Wednesday, January 15, 2020

Writer's choice

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In Night by Elie Wiesel, their are several instances of public hangings. Elie feels different about hanging the three men who steal soup, and the sad eyed angel. The public hangings are used as examples to what happens to prisoners if they break one of the rules. Elie has vivid memories about the public hanging. He tells us about them in the


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novel. One of the instances of a hanging, was when the sad eyed angel was hung. He was a kapo in the camp Elie was in. Elie liked him because of his kindness. He seemed to be the only officer in the camp that had an ounce of compassion. He hung for knowing about a secret weapon stash and not telling about it. For Elie, this symbolized the death of hope. This is where he started to loose faith in god. Another instance of a hanging, was when the three men where hanged for stealing soup. This did not effect Elie in the same way. He felt that they brought the death on themselves. They were paying the price for stealing the soup. He did not question the hanging. He knew if you break the rules, you will be killed. It was common knowledge in the camps. I am sure the men knew this, they were just overcome with hunger and could not think strait. The hangings lowered Elie's faith in god. Everytime someone died in the camp, Elie would stop believing in god just a little more. This ended with the death of his father. The first hanging Elie witnessed, was devastating. He had never seen anything like it. One horrific experience for Elie was when one person did not die during the hanging. He did not weigh enough for the fall to break his neck. He hung suffocating for a while. All the hangings were terrible experiences for Elie. Nobody could not walk away unaffected by the hangings. Every public killing deteriorated Elie's faith. The sad eyed angel was the end of hope for Elie. After that, he understood the murderous nature of the Holocaust. Elie walked away a completely different person than how he entered.


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Tuesday, January 14, 2020

Trip to Acapulo

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While on vacation in Acapulco Mexico, I, along with my family and friends took a tour by boat to a small resort island. As we approached, I was awestruck by it's beauty. I knew this was going to be fun, but had no idea that this place would be forever etched in my mind. We were greeted at the dock by two natives dressed in brightly colored tropical shirts, white pants and shoes. They were also wearing smiles just as bright. They escorted us to an open-air type restaurant with a thatched roof that was actually attached to the pier at which we docked The restaurant had a casual atmosphere that made us very comfortable. The food was served buffet style, with an elegant array of Mexican and American cuisine.


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The entertainment provided in the restaurant during and after the buffet was de- lightful. A ten minute introduction to the Mexican culture was followed by an intriguing native dance, performed by a man dressed in an authentic looking costume consisting of only a rawhide g-string with a short apron front. His sandals had leather cords winding halfway up his legs. This dance depicted a story of a hunter and his prey. It was narrated by a woman who was also in costume. Brightly dressed Mexican men were beating drums and banging sticks providing the sound effects for the story. This was truly a great beginning to a wonderful afternoon. Behind the restaurant was a low mountainous area, accessible by walking trails only. We hiked one of these trails, observing the brightly colored tropical plants and trees that flourished on this well maintained terrain. A beautiful waterfall added to the splendor, and when we reached the top, a lookout provided a panoramic view of the entire bay. What a breathtaking sight! There was a bar here, and after a cool drink we decided to head down. We took a different trail down that brought us to the base of the mountain. In front of us, about 150 feet was the beach. It was 90 degrees and the Mexican sun made the sand hot under our feet. However, a gentle breeze kept us comfortable otherwise. On the beach we rented a cabana, which is little more than a thatched umbrella, table and beach chairs. There, we sat and enjoyed one of those big tropical drinks that has fruit on the edge of the glass and a small umbrella of its own. Staring out into the bay from my chair, was possibly the most serene feeling I have had in all my life. There were many people around and they were making plenty of noise, but my mind was absorbed with the natural beauty of this place. It was like none that I had ever seen before. Looking across the bay towards the mainland, with all its hustle and bustle, I felt as if I had found paradise. I had been to the ocean twice before, but only in the U.S., and never to a bay. Bay waters are much calmer, and therefore much clearer-so clear, in fact, that at a depth of six feet I was able to see a penny. The color of the water is also amazingly different from ocean water. The intensity of the blue color is almost fluorescent. After we rested, we decided it was time to get wet, so we donned our snorkeling gear and entered the warm water. I had never snorkeled before, but it wasn't long before I felt comfortable. Most of our experience was in very shallow water and I don't think it was ever necessary to go down more than ten feet. The fish didn't seem to be bothered by our presence, and although I don't know what kind they were, I touched two of them, and there reaction was only to flip there tail. About forty feet out from the beach it was still only about seven or eight feet deep, and that's where the coral appeared. This is something that no television or video could do justice to. The vivid colors of the coral alone were enough to make this whole trip worth while. There were many different types of fish, most of them with vibrant colors, varying in size from the size of a silver dollar, to the size of a foot or more in length. If you've seen the salt water fish tanks in a pet store, you know of the vibrant colors that I am talk ing about. But being in the water with these creatures of beauty, who seem to welcome your presence, is something that needs to be experienced to appreciate. Wading back towards shore, I have to say I was sorry that this part of the day was over. Back on the beach, a horn signaled the need to prepare for the trip across the bay. Fortunately, the boat which came to pick us up was not the same as the boat that dropped us off. This one had a glass bottom that enabled the passengers to observe everything beneath the boat. There was a experienced diver who was a part of the entertainment. He dived under the boat, and as we watched in awe, he grabbed the tail of a seven foot shark, pulling himself close enough to the sharks head to be bitten, and he then began to pet the shark as if it were only a puppy. Other antics were included with a couple of other fish as we made our way back to the mainland. Once on shore we headed back to our hotel just in time to see yet another splendor, an Acapulco sunset! We made our way to the roof of the hotel, so that we could get a panoramic view. The rainbow of colors in the sky was more than you could see in any painting, no matter who the artist. There were hues of peach to deep orange, pale pink to deep fusia and purple. Gold was entwined throughout, and the sun itself was like a ball of fire. The colors kept changing, as if an artist was continually trying to improve on its beauty. The sunset lasted about twenty minutes, but the colorful streaks in the sky remained vivid for another half hour. I have never seen a magnificent sunset like this ever before. Ten years have passed now since that trip. In that time I havn't seen that many beautiful places, but nothing will have made the most profound impression on me as that little island in Acapulco Bay.


