino living outside her home country. She is the chairman and CEO of TLC Beatrice International Holdings, Inc., a two-billion-dollar corporation of 64 companies based in 1 countries. TLC is a marketer of ice cream in Spain and the Canary Islands, the leading manufacturer of potato chips in Ireland, and a prime distributor of beverage in the Netherlands, Belgium, France and Thailand. A lawyer by profession, Loida is also an author, a philanthropist, and an active leader of the Filipino community in the United States. She owns the distinction of having been the first Asian woman to pass the New York State bar exam without having studied law in the U.S. As a businesswoman, she was ranked number 1 among the Top 50 Women Business Owners in America by the Working Woman magazine in 14. In the United States, she is known as the remarkable woman behind the success of Reginald Lewis, the first Afro-American to hit the US$1B-in-assets mark. In January 1, Reginald died of brain cancer. So revered was Loidas love for her late husband and tutor that she later wrote a book, entitled Why Should White Guys Have All the Fun? How Reginald F. Lewis Created a Billion Dollar Business Empire. It sold several hundred thousand copies. Reginalds untimely death left Loida with the responsibility of raising their two daughters alone and taking care of the family business. She finished her AB course at the Saint Theresas College and her law degree at the University of the Philippines. Miss America Angela Perez Baraquio, the 5-year-old Physical Education teacher who was crowned Miss America in October 000, is a daughter of Philippine-born parents living in Hawaii. Her father, Claudio Fernandez Baraquio was born in Pangasinan, while her mother, Rigolette Perez grew up in Manila. Angela has three brothers and six sisters, the three eldest of whom were also born in the Philippines. The beauty queen, on the other hand, was born in Hawaii and has yet to make her first visit to Manila. The Baraquio family has found success in the American state which is inhabited mostly by Asians and whose governor, Benjamin Cayetano, grew up in the Philippines. On October 14, 000, Angela was crowned Miss America 001 in Atlantic City, New Jersey, replacing former title holder, Heather Renee French of Kentucky. Angela is the first Asian American to win the Miss America title, and the second Miss Hawaii to win Miss America, after Carolyn Sapp won it in 1. Angela was born on June 1, 176. She graduated from the Moanalua High School in 14 and earned a bachelors degree in elementary education at the University of Hawaii-Manoa in 1. She was a consistent honor student in high school and a standout athlete in girls basketball. She was in the deans list in college and was a member of the Golden Key National Honor Society. Beauty Queens Gloria Diaz won the Miss Universe title for the Philippines in 16 and Miss Margarita Moran did in again in 17. The Miss International crown was worn by Gemma Cruz in 164, by Aurora Pijuan in 170 and by Melanie Marquez in 17. Filipino women have also won the Miss Asia Pacific award four times since 165. They are Ines Zaragoza who brought home the crown in 18; Gloria Dimayacyac, 18; Lorna Legaspi, 18; and Michelle Aldana, 1. Dotcom CEO At the height of the dotcom craze in 1, a 0-year-old Filipino-American woman set the fashion trend among Internet executives in New Yorks Silicon Alley, the East Coast version of Californias Silicon Valley. Her name is Cecilia Pagkalinawan, the founding president and CEO of Boutique YK (www.boutiqueyk. com), an online fashion retail and marketing company. As a computer professional, she drew the admiration not only of the IT people but also of the discriminating fashion editors in New York. One publication described her as an example of the new cyberstyle. She appeared in the pages of various international magazines, such as Vogue, A. Magazine, Industry Standard, Internet World, and AsiaWeek. The US-based Filipinas Magazine gave her an Achievement Award. In 18, she was named as one of the 10 Hot Asian American Entrepreneurs under 0. The following year, she was included in the Silicon Alley Reporters Top 100 Internet Executives in New York. In March 000, she was named New York City Woman Business Owner of the Year by the National Association of Women Business Owners (NAWBO). Cecilia was born in the Philippines. Her mother used to own a restaurant near the UST Hospital while his father had a paint store in Bulacan province. She was only eight years old when her middle class family moved to US. The Presidents Doctor For more than eight years, a Filipino-American has made sure that the worlds most powerful person was physically fit to do his work. Her name is Eleanor Connie Mariano, a 47-year-old physician and a top-ranking officer of the US Navy. Mariano was the director of the White House medical unit attending to the health of former President Bill Clinton. After President Clintons term ended in January 001, Mariano pursued her duty as rear admiral of the US Navy, the highest military post ever occupied by a Filipino-American woman in the mighty US Armed Forces. First Lady Hillary Clinton, who has just won a seat in the senate in the recent elections, personally thanked Mariano for her service to the American nation. Our family loves you and were grateful to you, Mrs. Clinton told Mariano in a ceremony tended for her in June 000 when she was promoted as rear admiral of the US Navy. Mariano was born at the former Clark Air Base in Angeles City, Pampanga in 155. She was only two years old when her parents, Angel and Lu Mariano, immigrated to the United States in 157. Her father served in the US Navy as a steward and retired as a master chef after serving years. Marianos four Filipino godfathers were also Navy master chefs. Mariano grew up in Imperial Beach near the Mexican border. She graduated valedictorian from Mar Vista High School in 17 and cum laude from Revelle College at the University of California where she obtained a degree in Biology in 177. She earned her medical degree from the Uniformed Services University of Medicine in Bethesda, Maryland in 181. Following an internship in