The Metamorphosis

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The relationship between Gregor Samsa and his father in The Metamorphosis has a direct corellation between the relationship with the author of the story, Franz Kafka, and his father. Both men were afraid of their strict, orderly, and uptight fathers. Both Kafka and Samsa also seemed to seek acceptance by their fathers. If there is anything that is undeniable, it is that both Gregor and Franz were scared of their strict fathers. In his biography it is said Kafka spent a good part of his life alternately longing for his fathers approval and resenting his strictness. Similarly, for Gregor, in The Metamorphosis, ...he was afraid of making his father impatient. Both scenarios are pretty self-explanatory, so theres really no question about the feelings of Gregor or Franz toward their fathers. Virtually everyone wants to be accepted, whether its by their peers, friends, or even their parents, so its no surprise that Samsa and Kafka felt the way they did. Gregor did everything in his power to satisfy his father and to support his family. As it says in the above quote Franz also wanted to approved by his father. Franz probably wanted to become as successful as his father in order to be validated by him, while Gregor probably thought hwe would be approved by his father once he paid back all of his old obligations. It appears this way when it was said Gregor was still here and hadnt the slightest intention of letting the family down, and by letting the family down he meant by not paying off his fathers old debts to his boss. It is also possible that when Mr. Samsa threw apples at his dear son, wounding him badly, a similar scenario occured between Franz and Mr. Kafka.Buy cheap The Metamorphosis term paper

It is extremely clear that Franz Kafkas personal feelings and issues were reflected in the depressing plot of The Metamorphosis. It is also possible that the way Franz thought about literature was a parallel to the way he felt about pleasing his father and being scared by him.

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Reputation management

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Reputation ManagementHow does your firms reputation fare in the court of public opinion? Among your firms most valuable assets are its talented people, its client relationships -- and its reputation. Strangely, while firms spend considerable time actively nurturing their people and their client relationships, they are often passive about managing their reputations. No problem, you might think. Reputations take care of themselves, right? Wrong. The reputation of your firm requires active, not passive, nurturing and protection. And the pay-offs from possessing a superior reputation are considerable.

The economic power of a good reputation Recent years have seen the emergence of reputation as a significant economic factor on Wall Street. A Cambridge Group study points out that brands with superior perceived quality earn net margins nearly four times that of brands perceived to be inferior. More significantly, the same study concluded that companies in the top quarter of the American Consumer Satisfaction Index had share price appreciation twice that of the S&P 500. Analyses of some highly successful stocks suggest that as much as 60% of their equity price is determined not by the underlying hard assets of the organization, but by the less tangible, but very real value of their corporate reputation. Not surprisingly, new studies are demonstrating that the companies that most actively manage their reputations, as measured by the time, resources and attention they apply to the task, rate most highly in reputational quality. Relevance to non-public firms? All right, reputations matter. But what relevance is this to non-public firms that have no stock price to track their success in building a great reputation? For starters, in consolidating industries such as the legal and accounting professions, a great reputation is an asset whether you are pursuing an acquisition or being pursued. Equally important, organizations