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Friday, January 10, 2020

Maths - Mayfield

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Maths Statistics CourseworkHypothesesMy first hypothesis is that on average boys are taller then girls.I obviously cannot prove this by measuring every child in the world. Instead I will take a sample of the children at Mayfield School to prove this. I also cannot check every pupil of Mayfield School, so will take a random stratified sample of 00 children. This will contain the height and averages of 10 boys and 8 girls, all ages between 11 and 16. Help with essay on Maths - Mayfield


I will first show my tally chart, which shows the ages and varying height of the children, detailing boys and girls separately.Males Grouped Height Ages 11/1 Aged 1 Aged 14 Aged 15 Aged16 Total1.0 up to but not including 1.40 0 0 0 0 0 01.40 up to but not including 1.45 0 0 0 51.45 up to but not including 1.50 7 1 1 0 0 1.50 up to but not including 1.55 7 4 171.55 up to but not including 1.60 4 1 5 0 11.60 up to but not including 1.65 6 1 11.65 up to but not including 1.70 0 4 1 101.70 up to but not including 1.75 0 6 6 4 181.75 up to but not including 1.80 0 1 81.80 up to but not including 1.0 0 1 0 51.0 up to and including .00 0 0 1 1 4Total frequency 6 6 14 14 10 Females Grouped Height Ages 11/1 Aged 1 Aged 14 Aged 15 Aged16+ Total1.0 up to but not including 1.40 1 0 0 0 41.40 up to but not including 1.45 1 0 0 0 1.45 up to but not including 1.50 5 0 0 111.50 up to but not including 1.55 4 1 4 1 1 111.55 up to but not including 1.60 5 151.60 up to but not including 1.65 5 5 4 4 01.65 up to but not including 1.70 0 7 6 171.70 up to but not including 1.75 1 1.75 up to but not including 1.80 1 1 0 61.80 up to but not including 1.0 0 0 0 0 Total frequency 5 1 18 1 8 All grouped data 00 From this it is noticeable that boys are taller then girls, as there are no boys, of any age, who are shorter then 1.40m, yet there are 4 girls who are below this mark, aged 11-1. These results obviously don't prove very much, because 4/8 is a very small fraction.I will prove my hypothesis from the year-by-year mean heights.Females Ages 11/1 Grouped height F MPV FX MEAN1.0 up to but not including 1.40 1.0 . 1.40 up to but not including 1.50 7 1.45 10.15 1.50 up to but not including 1.60 6 1.55 . 1.60 up to but not including 1.70 5 1.65 8.5 1.70 up to but not including 1.80 4 1.75 7 1.80 up to but not including .00 0 1.0 0 Totals 5 4.7 1.88 Aged 1 Grouped height F MPV FX MEAN1.0 up to but not including 1.40 1 1.0 1. 1.40 up to but not including 1.50 4 1.45 5.8 1.50 up to but not including 1.60 4 1.55 6. 1.60 up to but not including 1.70 7 1.65 11.55 1.70 up to but not including 1.80 1.75 5.5 1.80 up to but not including .00 0 1.0 0 Totals 1 8.8 1.51578 Aged 14 Grouped height F MPV FX MEAN1.0 up to but not including 1.40 0 1.0 0 1.40 up to but not including 1.50 1.45 4.5 1.50 up to but not including 1.60 7 1.55 10.85 1.60 up to but not including 1.70 11 1.65 18.15 1.70 up to but not including 1.80 1.75 .5 1.80 up to but not including .00 0 1.0 0 Totals 6.85 1.60174 Aged 15 Grouped height F MPV FX MEAN1.0 up to but not including 1.40 0 1.0 0 1.40 up to but not including 1.50 0 1.45 0 1.50 up to but not including 1.60 6 1.55 . 1.60 up to but not including 1.70 6 1.65 . 1.70 up to but not including 1.80 4 1.75 7 1.80 up to but not including .00 1.0 .8 Totals 18 0 1.666667 Aged 16+ Grouped height F MPV FX MEAN1.0 up to but not including 1.40 0 1.0 0 1.40 up to but not including 1.50 0 1.45 0 1.50 up to but not including 1.60 1.55 4.65 1.60 up to but not including 1.70 8 1.65 1. 1.70 up to but not including 1.80 1.75 .5 1.80 up to but not including .00 0 1.0 0 Totals 1 1.5 1.6408 Males Ages 11/1 Grouped height F MPV FX MEAN1.0 up to but not including 1.40 0 1.5 0 1.40 up to but not including 1.50 10 1.45 14.5 1.50 up to but not including 1.60 10 1.55 15.5 1.60 up to but not including 1.70 6 1.65 . 