Internal Medicine at San Diego Naval Hospital in 18, Mariano was assigned as the General Officer on board USS Prairie where she served as the sole physician for a ships company of 750 men and women. In 11, she was selected as the hospitals head of internal medicine. In June 1, she became the first military woman to serve as White House physician under President George Bush. When he got elected, President Clinton asked her to stay and even promoted her as Senior White House Physician in February 14 and director of the White House Medical Unit. By attending to two American presidents for more than eight years, Mariano had the longest service as a White House physician in American history. The National Federation of Filipino American Associations honored Mariano for her remarkable achievements. Filipino Generals in the US Three Filipino-Americans had the distinction of becoming U.S. Army generals. They are Maj. Gen. Edward Soriano, Brig. Gen. Archine Laano, and Brig. Gen. Antonio Taguba. Soriano is the only Filipino to have attained the rank of major general in the U.S. Armed Forces. He was born in Pangasinan and migrated to the U.S. with his family at an early age. In 001, he was the director of operations, readiness and mobilization at the office of Americas Deputy Chief of Staff for Operations and Plans.Laano, on the other hand, is a physician by profession and a 16 graduate of the University of the Philippines College of Medicine. President Ronald Reagan appointed him brigadier general in 188. He also served as the president of the Philippine Medical Association of America and as such, represented the group in several medical missions in the Philippines. Taguba is the third Filipino American general in the U.S. Armed Forces. He was born in Sampaloc, Manila and moved to Hawaii at age 11. He holds three masters degrees Public Administration from Webster University, International Relations from Salve Regina College, and National Security and Strategic Studies from the US Naval War College. Top Student at Wharton The Wharton School of the University of Pennsylvania, considered as the worlds top business school by the Businessweek magazine, recognized a Filipino as its best graduating MBA student in May 001. On May 1, 001, Victor Franco Calanog received the Thomas Gerrity Leadership Award, the highest honor given to a graduating MBA student by the Wharton School. Calanog, a graduate of Ateneo de Manila University, was singled out as the best candidate for the award for his excellence in both academic achievement and extracurricular involvement. Calanog was the chair of student affairs for the Graduate and Professional Students Assembly, the student government for the graduate and professional students of the 1 schools of the University of Pennsylvania. He also received various scholarship grants from AT&T, Ford Foundation and other companies in the United States. He completed his MBA with a triple major in finance, entrepreneurial management and multinational management at the top of his class. (Source Philippine Daily Inquirer) First at Harvard School of Medicine The first Asian to have entered the prestigious Harvard Universitys School of Medicine is Dr. Fe del Mundo, a world-famous pediatrician. Del Mundo, an International Pediatric Association (IPA) awardee, is an alumna of the University of the Philippines (UP) College of Medicine. She was chosen by former President Manuel Quezon to receive a fellowship program at the worlds premiere medical school in 16. She was also the first woman to become a part of the traditionally all-male student body of the medical school. So strong were her academic records that the head of the Pediatrics Department saw no reason not to accept her. She also studied and trained at Columbia University, University of Chicago, Boston University and Massachusetts Institute of Technology. Since 141, del Mundo has contributed more than 100 articles to medical journals in the U.S., Philippines and India. In 166, she received the Elizabeth Blackwell Award, for her outstanding service to mankind. In 177, she was bestowed the Ramon Magsaysay Award for outstanding public service. First Filipino-American Governor Benjamin J. Cayetano is the first and only American of Filipino ancestry who became a state governor in the United States. He was first elected as governor of Hawaii in 14 and was reelected in 18. A Democrat and a lawyer by profession, Cayetano had served as a congressman of Hawaii from 175 to 178 and as a senator from 17 to 186 before becoming a lieutenant governor in 10. First Filipino New Jersey Mayor Robert Rivas, 51, is the first Filipino-American mayor in the New Jersey area. A lawyer by profession, Rivas was elected mayor of Bergenfield in November 1, with the large support coming from his fellow Filipino-Americans. Bergenfield, a working-class town of 5,000 residents, most of whom are white, is only 15 miles from New York City. Prior to his election, Rivas had served as a Bergenfield councilman (16-8). While on the City Council, he chaired its Finance, Administration and Personnel Committee and was a member of its Police, Buildings and Grounds; Capital Improvements; and Community Affairs Committees.He has practiced law for 4 years. He graduated from the Seton Hall University School of Law. He was the president of the Filipino-American Association of Bergenfield from 17 to 1. He immigrated to the United States in 168. The first Filipino-American in US Congress was Virginia Rep. Robert Cortez-Scott, a Harvard alumnus. Fashion Designer in New York A Filipino-American fashion designer has been making waves in the New York fashion industry. Josie Natorie, who was born in Manila in 147, owns and manages Natorie Lingerie. In 001, she was one of the Asian-American awardees of the nonprofit Asians United to Raise Awareness (AURA) Fund.Natorie was already a successful stockbroker and investment banker even before she established her lingerie business. She had served as the head of the Manila branch of Bache Securities and as an executive of the investment banking division of Merrill Lynch. One of the Worlds Finest Poets Jose Garcia Villa (Doveglion) was one of