with great reputations can command higher prices, borrow at lower capital costs, enjoy strong endorsement from influence sources, attract and retain better employees, enjoy favorable media attention, recover from setbacks more quickly-the list of plusses goes on and on. Keys to a good reputation So how do you build a great reputation? Charles Fombrun, professor in the Stern business school at NYU and author of a seminal book on the subject, notes that there are consistent characteristics in organizations with great reputations. These organizations evidence the following attributes • they are leaders and innovators in their industry, not followers • they express a clear set of organizational values and direction • among their employees and clients, they inspire confidence, loyalty, even passionate advocacy • they are often led by a leader who is a fervent champion for the organization • they engage in constant dialogue with their constituencies, always knowing whats on their minds • they actively manage their reputations A 4-step process The skill of managing your firms reputation is a 4-step process 1) reputation assessment, ) reputation goal-setting, ) reputation gap analysis and 4) reputation management. The process starts with fully understanding the reputation you currently possess among your employees, clients, prospects, competitors, media, and other audiences who influence your business. Discovering your real reputation requires that you clear your mind of self-prejudices about your firm and really listen to what your constituents have to say. Often times, its is best to hire an independent researcher to help you with this task. Defining the reputation your desire Next, an organization must set its reputation goals by defining the reputation it desires and by fully understanding the reputation that will be needed if it is to achieve its business goals. For example, while a professional firm may desire to serve clients nationally, a reputation that is strictly local will likely prevent the realization of its business goal. In defining your desired reputation, it is best to describe the qualities and attributes that you would like others to associate with your firm. Do you wish to be viewed as visionary and innovative? As a leader in specific skill areas? As a great place for women and minorities to work? Whatever attributes make sense for your firm, identifying the gaps between todays reputation and tomorrows desired reputation will help clarify the misalignments and direct your attention to where your reputation needs building and reshaping. Reputation is everyones responsibility Finally, once it is clear what reputation you want to achieve and what you must do to achieve it, the hard work of reputation management begins in earnest. A word of caution here managing your reputation is not simply about writing a new brochure or putting out a press release. While your communications and marketing staff provide critically important assistance in managing your reputation, and a public relations firm can be an invaluable outside partner, the responsibility starts at the top of the firm and works its way throughout the organization. The task of shaping your firms reputation begins with the senior-most managers, all of whom must take an active role in projecting the reputation your desire. Reputations matter. Just ask Jack Welch of GE or Herb Kelleher of Southwest Airlines, two CEOs whose careful management of their firms reputations has added billions of dollars to their equity value. Or ask Douglas Ivester, former CEO of Coca Cola, whose corporate reputation (and his own career) took a bad bruising when it failed to manage and protect its reputation with panicked Belgian and French consumers. In the end, the reputation of your firm is only as good as your skill in managing it. __________________________________________________________________________________________Kevin OKeefe is managing director of the Baltimore office of Weber Shandwick Worldwide, which provides public relations and marketing services to regional, national and international companies and organizations