1.70 up to but not including 1.80 0 1.75 0 1.80 up to but not including .00 0 1.85 0 Totals 6 . 1.54615 Aged 1 Grouped height F MPV FX MEAN1.0 up to but not including 1.40 0 1.5 0 1.40 up to but not including 1.50 1.45 4.5 1.50 up to but not including 1.60 8 1.55 1.4 1.60 up to but not including 1.70 6 1.65 . 1.70 up to but not including 1.80 8 1.75 14 1.80 up to but not including .00 1 1.85 1.85 Totals 6 4.5 1.64615 Aged 14 Grouped height F MPV FX MEAN1.0 up to but not including 1.40 0 1.5 0 1.40 up to but not including 1.50 1 1.45 1.45 1.50 up to but not including 1.60 1.55 4.65 1.60 up to but not including 1.70 5 1.65 8.5 1.70 up to but not including 1.80 1.75 15.75 1.80 up to but not including .00 4 1.85 7.4 Totals 7.5 1.704545 Aged 15 Grouped height F MPV FX MEAN1.0 up to but not including 1.40 0 1.5 0 1.40 up to but not including 1.50 0 1.45 0 1.50 up to but not including 1.60 7 1.55 10.85 1.60 up to but not including 1.70 1.65 . 1.70 up to but not including 1.80 4 1.75 7 1.80 up to but not including .00 1 1.85 1.85 Totals 14 1.64857 Aged 16 Grouped height F MPV FX MEAN1.0 up to but not including 1.40 0 1.5 0 1.40 up to but not including 1.50 0 1.45 0 1.50 up to but not including 1.60 1.55 .1 1.60 up to but not including 1.70 4 1.65 6.6 1.70 up to but not including 1.80 5 1.75 8.75 1.80 up to but not including .00 1.85 5.55 Totals 14 4 1.71486In these tables I have calculated a number of thingsThe frequency is the amount of times that height occurs.The MPV (Mid-point value) is simply the middle number in the grouped heights.The FX is the frequency column, multiplied by the mid-point value column.The totals in the F and FX are all the amounts added up.I have calculated the mean by dividing the FX column total, by the Frequency column total.Total means 11/1 1 14 15 16 Average meansMales 1.546 1.646 1.7045 1.64 1.714 1.646Females 1.880 1.5158 1.60 1.6667 1.64 1.560 As you can see from the year-by-year means every male age group has a higher mean height, then there female equivalents. It is also interesting to note, as you go through the age groups that year-by-year the mean height is higher. The only exception to this is that 15 year old girls have a higher mean height then the 16 year old girls.I have also calculated the cumulative frequency's, for both boys and girls, separately.Cumulative Frequency Boys Frequency Cumulative Frequency Coordinates1.0 up to but not including 1.40 0 0 (1.4,0)1.40 up to but not including 1.50 14 14 (1.5, 14)1.50 up to but not including 1.60 0 44 (1.6, 44)1.60 up to but not including 1.70 67 (1.7, 67)1.70 up to but not including 1.80 6 (1.8, )1.80 up to but not including .00 10 (.0, 10) Totals 10 10 I have put all this information onto a graph, with the above coordinates.I have labelled the X-axis Height, and the Y-axis Cumulative Frequency.I have also calculatedLower Quartile = ¼ n = ¼ (10) = 5.5th value = 1.55m Upper Quartile = ¾ n = ¾ (10) = 76.5th value = 1.765mMedian = ½ n = ½ (10) = 51st value = 1.64mThese are also marked out on the graph.Cumulative Frequency Girls Frequency Cumulative Frequency Coordinates1.5 up to but not including 1.40 4 4 (1.4, 4)1.40 up to but not including 1.50 14 18 (1.5, 18)1.50 up to but not including 1.60 6 44 (1.6, 44)1.60 up to but not including 1.70 7 81 (1.7, 81)1.70 up to but not including 1.80 15 6 (1.8,6)1.80 up to but not including .00 8 (.0, 8) Totals 8 8 I have put all this information onto a graph, with the above coordinates.I have labelled the X-axis Height, and the Y-axis Cumulative Frequency.I have also calculatedLower Quartile = ¼ n = ¼ (8) = 6.5th value = 1.55m Upper Quartile = ¾ n = ¾ (8) = 7.5th value = 1.65mMedian = ½ n = ½ (8) = 4th value = 1.6mThese are also marked out on the graph.The Lower Quartile, Upper Quartile and Median strengthen my point, as in each case the boys Lower Quartile, Upper Quartile and Median are higher then the girls equivalent. Boys Girls Lower Quartile 1.55m 1.55mUpper Quartile 1.765m 1.65mMedian 1.64m 1.6m