the worlds finest contemporary poets. Villa, who spent most of his life in a New York apartment, was praised by critics for his beautiful poetry. American poet, e.e. cummings even wrote a poem, Doveglion, Adventures in Value, for Villa. Another American poet, Dame Edith had praised Villas works as being amongst the most beautiful written in our time.Among Villas acclaimed works are Many Voices (1), Poems (141), Have Come Am Here (141), Selected Poems and New (14) and A Doveglion Book of Philippine Poetry (16). Villa was born in Singalong, Manila on August 5, 108. He was expelled from the University of the Philippines (UP) for writing a series of erotic poems, Man Songs in 1. He migrated to the United States and enrolled at the University of New Mexico where he edited and published a mimeographed literary magazine. In 17, Villa who used the pen name Doveglion (dove, eagle, lion) received the National Artist Award for Literature from President Ferdinand Marcos. At 88, Villa died on February 7, 17. He had lived in New York for 67 years. Broadway Diva We first knew her as a ten-year-old girl singing I Am But A Small Voice in 181. With her sweet and tender music, the young Lea Salonga charmed a crowd of foreign diplomats who gave her a standing ovation. Two decades passed, and the young girl with a small voice blossomed into a fine lady who gave her nation pride and inspiration. Now at 1, Leas voice has not only been the most heard, but also the most enjoyed, among Filipino performers. And her country is mighty proud of her because what she has become, as a citizen of the world (a phrase in her song), now represents a tale of achievement every Filipino mother tells her children. Lea was born in Manila on February , 171 to Feliciano Salonga and Ligaya Imutan. She has two siblings - Gerard and Sheila. As a young performer, she appeared in various television programs and joined several stage plays while studying elementary and high school at the OB Montessori, where she graduated with flying colors. In 18, she auditioned and was accepted for the lead role in Miss Saigon, the multi-million-dollar production of Sir Cameron Mackintosh. During the audition, she sang On My Own, a ballad from the musical play Les Miserables. Lea eventually got the part of Kim and moved to Londons West End where she stayed for two years. In London, Lea received the most coveted Laurence Olivier Award for playing the role of Kim. It was the start of a series of international awards that were about to come her way. When the musicale moved to New Yorks Broadway in 11, Lea won the prestigious Tony Awards, Outer Critics Circle, and Theater World Awards. Her stint at Miss Saigon also paved the way for bigger opportunities. The magnificent singing voice of Princess Jasmine in the Walt Disney animated production, Aladdin belongs to her. She became the first Filipino to have performed at the celebrated Oscar Awards, when she rendered the Disney song A Whole New World before Hollywood celebrities during the 65th annual event in Los Angeles. Lea also had the chance to perform before the most prominent persons in the world. She was invited twice to the White House, first to sing in a social gathering hosted by former First Lady Barbara Bush, then to grace an occasion hosted by President Bill Clinton. While in England, she was invited to the Buckingham Palace to perform before Queen Elizabeth II. In 1, she played the role of Eponine in the Broadway production of Victor Hugos novel, Les Misrables. She went on to appear in the London and Honolulu productions of the same play whose music and lyrics were composed by the same people behind Miss Saigon Alain Boublil and Claude-Michel Schonberg. In the words of Rosalinda Orosa, a writer on Filipino culture, Lea did something more than making Filipinos proud. Lea has made theater history for Filipinos, says Orosa. Action King People call him the King of Action Movies. For more than four decades now, he has ruled the local big screen, even putting in the sideline another actor and friend who became more successful in politics. Fernando Poe Jr. is an icon admired by millions of Filipinos and by his best friend, no less than former President Joseph Estrada. They have been close friends since their days together in the early 60s as stars of action movies. It was Poe who first used the word Erap to refer to former President Estrada. As an actor, Poe has mastered the role of a kind-hearted, selfless and invincible super hero who defends the aggrieved people against the forces of evil. The Filipino viewers look up to him because he represents the good and noble in Filipino culture. He was born Ron Allan but had to change his name to bank on the popularity of his father who was a top actor in his time. Fernando Poe Sr. died from a dogs rabies at 5, leaving the young Poe as the familys breadwinner. At 14, the young Poe began his career with a starring role in Anak ni Palaris. He made his first mark in the 60s with Tatlong Hari. He was an award-winning actor, having accumulated the most number of best actor awards at FAMAS. He won awards for Mga Alabok ng Lupa (167), Asedillo (171), Durugin si Totoy Bato (17), Umpisahan Mo, Tatapusin Ko (18), and Magnum 57 (187). In most of his films, Poe has doubled either as a director or a producer. As a director, he used the name Ronwaldo Reyes. Lately, there were rumors that Poe might seek the presidency in the year 004. It would be easy enough for him, considering that he enjoys the same mass-based popularity that catapulted his friend to Malacañang. Poe, however, had no experience in politics, except for his joining the political campaigns of former President Estrada in 18. Comedy King He shared many moments of great laughs with the Filipino audience. As an actor and prime comedian, Dolphy entertained the nation with his physical humor and classic jokes. At 74, he still does and calls himself a happy man. His real name is Rodolfo Vera Quizon, but for millions of his followers, he is simply Dolphy or Kosme, the character he portrays in the weekly television sitcom, Home Along Da Riles. Many people envy him for his wonderful career and interesting lifestyle. For