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Aromatherapy

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Aromatherapy "Health is wealth", as the saying goes. This statement holds true in most people's lifestyle nowadays. We know for a fact that for reasons of increasing our life span, people have became health conscious. A person's wellbeing has been the primary aim and who wouldn't want a wellbeing of the mind, body and soul? Life is very short and it should be lived with quality. Nobody ever wants to get sick and that is almost impossible to happen. Other than conventional treatments, alternative medicines and techniques have also been introduced in the name of wellbeing. One basic flavor of alternative medicine is herbal healing. Another is lifestyle approaches such as aromatherapy. Smell can affect mood, which in turn can sometimes affect health too. Aromatherapy relies on the healing power of the concentrated essences of plants even if they are absorbed in the skin rather than sniffed. Certain plants have long been recognized for their beneficial health promoting properties. Essential oils are extracted from flowers, leaves, stems and roots of plants and such oils have been employed for therapeutic purposes for many centuries. This is called aromatherapy. Aromatherapy is the act of using essential oils from plants to help heal the body, improve moods and generally the quality of life. Buy cheap Aromatherapy term paper

Historically, aromatherapy can be traced as far back to Ancient Egypt. Ra, the Sun God glowed red in the evening sky. The Egyptian priests burned a heavy mixture of saffron, cassis, spikenard, cinnamon, juniper and other wondrous ingredients to ensure his safe return in the eastern skies the following day. Consequently, the Greeks believed that their gods descended from Mount Olympus on perfumed clouds wearing robes redolent of fragrant essences. It was right there that the wise Hippocrates advocated the healthy benefits to be gained by adding scented oils to warm bath water. On the other hand, Theophrastus also wisely observed that the oils applied externally affect the body internally. In the mysterious east, wealthy Chinese women were brought to confinement in a special room in which the woods of the artemesia trees were burned. The wafting fumes of which attracted kindred spirits and induced joy into a mother and a newborn child. Schiller, a famous German playwright, had to inhale the pungent aroma of rotting apples when he needed to find the precise word he was seeking. Despite its long and distinguished history, aromatherapy remained an unspoken word until the fourth decade of our present century. When a French scientist Rene Maurice Gattefose was seeking relief from a burn, he plunged his painful hand into a jar brimful with pure lavender oil. The speed with which his hand healed led him to research the properties of the essential oils and to coin the word aromatherapy. There are various methods of processing these aromatic oils to achieve the best extracts. Distillation demands that the desired part of the plant be introduced to steam or boiling water. The vapor journeys along a network of glass tube, forming a condenser, from which the oil drops and is siphoned off. The oldest yet costliest method is enfleurage. The flower heads are placed on glass sheets smeared with animal fat or beeswax. Flowers are added layer upon layer until the fat is saturated with essential oils. This mulch is dissolved in alcohol, which causes the fat to drop to the bottom of the container. The fluid is now heated until all the alcohol evaporates and the oil can be poured off. Essential oils of citrus fruits are contained in tiny glands in their skins and can be obtained by crushing them, thus expressing the oil. Solvent extraction is also a method used in processing aromatic oils. Flower petals are mixed with a solvent in a huge vat and stirred for hours by a mechanical paddle. When the petals have been drained of their oil, the mixture is strained and the Sia residual liquid is boiled to evaporate the solvent. However, traces of the solvent linger in the oils produced by this process and they are referred to as absolute oils rather than essential oils. As these essential oils enter our bodies, various benefits may be attained. A is for the appropriate use and application of these essential oils. Before we can achieve the healthful benefits of aromatherapy, we should apply these oils properly and carefully. Oils should not be used internally or ingested. They are extremely potent and can be poisonous. Improper use of these essential oils may also cause damage to the body system or even death. For safety purposes, before applying any essential oil, one should always consult a trained aromatherapist. R is for the relaxing, revitalizing and re-energizing effect that aromatherapy can provide us. Once a person has relaxed, the revitalizing and re-energizing process follows. One way to relax and revitalize our body systems with aromatherapy is reflexology. Reflexology, together with the essential oils, provides stimulation of the blood and nerve flow, and helps relieve tension and congestion throughout the entire system. Aromatherapy is such an excellent stress-buster that it can help counteract anxiety, insomnia, pre-menstrual syndrome and depression. O is for the oils with their essential and distinctive properties, which contribute to the benefits that aromatherapy can give. The existence of such oils dates back to ancient times. These oils are extracted from the different parts of the plants and flowers.M is for the most blissful experience one can have after an aromatic bath. After bathing in warm, scented waters and breathing deep the aroma of a blend of essential oils, one will surely step out from the shower as a new person. A is for the ailments that can be cured with their corresponding essential oils. Acne can be cured by bergamot, chamomile, juniper, lavender, lemongrass, peppermint, Sia rosemary, sandalwood and tea-tree. Anemia sufferers may safely