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Wednesday, January 8, 2020

Canada

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World War Introduction World War IntroductionWorld War was one of the many wars that occurred during the 0th century.


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Duringthis brutal war many countries, people, and history were changed. The factorsthatencourged the Germans and Japanese forces allowed them to take over othercountriesand kill many of people. Now, years later, from a different point of view, theGermans and Japanese accomplished nothing but just killing innocent people. Thegreediness behind the Germans and Japanese in the 0th century would changeeverybodyslives forever.How Did This War StartThe Germans had a powerful army in the 10s. They had a very powerful leadernamedAdolf Hitler. He was a greedy man who wanted everyone blonde hair, and blueeyes. Hewanted everyone the same and to be the only leader in the world. Hitler startedhisconquest for land in 18 when he annexed Austria. He followed this bythreateningCzechoslovakia. When Hitler increased his demands on the Czechs, war seemedalmostcertain. The British and French had meetings with Hitler and Mussoluni but theycouldnot stop them from putting demands on other countrys. Soon after the meetingsHitlercaptured Czechoslovakia and seized a former German port. He moved on by puttingdemands on Poland and the Polish Corridor. In September 1 France and Britainagreed to support Poland and they soon declared war with Germany.How Did The US Get IntoThe WarFirst of all Japan has no natural resources in their country. So being thattheyreplied on their oil products from the US. In July 7 141, PresidentRooseveltstopped all trading with the Japanese. That meaning now that Japan has no fuelto runtheir military forces. Japan forces then went and attacked the East Indies andtookover all of their fuel. Shell was the company that owned most of the fuelproducts inthe East Indies. Shells head office was in England which led European forcesto bein the war against Japan and Germany. When the US stopped trading with Japantheytook this as a hostile act but, Japan still tried to make peace with them. AJapanambassador even asked for a peace discussion with the secretary of state. Themeetingdid not go threw with the nations. Japan then attacked Atu (an island off ofAlaska) in hopes to draw the American forces up North. Japan was wrong , butsoonafter this they planned out a sneak attack on Pearl Harbour (a military base fortheAmericans in Hawaii). The Americans had a small idea that the Japanese mightattackthem. On the Morning of December 7, 141 a flight of planes were detected, butthepeople in Pearl Harbour were told that they were US fighter planes coming infromCalifornia. Soon after that a Japanese submarine was discovered in the watersSouthof Hawaii. An American destroyer was sent out to destroy the submarine, whichit did.Soon after that the planes that were detected earlier were Japanese forces. Theylaunched their bombes on Pearl Harbour and destroyed /4 of the air crafts, all8battleships, and 00 men. The US had no planes in the air, or anything elseready tofight. After the bombing the planes from California had arrived only to seePearlHarbour in black smoke. President Roosevelt wasted no time as he asked congresstodeclare war. On December 8,141 war was declared on Japan.What Was The Nature Of The War Between The Us And JapanAt the start of the War Japanese forces were very confident of winning the Waragainstthe Americans. They used methods such as bombings and air raids to try anddefeat theAmericans. In 14 the US turned the tables by island hoping and soon startedtodrive the Japanese back into Japan. In 144 Japan started losing really badagainstthe Americans. They started to resort to suicidal banzai in attempts to kill asmanyof the Americans as possible. Some examples they did were driving explosivefilledplanes into air crafts and strapping bombs to themselves so when they were deadthebombs would still go off. The battle of Okinawa was the last step in theisland-hopping strategy before the invasion on Japan. In this battle Japaneseforcescontinued to do suicidal things, but the American forces were too strong as theywontheir largest battle yet.How Did The Americans Win The WarThe war between the nations had been going on for 4 years. President Trumanwanted toend this as quick as possible. He did not want to lose anymore men. Thepresidentand other important men decided that they would drop an atomic bomb on Japan. Acontroversy was started as to what cities would be bombed. Kyoto and Tokyo werefirstselected for targets but weather conditions were not good enough, so they neededother cities. In May of 145 America selected Hiroshima and Nagasaki to bebombed. They would bomb Hiroshima and ask for them to surrender and if they didnt theywouldbomb Nagasaki. The plan was approved and the first bomb was sent to go in aplanecalled Enola Gay which was named after the pilots mother. On August 6th 145,816am,at 6000 feet the bomb was dropped on Hiroshima. Total destruction was causedbut theJapanese would not surrender. So then once again but on August th anotheratomicbomb was dropped on Nagasaki. Again leaving nothing but destruction Japanagreed tosurrender to the Americans. The agreement to surrender was on September 145. Since this war Japan has been allowed to have any military forces at all.Was It Necessary To Drop The Bomb On JapanSome people say no and some say yes but no one will ever know if that was therightdecision. Truman only had options to win the war, and they were continuefirebombing and blockade, an invasion or use the bomb. Truman wanted no more ofhismen gone so he chose the bomb as it would only risk to pilots lives. In thebattle onOkinawa 48000 American souls were taken which also helped Truman to hisdecision. Many cities were selected to be bombed but Truman had to make a tough decisionas thewar had to be stopped. American forces knew that the bomb would have littlesurvivors, and cause total destruction. A lot of people today still ask thissamequestion, but remember it was either us or them.World War