them, Dolphy is the king of comedy who views life with joy and excitement. Born on July 5, 18, he was raised by his poor parents, Melencio Espinosa Quizon and Salud dela Rosa Vera. He started as a struggling performer onstage during the Japanese Occupation. The late Fernando Poe Sr. gave him his first break as a character actor. His comic talents became well known in the films, Jack en Jill and Facifica Falayfay. Soon, he made many comedy films, alongside fellow comedians, Pugo, Tugo, Babalu, Panchito, Ike Lozada and German Moreno. He was paired with Nida Blanca in John en Marsha, the most-watched prime time television program in the 180s. He almost retired from the industry in 18 when he was romantically involved with another actress. In 17, Dolphy was named as the king of Philippine movies. A decade later, he was declared as the all-time favorite actor of Philippine movies. In 14, he was given the Dangal ng Lipi award by the Bert Amorcelo Memorial Foundation and the prestigious Lifetime Achievement Award by Urian. In 1, the Cultural Center of the Philippines (CCP) named Dolphy as one of the 100 Influential Filipino Artists of the Century. He was also a Parangal ng Bayan and Golden Father Foundation awardee. Master Painters Juan Luna is considered as the finest painter this country has ever produced. He was born in Badoc, Ilocos Norte on October , 1857. He became a part of the Philippine Reform Movement, a group seeking social reforms from the colonial government of Spain in the late 1th Century.In 1880, Luna joined the Madrid Exposition where his painting, The Death of Cleopatra won the second prize. This masterpiece is now on exhibit at the Museo Nacional de Pinturas in Madrid. In 1884, Lunas huge painting, Spolarium, won the first Gold Medal at the Exposicion Nacional de Bellas Artes, also in Spain. Coincidentally, another Filipino, Felix Resurreccion Hidalgo won the second prize in the same event for his painting, Antigone. Lunas Spolarium depicts fallen gladiators being dragged to an unseen pile of corpses in a chamber beneath the Roman arena. Considered as the largest painting in the country, it has a height of 4.6 meters and a length of 7.7 meters. It is now on display at the National Museum in Manila.Aside from Luna and Hidalgo, other noted Filipino painters include Fernando Amorsolo, Vicente Manansala, Guillermo Tolentino, Emilio Aguilar Cruz, Fabian dela Rosa, Hernando Ocampo, Victor Edades, Martino Abellana, Arturo Rogerio Luz, Jose Joya, Carlos Francisco, Cesar Legaspi, and Mauro Malang Santos. Living Treasures Since 1, the National Commission for Culture and the Arts (NCCA) has recognized eight national living treasures - folk or traditional artists who have employed indigenous materials to create valuable artworks depicting their respective communities. Those rewarded were Masino Intaray, a poet, musician and story teller from Makagwa Valley, Palawan; Samaon Sulaiman, a kutyapi player from Maganoy, Maguindanao; Ginaw Bilog, a Mangyan poet from Mansalay, Oriental Mindoro; Lang Dulay, a Tboli artist from South Cotobato; Salinta Monon, a Tagabawa-Bagobo weaver from Bansalan, Davao del Sur; Alonzo Saclag, a dance researcher from Lubuagan, Kalinga; Federico Caballero, a Sulod-Bukidnon epic chanter from Kalinog, Iloilo; and Uwang Ahadas, a Yakan musician from Lamitan, Basilan. (Source National Commission for Culture and the Arts) Hollywood Celebrities Among the Hollywood celebrities who have claimed that they have Filipino blood running in their veins are Dean Devlin, writer and producer of several hit films like Independence Day and Godzilla; Rob Schneider, a comedian, writer and actor who appeared in Judge Dredd, Down Periscope, Big Daddy, Deuce Bigolow and The Animal; Lou Diamond Phillips, the lead actor in Bats; Paolo Montalban, the lead actor in the hit TV series Mortal Kombat; Tia Carrere, a pretty actress from Hawaii who starred in True Lies alongside Arnold Schwarzenegger; and Ernie Reyes Jr., a martial arts expert, who appeared in Teenage Mutant Ninja Turtles. Famous Singers Among the Filipino singers who gained recognition in the international scene are Lea Salonga for her starring role in the musical play Miss Saigon and Jocelyn Enriquez who popularized the song Do You Miss Me in 16. Regine Velasquez was once considered as Asias songbird while Pilita Corales was also tagged as Asias Queen of Songs. Among the songs that gained recognition abroad are Anak by Freddie Aguilar and Christmas in Our Hearts by Jose Marie Chan. Notable Filipino-Americans In the book The Filipino Americans (178-Present) Their History, Culture and Traditions, author Veltisezar Bautista has recognized the following for their outstanding contribution to their respective fields § Benjamin Cayetano, Peter Aduja, Pedro dela Cruz, Thelma Buchholdt, Glenn Olea, Irene Natividad, Gene Canque Liddell, David Mercado Valderrama, Velma Veloria, Robert Bunda, Ron Menor, Reynaldo Graulty, Henry Manayan, Maria Luisa Mabilangan Haley, Philip Vera Cruz, Pete Fajardo, Juventino Fajardo, Roberto Rivas, Gene Canque Liddel, G. Monty Manibog, Henry Manayan, Michael Guingona Jr., Edward Soriano, Antonio Taguba and Eleanor Mariano for public service; § Loida Nicolas Lewis, Josie Natori, Lilia Calderon Clemente, and Cecilia Pagkalinawan for business; § Jose Garcia Villa, N.V.M. Gonzales, Carlos Bulosan, Bienvenido Santos, Jessica Hagedorn, and Ninotchka Rosca for literature; § Alex Tizon, Byron Acohido, Tita Dioso Gillespie, Cielo Buenaventura, Howard Chua, Hermenegildo Hermie A. Azarcon, Veronica Pedrosa and Lisa Foronda for journalism; § Pacita Abad, Genara Banzon, Manuel Rodriguez, Sr., Venancio Igarta, Jose Romero and for painting and arts; § Lawrence Que Jr., Stella Evangelista, Ernesto Espaldon, Rolando Castro, Neonilo Tejano, Enriquez Ostrea, Domingo Alvear, Ofelia Dirige, Jose Evangelista, Ananias Diokno, Jorge Camara, Eduardo Padlan, Francis Duhaylongsod, and Eleanor Marinao for science and medicine; and § Ceferino Garcia, Roman Gabriel, SalvadorDado Marino, Speedy Dado, Tai Babilonia, Benny Agbayani, Bobby Balcena, Elizabeth Punsalan and Vicky Manalo Drakes for sports. (Source http//www.philnewscentral.com/filipino_am.html) Government Officials in the US Among the Filipino-Americans who were elected to office in the US government are Governor Benjamin Cayetano of Hawaii; and Mayors Juventino Fajardo of Glendale Heights, Illinois; Pete Pajardo of Carson, California; Michael Guingona Jr. of Daly City, California; Gene Canque Liddel; Henry Manayan of Milpitas, California; Teresita Santiago of Delano City, California; and Robert Rivas or Bergenfield, New Jersey.