look to black pepper, chamomile, lemon, peppermint, rosemary and thyme to help normalize things. Asthma has been known to be relieved by benzoin, cajeput, cypress, eucalyptus, frankincense, lavender, lemon, myrrh, peppermint, rosemary and thyme.T is for the treatments wherein aromatherapy can still be applied. For tissue inhalation, a drop or two of any suitable essential oil dabbed onto a handkerchief or paper tissue can have a calming effect during crises that occur when travelling. As in foot bathes, stepping the feet in a bowl of hand-hot water to which four to six drops of an appropriate oil have been added wards off chills and brings welcome relief to rheumatism, arthritis, chillblains and athlete's foot. H is for the healing power aromatherapy can offer. There are still some body disorders that can be cured using these therapeutic oils. Chamomile and peppermint can help to relieve the enervating pain of toothache. Those afflicted by travel sickness should try ginger or peppermint through tissue inhalation for relief. Hypertension can be treated with rosemary and thyme. Indigestion problems that may lead to diarrhea and constipation may be relieved by basil, bergamot, chamomile, peppermint and rosemary. E is for easing the aches and body pains through cold and warm compress. Body pain can be soothed with an aromatically treated compress. Cold compresses can relieve sprains, bruises and inflammations. On the other hand, even with toothache, burns and muscular pains, one may feel better by applying warm compress with aromatic oils.R is for the refreshing surroundings the blends of essential oils can provide. Since our energy levels directly reflect not only our lifestyles but also where we live, ideally we need an environment that helps maintain and enhance our levels of vitality. The essential oils may be used to clean homes, freshen and scent the environment. Revitalizing essences can be effective in the work place by helping enhance surroundings and prevent the spread Sia 4of infection. Essential oils are also alternatives to commercial cleaning products. They help neutralize microbes on external surfaces, as well as those in sinks and drains when dirty water is poured away. Consequently, an environment, free of chemical products, will definitely contribute to the betterment of our health. A is for aphrodisiac effects of aromatherapy. Aphrodisiacs are the scents that stimulate the human pheromones, or sexual attractants that men and women naturally emit through their glands, such as their armpits and groin. For women, those scents include rose oil, ylang-ylang, jasmine, sandalwood, patchouli, benzoin and pimiento. For men, it's mace, cumin, ambrette, clary, sage and vetivet. Aromatherapists have also long held that essential oils are the answer to most ailments including sexual dysfunctions such as infertility or impotence. The oils, which are extracted from plants, are dropped into perfumes, aftershaves and diffusers or used for massage.P is for the practical and preventive way of keeping oneself healthy. Being overweight is one health problem, which is quite difficult to deal with. A recent study out of St. George' Hospital in London found out that vanilla-scented skin patches spurred weight loss by lessening craving for sugary foods. When two hundred overweight volunteers were randomly given either vanilla-scented patch, lemon-scented patch, or no patch, those who wore vanilla patch for four weeks lost both their appetite for sweets and about .5 kg. People in the other group lost almost nothing. These aromatherapy skin patches have contributed to losing weight in a very safe and healthy way. Y is for the youthfulness inside that one may feel as the body is invigorated. When one feels fatigued or uninspired by life, stimulating essential oils can help. A little effort can help busy people attain the energy, vigor and zest for life. Some simple applications of aromatherapy like vaporizing and bathing can be incorporated into the busiest of lifestyles. With a holistic approach, everyone has the ability to slow down the aging process, become Sia 5fitter, younger and more energetic. It is simply a matter of deciding that you are worth it. By using the essential oils properly, one may get lots of good effects from them. Aromatherapy oils can be blended to control and rebalance skin problems, ease muscle strain, circulation and respiratory problems and to strengthen the immune system. They also make excellent natural first-aiders. Not only can these oils cure ailments, revitalize the body and relax the mind and body; they can also refresh the surroundings. Vaporizing certain oils can help maintain concentration and stimulate conversation, energy and creativity. One should never assume that all essential oils are safe just because they are freely available from many sources or because they are natural and they come from plants. Many oils have potentially serious side effects. If not applied properly, they may cause menstrual problems, headache, allergies and liver damage. That's why one should observe the proper guidelines in using these essential oils. Aromatherapy has surely opened the door to the healing, soothing and sensual qualities of the Plant Kingdom. These extracted essential oils help to rejuvenate and refresh the body and mind. These oils also help to banish sluggishness and fatigue in the stressful world.A person's well being is truly a primary concern in life. Day in, day out, there are many tasks to finish, many problems to solve, many challenges to face. There is no turning back to all these stresses in life but with aromatherapy, the uplifting calming properties of essential oils can be used to help relieve the stress of modern living. Aromatherapy can be used to enhance a person's wellbeing physically, emotionally and spiritually. With the use of these essential oils, whether for vaporizing in the home, inhaling or bathing, or incorporating into a massage, aromatherapy is indeed the best and most natural way to lift energy levels and create a zest for living.