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Monday, December 30, 2019

Trey is My Hero

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Phish interviews are a lot like the bands shows real long and full of intriguing digressions. For the groups first Rolling Stone cover story, guitarist Trey Anastasio, keyboard player Page McConnell, bass guitarist Mike Gordon and drummer Jon Fishman individually spoke at great length about Phishs history, breakup and reunion album, Round Room; their stage antics, jamming philosophies and plans for the second phase of their career. What follows are previously unpublished excerpts from those conversations -- a taste of the outtakes from nearly ten hours of interviews.TREY ANASTASIOOn not screwing up and the giant hot dog ride at Boston Garden, New Years Eve, 14The hot dog started with a conversation about how we could get closer to the guy with the worst seat in the house -- whoever showed up at the venue, looked at their ticket and went, Ugh, this seat sucks. So the idea is, well fly out there to this guy. How are we going to do that? We came up with the hot dog. And we did it. We went right up to this guy and waved to him Hey, man!


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There is definitely that weight of expectations now, and trying to do what the audience has always expected. It can get to be too much. After all the work that went into Phish becoming what it is, I didnt want it to be a weight on my shoulders that would drag me down. It was starting to feel a lot like that.Now I just feel lucky, very lucky, for a lot of reasons -- that everybodys still healthy and together. I had a funny experience with Graham Nash. We went to see Crosby Stills Nash and Young at the end of February 000. That was a pretty crazy time for us. Everybody was out running around, being rock stars. It was getting pretty nuts. So we went to see CSNY. We went in a limo, went backstage with all these people hanging around. Its a big scene. David Crosby comes up and says, Phish, I heard about you guys. Then Graham Nash comes over and goes, Youre in Phish, right? I say, Yeah. He gets right up to me and says, Congratulations on your success. I heard about you guys. Youre in a great position right now. And hes getting closer and closer to me. And as hes talking to me, he reached out with his hand and grabbed my shirt, pulled my face right up to his, and goes, Dont fuck it up! Pushed me backwards and walked away. I was just laughing so hard.But then I thought about it -- Man, Im gonna take that to heart. You think about everything that hes seen. My God [laughs]. Dont fuck it up.So thats how I feel now. Im really glad that I havent fucked it up.MIKE GORDONOn filmmaking and songwritingMusic is my deepest passion, unquestionably. I decided that, from graduating college [where Gordon majored in filmmaking] to turning thirty, that I would really concentrate on music - and after that, open it up a little bit, to exploring filmmaking again.Trey is such a prolific songwriter, and always has been. There is so much creative energy in the band. A lot of my favorite experiences were these real right-brain jams being on stage, these peak experiences. But I have this part of my personality that needs to use the left side of my brain, which I can do with filmmaking, because nobody around me was doing it.I spent 5,000 hours working on one of my films, Outside Out. I edited it myself, over a four-and-a-half year period. I actually wrote some music for it. And it was about music. So I wasnt forgetting music. And I was playing with Phish and really loving it, for those four years. But I think I could have written more songs and contributed more in other ways.Trey has gone through phases when he was worried about that. But I love working on his songs. I dont have to be the writer and leader. Its also hard because Im pretty shy. And I havent written enough songs to know how to bring them to the band and be able to see them through.But this year was really good for me. I finished Riding Low [Gordons movie about Govt Mule] at the end of last year. And I was tired of filming music rather than playing it. I was living in New York. I got myself an office in the Woolworth Building, and I went in everyday and wrote a song -- a song a day.It was my most prolific time ever. I played Trey a couple of demos when I was in Boston -- I sat in with his band at Great Woods for the encore -- and then we got together, after the hiatus, and everyone had stuff to play. But I had more stuff than Ive ever had. By the time we got to band practice, Id made discs for everyone that had twenty-two songs. We worked out pretty good versions of about eight of them, which is more songs than Id ever brought to the table.Mock Song [on Round Room] was really a mock song. I was just setting up the gear in my studio. I hired an engineer to come in and teach me some things about miking drums and running things. We needed a song, and since we didnt have a real one, we put together a mock one. And people liked it.The band ended up recording five of the songs I brought to the sessions and put two of them on the album. I havent had two songs on a Phish album in ten years. So thats not too bad.PAGE McCONNELLOn weirdness and pushing fortyEverything about Phish -- its all one big, giant inside joke [laughs], although I would say, on the new album, theres a lot more emotion. At least a little bit more -- we dont want too much emotion in there [laughs]. But we are kind of like that -- goofy, dorky, silly on certain levels. We try not to take ourselves too seriously. At the same time, we are very serious about so much of what we do. Were very focused and dedicated.There are times, with Treys lyrics, where I have not been completely attached to, or