(Source http//www.filipinoweb.com/notable.html) Famous Filipinos Abadilla, Alejandro - poet; 104-16Abelardo, Nicanor - composer; San Miguel, Bulacan; 18-14Abueva, Napoleon - sculptor; Bohol; 10Aglipay, Gregorio - religious leader; Ilocos Norte; 1860-140Agoncillo, Felipe - nationalist; Taal, Batangas; 185-141Aguinaldo, Emilio - president and general; Kawit, Cavite; 186-164Alcala, Larry - cartoonist; Daraga, Albay; 16-00Amorsolo, Fernando - painter; Manila; 18-17Antonio, Pablo - architect; Manila; 10-175Aquino, Benigno -senator and martyr; Concepcion, Tarlac; 1-18Aquino, Corazon Cojuango - president; Luisita, Tarlac; January 5, 1Aquino, Francisca Reyes - culture and dance researcher; Bocaue, Bulacan; 18-18Aquino, Melchora - nationalist; Kalookan; 181-11Arguilla, Manuel - writer; Bauang, La Union; 110-144Arcellana, Francisco - short story writer; Manila; September 6, 116Arroyo, Gloria Macapagal - president; Manila; April 5, 147Avellana, Lamberto - film director; Bontoc, Mountain Province; 115-11Balagtas, Francisco - poet; Balagtas, Bulacan; 1788-186Baraquio, Angela Perez - beauty queen; Hawaii; June 1, 176Bernal, Ishmael - film director; Manila; 18-17Blanca, Nida - film actress; Gapan, Nueva Ecija; 16-001Bonifacio, Andres - nationalist; Manila; 186-187Brocka, Lino - film director; Pilar, Sorsogon; 1-11Buenaventura, Antonino - composer; Baliuag, Bulacan; 104-16Bulosan, Carlos - writer; Pangasinan; 111-156Cayetano, Benjamin - governor of Hawaii; November 14, 1Celerio, Levi - poet and songwriter; Manila; 110-00 Constantino, Renato - historian; 11-1Cuenco, Ernani - composer; Malolos, Bulacan; 16-188Dagohoy, Francisco - nationalist; Bohol; 1744-18 (revolt)De Jesus, Gregoria - nationalist; Kalookan; 1875-14De Jesus, Jose Corazon - poet; Sta. Maria, Bulacan; 186-1Dela Rama, Honorata Atang - actress; Bulacan; 10-11De Leon, Felipe - composer; Penaranda, Nueva Ecija; 11-1De Leon, Gerardo - film director; Manila; 11-181Delos Santos, Efipanio - writer and nationalist; Malabon; 1871-18Del Pilar, Gregorio - nationalist and general; Bulacan; 1875-18Del Pilar, Marcelo - journalist and nationalist; Bulacan, Bulacan; 1850-186De Venecia, Jose Jr. - House speaker; Dagupan City; December 6, 16Edades, Victorio - painter; Pangasinan; 185-185Estrada, Joseph - president; Manila; April 1,17Enrile, Juan Ponce - senator and defense minister; Gonzaga, Cagayan; February 14, 14Felipe, Julian - composer; Cavite City; 1861-141Francisco, Carlos - painter; Angono, Rizal; 11-16Fuentes, Jovita - opera singer; Capiz, 185-178Garcia, Carlos - president; Talibon, Bohol; 186-171Gonzalez, N.V.M. - writer; Romblon, Romblon; 117-1Guerrero, Fernando Ma. - nationalist; Manila; 187-1Guerrero, Wilfredo Ma. - scriptwriter; 110-15Hernandez, Amado - poet; San Miguel, Bulacan; 10-170Hidalgo, Felix Resureccion - painter; 185-11Jacinto, Emilio - nationalist; Tondo, Manila; 1875-18Jaena, Graciano Lopez - nationalist and editor; Jaro, Iloilo; 1856-186Joaquin, Nick - writer; Manila; May 4, 117Jose, F. Sionil - writer; Rosales, Pangasinan; December , 14Kasilag, Lucrecia - composer; San Fernando, La Union; August 1, 181Kiukok, Ang - painter; Davao City; March 1, 11Laurel, Jose P. - president; Tanauan, Batangas; 181-15Legaspi, Cesar - painter; Tondo, Manila; 117-14Locsin, Leandro - architect; Silay, Negros Occidental; 18-14Luna, Juan - painter and nationalist; Badoc, Ilocos Noter; 1857-18Luz, Arturo - painter; Manila; November , 16Mabini, Apolinario - nationalist; Tanauan, Batangas; 1864-10Macapagal, Diosdado - president; Lubao, Pampanga; 110-17Maceda, Jose - composer; Manila; January 1, 117Magsaysay, Ramon - president; Iba, Zambales; 107-157Manansala, Vicente - painter; Macabebe, Pampanga; 110-181Marcos, Ferdinand - president; Sarrat, Ilocos Norte; 117-18Mariano, Eleanor - physician and US general; Angeles City; 155Molina, Antonio - composer; Manila; 184-180Nakpil, Juan - architect; Manila; 18-186Natorie, Josie - fashion designer; Manila; 147Navarro, Jerry Elizalde - painter; 14-1Nepomuceno, Rafael - bowling champion; January 0, 157Ocampo, Hernando - painter; Manila; 111-178Osmena, Sergio - president; Cebu City; 1878-161Pagkalinawan, Cecilia - IT executive in New York; Manila; 16Palma, Jose - poet and songwriter; 1876-10Ponce, Mariano - nationalist; Baliuag, Bulacan; 1861-118Quezon, Manuel - president; Baler, Tayabas; 1878-144Quirino, Elpidio - president; Vigan, Ilocos Sur; 180-156Quizon, Rodolfo (Dolphy) - film actor and comedian; Pampanga; July 5, 18Ramos, Fidel - president; Lingayen, Pangasinan; March 18, 18Reyes, Severino - playwright; 1861-14Rizal, Jose - poet, novelist and martyr; Calamba, Laguna; 1861-186Romulo, Carlos - UN president and journalist; Camiling, Tarlac; 18-185Roxas, Manuel - president; Roxas City, Capiz; 18-148Salonga, Jovito - senate president and nationalist; Rizal; June , 10Salonga, Lea - stage actress; Manila; February , 171San Pedro, Lucio - composer; Angono, Rizal; ?