know exactly, what Im singing. Sometimes, its more like these are just words that sound good coming out. They have a musicality unto themselves, aside from whatever meaning Trey or Tom [Marshall, Anastasios co-writer] put to them. Other times, Ill attach my own meaning to things.Gamehenge was an epic that started thirteen, fourteen years ago. We were much younger, and it was a joke. Things were a lot funnier then [smiles]. I was never into Dungeons and Dragons -- none of us were -- but it was a play on that whole thing. It was also a takeoff on Stonehenge -- the Spinal Tap joke -- and some of the Genesis-Yes-type lyrics, the progressive rock that was such an influence on us. Those were not necessarily the greatest lyrics ever written, but the fantasy-wordplay of those bands became such a big part of our career.But when we got to the Rift album, in 14, we had the song, Fast Enough for You. We were like, Okay, were actually going to do a song that carries some emotional weight and seriousness. Its about two people, a relationship. I remember that being a big deal -- Can we pull this off? Can we sing something like this? It was the first one we did like that. We were on our fourth album, and we finally had a serious song on there. It was a sign forward.Trey was very nervous when he brought it in. It has to be difficult to bring songs to us anyway. But I remember that one specifically Now were going to try and sing a song that is just a pretty song with some nice words about a relationship.I love songs. And I think some of the greatest songs weve ever written are on this new album. I tend to like songs with nice melodies. All of These Dreams [on Round Room] is a good song with a great chorus, good harmonies and a simple chord progression. Over the years, there has been a dichotomy of, on one hand, the goofy side of us, and on the other, a more serious side trying to get out. We may even have been trapped by our reputation how we were perceived, what we think the fans are expecting.Weve been looking at the song list for the new shows and going, I really want to play Fast Enough for You. But the other songs -- do I really want to play this or that? I dont know. We used to have about 00 songs on the song list that we would play, that were in our repertoire. And I know there are least twenty that were excited to go back and play.Others will filter back in. But were trying to look forward. Part of the breakup was the pressure of feeling, Im not twenty-four anymore. Im pushing forty now. We want to play what feels like us.JON FISHMANOn politics and the futureI had a couple of different concepts of what I would do next, if Phish wasnt going to come back. I would have probably played in Pork Tornado and the Jazz Mandolin Project for a little while longer. Then I would have weaned myself off of being a live touring musician -- had it become more of a personally gratifying thing for myself, at home. And I would have run for governor. Im dead serious. I would have gotten involved in the political process. I dont know anyone that bitches more than me about stuff going on.I have this mental block -- Ive never felt, You cant do that. Ive been like that my whole life. My mother was definitely like, Go for it, kid, live for your dreams. My dad had the pragmatic thing It would be good to have something to fall back on. My mom was like, Fall forward! And they were both right. We dont talk about politics that much in the band. We all know whats going on. But Im the one in the band . . . if it were up to me, we would have gotten more involved in politics. But I feel that I have been sufficiently argued out of that, with very convincing reasoning, by all three of them.The four of us have done so well at letting Phish not be the result of any single persons agenda. What it has amounted to, the real vision there, is as purely as possible -- music for the sake of music. And I really do believe that things have to exist in the world that are just for their own sake, their own beauty. Everything doesnt have to be tied to what side of the fence you stand on -- although I have very strong opinions. My whole interview with you could be nothing but just ranting about that [laughs].We dont know whats next. And thats the beauty of it. It is more of an open-ended commitment. Its different, but thats also what makes it good. The last two years of my life have added so much more meaning to what Im able to apply to music. Becoming a dad is pretty huge; Im in the longest relationship Ive ever been in. All kinds of changes have happened for me. And all the material things that you can indulge in theyve all worn off. The only thing left is the music. And thats the reason you get into it in the first place.I could fucking care less if everybody downloads our album off the Internet. Were not in a position to be screwed by that at all. We have the one thing the Internet cant touch -- live music. If you can actually go out and play your fucking instruments, you wont be replaced by the Internet. If youre a good live act and you put on a good show, people will buy a ticket to see your show.For years, people were going Oh, Phish dont sell a lot of albums. Maybe someday well have some hit single or hit album by accident. But at this point, it cant hurt us. Before, it would have done a lot more damage, because everyone is expecting the follow-up. And if it doesnt sell, you just disappear, and people think youre done. Then the Internet comes along. If selling records is your bread and butter, welcome to the land of the doomed.I like being part of the minstrel class [laughs] go out and earn my alms by putting my hat on the ground. If people think youre worthy, theyll pay for your music by coming to see you live. There are just some things you cant improve on.