-00 Santos, Jose Abad - statesman and nationalist; San Fernando, Pampanga; 1886-Santos, Lope - novelist and linguist; 187-16Silang, Diego - nationalist; Ilocos Sur; 170-176Silang, Gabriela - nationalist; Ilocos Sur; 171-176Sycip, Washington - businessman; Manila; 11Tiempo, Edith - writer; Bayombong, Nueva Vizcaya; April , 11Tinio, Rolando - playwright; Manila; 17-17Tizon, Alex - journalist; Pampanga; 158Tolentino, Aurelio - playwright; 1868-115Tolentino, Guillermo - sculptor; Malolos, Bulacan; 180-176Veneracion, Andrea - choirmaster; Manila; June 11, 18Vergara, Benito Sibug - scientist; Manila; June , 14Villa, Jose Garcia - poet; Manila; 10-17Villa, Pancho - boxing champion; Iloilo; 101Villar, Manuel Jr. - senator and real estate magnate; Las Pinas City; December 1, 14(The list includes presidents, government officials, national artists and other famous Filipinos. More names should have been included, if not for the lack of available information.) Trivia Reference While we affirm the fact that no part of the articles published here was copied verbatim from publications or web pages, we would like to acknowledge the sources of our data or information. Our sources, however, are not limited to the following websites I .MGA MUSIKA NI MAESTRO NICANOR ABELARDO (18-14) ANG AKING BAYAN NASAAN KA IROG? KUNDIMAN NG LUHA HIMUTOK II . MUSIKA NI FRANCISCO SANTIAGO (188-147) PAKIUSAP MADALING ARAW ANAK DALITA III . MUSIKA NI JOSE ESTRELLAFILIPINAS PARA LOS FILIPINOS IV. MUSIKA NI LUCIO SAN PEDROSA UGOY NG DUYAN V. MUSIKA NI BONIFACIO ABDONKUNDIMAN MAGANDANG DIWATA Contemporary Musicby Dr. Ramon P. Santos Contemporary music in the Philippines usually refers to compositions that have adopted ideas and elements from twentieth century art music in the West, as well as the latest trends and musical styles in the entertainment industry. This brief introduction covers only the works written by the art music composers. The modern Filipino repertoire consist of pieces that have been written in twentieth century idioms that have evolved out of such stylistic movements as impressionism, expressionism, neo-classism, as well as the so-called avant-garde and New Music. A good number of these works have utilized the standard formats of classical European music such as the concerto, the symphony, the symphonic and tone poems, cantata, etc. and may therefore be broadly categorized as neo-classic. At the same time, they have also been greatly influenced by the textural colors of Debussys music and the ambiguous and dissonant tonalities of early 0th century expressionist compositions. Moreover, the sounds of non-Western instruments have been added to the tonal fabric. The first modern works that belong to the above descriptions are attributed to Nicanor Abelardo, who from 11 till his death in 14 produced works that show a dramatic departure from his highly chromatic--tonal idiom to dissonant and ambiguous tonalities and complex rhythmic textures. Some of the representative works of that period are the Sinfonietta for Strings and the Cinderella Overture. In Panoramas, a chamber music suite, Abelardo also experimented on unorthodox instrumental combinations (flute, violin, viola, celesta, piano). Two short pieces for piano Dancing Fool and Malikmata by Antoni Molina, Philippine Suite by Ramon Tapales, and Mindanao Sketches by Antonio Buenaventura were isolated works that assumed some degree of modernistic structural elements, immediately following Abelardos output. Philippine neo-classism is significantly represented by three names Eliseo Pajaro, Rosendo Santos and Lucresia Kasilag. Most of Pajaros works (usually bitonally chromatic) are set in such extended formats as the symphony; concerto; symphonic ode; e.g. Ode to Academic Freedom; and song cycles using Filipino folk tunes (Himig Iloko). the prolific Rosendo Santos, also a versatile performer in the keyboard, percussion, and wind instruments, has written hundreds of compositions for a variety of instruments and instrumental combinations; e.g. Suite Brevet for clarinet, alto saxophone and piano, Two Poems for flute, vibes, and percussion, Etude for six timpanist and multi-percussion, Fantasy for Contrabass and Harp, etc. Lucresia Kasilag, aside from using neo-classic idioms, has added a further dimension to her compositions by infusing the sounds of native instruments as well as their scales, and experimenting on new forms such as the operatorio Her son, Jose and Dularawan, a contraction of dula (theater) and larawan (pictures). Some of her landmark compositions are Toccata for percussion (orthodox and Muslim) and winds, and Orientalia Suite for Piano and chamber and Philippine percussion instruments. She has also applied elements of improvisation in her Ekologie I On a Day off for tape recorder and indigenous instruments and Improvisations No. and 4 for Moslem gamelan and tipangklong. Another sub-classification of Philippine neo-classic works are those written by Alfredo Buenaventura, Jerry Dadap, Eduardo Parungao, and Manuel Maramba. Their works are characterized by the eclectic utilization of various harmonic idioms, from late romantic to early twentieth century. A departure from the standard forms of western classical music is a significant characteristic of the works of composers who are exploring alternative directions and concepts in music composition. Led and inspired by Jose Maceda, these works derive their essence, theoretical and structural parameters from non-Western sources, specifically Asian music and Philippine indigenous cultural traditions. At the same time, they have been initially influenced by the ideas of mass structures that were advanced by such avant-garde composers as Edgar Varese and Iannis Xenakis, and later by the different streams of indeterminacy and improvisation as explored by John Cage and his followers. The initial works of Jose Maceda may be classified as color and cloud compositions, utilizing the tones and timbres of non-Western instruments to create different blocks of sounds; e.g. Ugma-Ugma and Agungan. His later works assumed overwhelming dimensions in the use of acoustical space, mass performance and the concept of a modern ritual- Pagsamba, Udlot-Udlot, Ading, Ugnayan, etc. Also belonging to this formal category are Ramon Santos Ritwal ng Pasasalamat I and II as well as his Likas-An and Nagnit Igak Gnam Wag nwag Nila, a Philippine Centennial piece for orchestras, 7 choruses, audience, and conductor. Jonas Baes also contributed to this literature with his Pantawag, Kalipay and Yeyunan which is based in his study of Iraya mangyan culture. Another category of New Music compositions are improvisational works. The early pieces of Ramon Santos such as Radyasyon and Quadrasyon were later augmented by Toledos Samut-sari, Pintigan and Terminal Lamentations, all written as musical graphics, and his Humigit Kumulang for Malay hadrah and kompang. Baes Wala and Banwa, both written in 17, uses audience as well as the participation of traditional Philippine instruments. One of the more preferred media by the younger generation of Filipino composers is mixed media and theater forms. Santos has significantly contributed to this body of works with his Awit, Panaghoy, (on the poetry and Ninoy Aquino), Ta-O at Dasalan and Pompyang at iba Pa by Chino Toledo. The experimental Panata ng Lupa by Francisco Feliciano and other composers is an outdoor theater that fuses elements of opera and Kalinga rituals. Feliciano has also composed the music for the music dramas Sikhay sa Kabila ng Paalam and Ashen Wings, as well as the monumental opera La Loba Negra. Related to this category are ballet and dance compositions to which belong Kasilags Sisa, Legende, and Tapestry; Santos Aninag; Jerry Dadaps Tomaneg at Aniway; Felicianos Yerma; Toledos Pilipino Komiks and Abe... (on the music of Nicanor Abelardo) Some works may be categorized as unclassified for their uniqueness in conceptual framework as well as the musical materials used; e.g. Santos Yugto-Yugtong Tagpo na Hingango sa Makasaysayang Panaginip ni Antonio Manggagawa, a modern epic; Jose Macedas Music for Five Pianos and Mosaic for Gongs and Bamboo.BibliographyDe la Torre, Visitacion. Lucresia R. Kasilag An Artist for the World. Vera-Reyes Inc., 185 Feliciano, Francisco. Four Asian Contemporary Composers The Influence of Tradition in Their Works. Quezon City New Day Publishers, 18Kasilag, Lucresia R. The League of Filipino Composers 16 Directory and Selected Works. 16Santos, Ramon P. (ed.) Tunugan 7 Proceedings of the 18th Conference and Festival of the Asian Composers League. Manila ACL Philippines, 17Samson, Helen. Contemporary Filipino Composers. Quezon City Manlapaz Publishing Company, 176Art Music Formby Dr. Ramon P. Santos Art music forms in Philippine music consist of locally composed works that have used standard formats of Western music. These forms evolved through the introduction and assimilation of European classical music which includes both religious and secular compositions. Before the American colonial regime, Filipino musicians who received their musical training mostly from the clergy, produced masses, hymns and vespers for use in the liturgical services. Some of these works were quite elaborate, some with orchestral accompaniment. Some of the Early secular forms of entertainment are the awit and kurido, which replaced some of the ancient epics of communities that had been converted to Christianity. These metrical romances written in octosyllabic and dodecasyllabic quatrains told of saintly and heroic tales in medieval Europe, and the crusades against the Moors. Local versions were written and performed by local playwrights and artists and flourished in the Tagalog, Ilokano, Pampango, Bikol and Ilongo. The Spanish comedia was the early form of theater that was introduced to the people in the late 16th century. The first comedias were religious dramas. In the 18th century more and more comedias were about the lives of kings and nobles as well as their battle against the infidels. In the Philippines, the thematic plot of the conflict between Christians and the Moros gave birth to the comedias called moro-moro. In the 1th century, the komedya was totally adopted by the Filipinos, with the plots based on the printed corridos. They spread to the different regions and became a popular form of entertainment until the advent of a much more sophisticated form of musical theater the Spanish zarzuela. The zarzuela was introduced in the Philippines in the late 1th century with the arrival of foreign productions, until even local singers and conductors were trained and contracted to perform. The first Filipino sarswela were written in the 180s. At the turn of the century, the regional sarswelas emerged in Northern Luzon, Bikol and the Visayas. During the American regime, the Filipino sarswela served as a medium of political protest and criticism of the colonial rule. At the same time, the form represented the high quality of music-literary creativity of the Filipinos in that their popularity was partly the result of collaborations between well-known playwrights and composers. The Filipino opera is likewise an off-shoot of the introduction of the European opera., the first presentation being dated in the 160s. Because of the availability of local singers, instrumentalists, and conductors, the opera did not take long to be adopted by the Filipinos. The first Filipino opera was composed in 10 entitled Sandugong Panaginip. Composers who wrote important works in this medium include Gavino Carluen, Felipe Padilla De Leon, Alfredo Buenaventura, and Eliseo Pajaro. The establishment of formal music schools during the early American colonial regime produce highly trained musicians. Most of the composers began to write in the major western classical forms such as the concerto, symphony, the suite, the concertino, the rhapsody the concert overture, and the symphonic poem. The latter two were not only written for the symphony orchestra, but the symphonic band as well, since a number of Filipino composers received their initial musical training in local town musicians. The band literature also includes hymns and marches. Works for chamber ensembles (quintets, quartets, trios) and solo instruments were also written, especially character pieces for the piano. Santiagos String Quartet in G in 14 is considered a forerunner, followed by Molinas String Quartet en D Mayor, and Trio in F. A great deal of the major works are programmatic in nature and are of religious or nationalist in character. The first group of art music composers include Juan Hernandez, Nicanor Abelardo, Francisco Buencamino and Antoni Molina. Some of these major works are Abelardos Piano Concerto of 1, Santiagos Tagailog Symphony, Molinas Batingaw Choral Symphony, Mayon, Piano Concerto by Francisco Buencamino. The following generation of composers consists of Antonio Buenaventura who composed the famous tone poems By the Hillside and Youth and Hilarion Rubio who wrote Pilipinas Kong Mahal Symphonic Overture and Symphony for Greatness. Rodolfo Cornejo, who is also highly proficient on the keyboard, composed Symphony- The