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Friday, December 27, 2019

Advertising and our society

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Lisa Gallo Gallo1Amy WashburnEng Comp1


1 October 00Advertising and Our SocietyHow does advertising really affect our society? Magazine advertisements have a direct affect on our self esteem. Many of the ways the media affects society, especially advertising, is negative. Often magazine advertisements cause women to think less of them because they are not as skinny as the models that are glorified in these advertisements. This in turn often causes eating disorders in many of these women. Over the years we have become a society that is completely consumed with our self images. For a lot of people how thin and attractive they are is a main priority in their lives. The cause of this change in values has a lot to do with magazine advertisements. Nowadays if you look at a fashion magazine all the advertisements are filled with unnaturally skinny models. In the September 00 issue of Glamour magazine, mostly all the advertisements in the issue are filled with societies basic idea of what the so called "perfect" woman should look like which is basically tall, extremely thin and flawless. On page 10, there is an advertisement for Hard Tail clothing which shows four different extremely thin and attractive women in revealing clothing. Now is it wrong to have thin attractive women? No, but if it's all a person ever sees in a magazine then it begins to warp society's idea of what women should look like. Women start to believe that there is something wrong with them if they don't meet these perfect model standards. GalloMagazine advertisements often subconsciously give women warped idea's of what they should look like. On page 64 of Glamour there's an advertisement for Lycra which shows the backside of a slender women in skin tight jeans and the tagline just simply states "HAS IT." This article directly means that the jean she wears has lyrcra in them so she "HAS IT. But this advertisement is also subconsciously giving women the message that they have to look like that in order to "have it". Also on page 75 for a Paul Mitchell hair advertisement, there is an upper body shot of a beautiful women and the tag line says "HERE"S THE SKINNY" and in small letters at the bottom it says "Slim is in. Sleek is chic…..And all that's skinny. The Super Skinny." They advertisement is using the fact that society loves all that is slim and skinny to sell their product. They know that woman love the idea of being able to apply the term "skinny" to themselves even if for their hair.So what happens when women realize that aren't as thin and perfect as they supposedly need to be? They develop warped self images which usually lead to some form of an eating disorder. Women's extreme desires to look like fashion models and actresses have caused them to do unhealthy things in order to loose weight. One specific set of magazine advertisements is the Victoria Secret ads. The models in the Victoria Secret ads have become a standard of beauty most women desire to achieve. "Girls developed eating disorders when our culture developed a standard of beauty that they couldn't obtain by being healthy. When unnatural thinness became attractive, girls did unnatural things to be thin" (Bissell 1). We as Americans have become a society that is Galloobsessed with the superficial aspects of life. Our degree of success is measured by how much money we have, what car we drive, and how young and beautiful we look. So it is not that surprising that women are doing unhealthy things to achieve this level of aesthetic success. But regardless of whether or not it surprises anyone it is still extremely harmful to them.Over the years the number of eating disorders among females has grown tremendously. Many studies report that most of these women think that their disorders stem from the fact that they think they need to be thin in order to be found attractive. Allot of women even admit that the reason they become so obsessed with their bodies is because of the constant images in fashion magazines and on billboards. And once woman start on the viscous cycle of poor self image and eating disorders it becomes extremely difficult to break away from that mentality. Advertising is a very powerful tool, we are practically raised by the media, and it shapes most of the aspects in our lives. Whatever images and ideals advertisers choose to set forth will, therefore, directly influence how we think. We constantly see young beautiful men and women in these advertisements and we are led to believe that is how we should look. When we fail to meet these standards, we often cannot cope, and it often results in low self-esteem and eating disorders. "Through magazines, billboards, television, and radio, advertising decimates words and images throughout the public domain, thus blurring the distinction between the public displays of standards of success and self esteem and what, in the words of our students, are our 'personal' or private needs Gallo4to 'feel good about ourselves'" (Andrew ). It becomes extremely hard for woman to separate the images they see in magazines and how things should be in our daily lives. In advertising things tend to look perfect and we often can't help but try to carry that idea over to our own lives. But we need to learn the difference between real life and the captivating world of advertising and not let advertisements dictate who we are and what we need to look like.