Allies and Dedication Symphony. Ramon Tapales, a violinist of note, contributed some major works like Philippine Suite and Ave Liberator to honor the liberation of the Philippines at the end of the nd World War. Another contemporary Lucino Sacramento wrote the highly romantic twin piano concertos Maharlika and Bituin. This generation was followed by Felipe Padilla De Leon who wrote the monumental operas Noli Me Tangere and El Filibusterismo, and Lucio San Pedro with his symphonic poems Lahing Kayumanggi and Concerto for Violin and Orchestra. In the field of vocal music, the Tagalog kundiman, a song of unrequitted love was developed by these composers as an art song genre, composing pieces on texts of high poetic value. The character and structural elements of the kundiman is derived from an earlier Tagalog tune called comintang. The kundiman starts in the minor key and ends in the parallel major. It is in moderate /4 time. The immortal kundimans include Abelardos Nasaan Ka Irog and Kundiman ng Luha and Santiagos Madaling Araw. Other song forms which were used by the composers are the balitaw which is of lighter character and the danza, a dance form in duple time which is similar to a tango. The idiom of the early art music works was very much influenced by the music of the European romantic composers, such as Franz Liszt, Richard Wagner, Peter Tchaikowshy, Guiseppe Verdi, Giacchomo Puccini, and Gaetano Donizetti. Works that show the influence of early twentieth century European idiom were written by Eliseo Pajaro, Lucresia Kasilag, Rosendo Santos, Amada Santos-Ocampo, Alfredo Buenaventura, and Jerry Dadap. This group of composers may be considered as neo-classicists, fusing Filipino musical elements, mostly folk melodies, with the harmonies, rhythms and textures found in the works of the European and American neo-classic composers. MUSICIANS AND COMPOSERS ELISEO PAJARO (115 - 184)Composer. He started his musical career by playing in town and school bands. He directed zarzuelas in his home province of Ilocos Norte during summers. At the University of the Philippines, he obtained his formal education in the conservatory of music. Later, he was awarded a music scholarship for graduate study at the Eastman School of Music in Rochester, New York, where he received his masters and doctorate degrees. He composed operas on a popular Ilocano folk epic Life of Lam-ang and the life of the national hero Jose Rizal for which he was honored with the Republic Cultural Heritage Award in 164 and the Presidential Merit Award in 166. He wrote Mir-i-nisa, a full length ballet, which was performed at the inauguration of the Cultural Center of the Philipines (CCP) in 16.NICANOR ABELARDO (18 - 14)Musician and composer. A native of Bulacan, he learned to play the guitar at six and wrote his first composition at eight. He moved to Manila to live with an uncle who taught him to play the piano. While a music student at the University of the Philippines, Abelardo won first prize for his U.P. Beloved song, and he was appointed head of the conservatorys department of music. During his lifetime, he composed 14 love songs called kundimans, which have become classics in Filipino music and have earned him the title of father of kundiman. He died at the age of 41. The main theater of the Cultural Center of the Philippines is named after him.LUCRECIA KASILAG (118 - )A leader in music education. Kasilag obtained her music education from Philippine and American institutions of higher learning. Her career has been distinguished by 00 original compositions that range from folk songs, art songs, and choral numbers to orchestral works, which have been published and performed in the Philippines and abroad. For years, she led Philippine cultural delegations to Asian and European countries. In October 175, she was voted chairperson of the Asian Composers League, and in 18, the Philippine government honored her with the prestigious National Artist Award. Her alma matter, the Philippine Womens University, conferred on her a doctor of laws honoris causa for her meritorious work in music education.FRANCISCA REYES AQUINO (18 - 184)Leader in folk dancing. The president of the University of the Philippines (Jorge Bocobo) recognized her talent in folk dancing and sent her to provinces to study and collect the native folk dances, songs, and other forms of music. Her work made her an authority on the subject and an important resource for school folk dances. Her students at the university accepted her research with enthusiasm and became her strong supporters in the spread of the art of folk dancing. She became a consultant to the world famous Bayanihan Folk Dance Troupe, which performs its popular folk dance repertoire in the major cultural capitals of the world. Thus, folk dance instruction has been included in many private and public schools. In 17, President Marcos gave her the National Artist Award for her contribution to the preservation and propagation of the folk dances of the Philippines. Music in the Philippines since 188by Corazon C. Dioquino Philippine Music underwent another process of transformation with the advent of American sovereingty. The three mainstreams of music during this post-colonial period include classical music, semi-classical music and popular music. Classical Music. In the newly established public school system, music was included in the curriculum at the elementary and later at the high school levels. At the tertiary level, music conservatories and colleges were established. The earliest such schools were St. Scholasticas College (106) and the University of the Philippines Conservatory of Music (116). In the 10s, two private music schools were established in Manila The Academy of Music (10) under Alexander Lippay and the Manila Conservatory of Music (14) under Rodolfo Cornejo. Both these schools hPlease note that this sample paper on Compilation is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Compilation, we are here to assist you. Your persuasive essay on Compilation will be written from scratch, so you do not have to worry about its originality.


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