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Wednesday, December 25, 2019

Alien: Resurrection

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In the her text, Popular Culture, Freccero states, "Science fiction most explicitly addresses the political, representing political fantasies through the imagining of alternative worlds, and thus invites the reading of ideological critique" (Freccero, pg. 111). The film Alien Resurrection is embedded thoroughly with representation of modern day cultural occurrings. In the film's case, it is tackling issues such as cloning and outside womb reproduction, such as test tube babies, and negative representation of women by degradation from the men. The social commentary is perfectly obvious the bad guys are the military-scientific establishment, cold, heartless, mechanistic, oblivious to the human consequences of their actions and what happens when women succumb to blunt sexism. This film picks up where Alien left off and certain people have saved some of Ripley's (Sigourney Weaver) blood and it appears that they have successfully cloned her after eight attempts. Not only have they cloned her, but they have fused her DNA with that of an Alien, giving our heroine the body and mind of a human but the strength and acid blood of an alien. The opening line of the film is Ripley saying, "My mother always said there are no monsters...but there are." You hear her say this as the camera pulls back and you see her being surrounded by scientists as they prepare to operate on her and deliver her "baby", an Alien queen that was implanted into the host, Ripley. That statement in the first 15 seconds of the film enunciates the tone and underlying message for the remainder of the film. Ripley, even though created by scientists, has sympathy towards these aliens. In her mind she knows that she must destroy them, but in her heart she feel pangs of guilt towards doing so, hence the apology to her "child" as it is sucked out the ship's window. This turns the film into more a voyage of self-discovery then a horror/sci-fi adventure. I think the film's message is that even though she was created by scientists, she still has emotions and cloning is simply uncalled for. Freccero states, "Alien was horrified by the blurring of the boundaries between nature and technology, further suggesting that nature might actually win out in the end in revenge for humanity's audacity at having dreamed that technology would bring transcendence" (Freccero, pg. 117). I think that this film is repeating this message by showing cloning in a negative light. Freccero states, "Technology has been and is viewed as a predominantly masculine domain, indeed as defining late-twentieth-century advanced capitalist masculinity" (Freccero, pg. 10). This is very present theme in the film, as the men, both the scientists and the pirates aboard the ship, repeatedly degrade the women verbally. Over and over throughout the film, sexualized comments are made towards the women that signal that in the future, "The feminine is constituted as a threat and an object of desire in the space of fraternal bonding" (Freccero, pg. 107). In one scene, we see one of the lady pirates in the driver's seat of the ship. A man pirate says to her, "No matter how many times I see a woman strapped in like that...it just does it for me." I think this comment signals that even though the woman is capable of doing exactly what the man is doing, she is kept in her place, a place that is dominated by men.


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The text states that "The exercise of privilege over women, in the form of sexual violence, degradation, parody and selective exclusion, guarantees an important mediation between and among the men, a mediation that will keep them from turning toward and loving each other, a mediation that will prevent homoeroticism and produce homosociality instead" (Freccero, pg. 106). Homosociality is defined in the text as ...guaranteeing the control of social space by men only, while it also ensures that the fiction of a competitive structure will persist and eventually take over once the men themselves become patriarchs (106). One might conclude that the "patriarchism" occurs when the cloning is successful or when the queen is born from the cloned Ripley. If she is the alien's mother, one could view the scientists as being the father. The women are viewed as sexual objects placed on board the ship for the men's amusement. The men, the pirates and the scientists, have camaraderie in bashing the women together. I think they definitely view Ripley as a threat to their male hierarchy. She beats up several of the pirates as she is playing basketball and they become very angry at Call (Winona Ryder) after they discover she has been talking with Ripley and say she is a terrorist. The pirates view Ripley as a two-sided threat one that may be desired as well as feared. I find it interesting that in the first Alien film, the computer responded to MU TH UR (Mother). This is a "oedipalized relation to the mother as the first all-powerful female figure who dominates the infant boy" (Freccero, pg. 107). The film Alien Resurrection has the computer responding to FA TH UR (Father), which could signifies that perhaps the tables have turned and the men have gained control of Ripley's character and lessened her power. The book states, "One of the ways the patriarchy guarantees its reproduction and replacement, even from within the resistive and oppositional moment of fraternal bonding, is through a certain relation to women, the female body, and femininity" (Freccero, pg. 106). This is exactly what the men strived to achieve in Alien Resurrection total domination over women by means of verbal and physical abuse. Overall, after analyzing this film, I think it had little to offer in the arena of cultural context. It could have gone very deeply into several subjects, such as cloning, yet I feel it merely danced around them as to appease the mass Hollywood audience.


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