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Lord OF The Flys Essay

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Lord of the Flies Essay In the compelling story Lord of the Flies, author, William Golding uses symbolism to help the reader comprehend the concept of this story. Lord of the Flies takes place in the 1940's, around the time of WWII. A plane containing a group of young British boys around the ages 7-14 crashes on a deserted island in the Pacific Ocean. Any adults on this plane were killed by the crash, and now only children are on this island. A young boy by the name of Ralph is elected by the other boys to be leader. This enrages another young boy named Jack, since he wanted to be leader. Conflicts emerge, and boys start splitting up, causing hostility between the groups. Emotions are soaring and lives are being taken as if they were meaningless. In the end the reader is left wondering how things could have gotten so chaotic, and how humans could be so animalistic. I have chosen the fire, the dead parachutist, and the dead pig's head on the stick as key symbols in this story. These symbols played an immense factor in the writing of this book. They represented the animalistic and human nature that is brought out of these boys as well as the unfamiliar emotions that they are forced to deal with. The fire, I thought represented the boys hope and dedication to being rescued off the island. The importance of this fire can be seen when Golding writes, "I'm scared. Not of the beast. I mean I'm scared of that too. But nobody else understands about the fire. If someone threw you a rope when you were drowning. If a doctor said take this because if you don't take it you'll die- you would, wouldn't you? I mean? Can't they see? Can't they understand? Without the smoke signal we'll die here? ," (Golding, Pg. 139). This fear of possible death keeps them re-lighting the fire so that they can possibly go home. The fire keeps some of the boys from just giving up on everything that matters to them. When the fire is lit, a sense of relief is felt because they know that maybe somebody is on their way at that very moment to rescue them. The fire was such a key concept throughout the whole story. It caused hope and happiness, and it also caused anger and animosity towards others. In the end the same fire that was used as a way of trying to kill also led to Ralph being rescued from the island.

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The dead parachutist, which the boys thought was the "beast", represented the extreme fear and the things people would do when faced with something that scares them. I also think that it represents how people's imaginations can make a situation worse. This is clearly shown when Golding writes, "It was furry. There was something moving behind its head- wings. The beast moved too-There were eyes. Teeth. Claws. We ran as fast as we could. Bashed into things. The beast followed us. I saw it slinking behind the trees. Nearly touched me!"(Golding, Pg. 100). This quote is a prime example of what fear mixed with imaginations does to people. The boys completely fabricated the entire story but yet they were convinced that the beast was exactly how they described it. The whole "beast" problem is a main problem that caused the splitting up of the boys. The fear that these boys had swelled into something completely ridiculous, and it cost some boys their lives. The dead pig's head on a stick was such an important part of the story. The minute that Jack and his tribe of hunters killed and sacrificed the dead pig to the "beast", they lost any type of humanistic traits that they once possessed. The head symbolized everything that is evil inside of the boys. Golding represents how evil one of the kids views the head in this piece from the book, "You are a silly little boy. Just an ignorant, silly little boy. Don't you agree? Aren't you just a silly little boy? You'd better run off and play with the others. They think you're batty. There isn't anyone to help you. Only me. And I'm the beast. Fancy thinking that the Beast was something you could hunt and kill. You knew didn't you? I'm part of you? Close, close, close! I'm the reason why it's no go? Why things are what they are. I'm warning. I'm going to get angry. D'you see? You're not wanted. Understand? We are going to have fun on this island. Understand? We are going to have fun on this island! So don't try it on, my poor misguided boy, or else! Or else, we shall do you? See? Jack and Roger and Maurice and Robert and Bill and Piggy and Ralph. Do you. See?" (Golding, Pg.143-44). Jack and his tribe of hunters lost any kind of respect for life once they got used to killing pigs. The head was a symbol of the animalistic savages they had become. The head symbolized upcoming tragedy and death. The majority of the boys lost what they had learned from civilization. They lost the emotion to sympathize and to be compassionate. By losing this they were able to kill anyone who they disagreed with. The head showed how evil and disgusting a human could become when they lose everything they stand for. It graphically brought you to reality that humans are really like this today. The head represented every war, every massacre, and every person that was slain for some petty reason. It showed the darkest things that arise out of humans, and how sick and twisted some can get. In closing, it is quite evident that symbolism played a massive factor throughout the story. The fire represented the hope and dedication that can keep a human going through the worst of times. The dead parachutist represented the fear and the way fear can be blown out of proportion when your imagination is working against you. Finally the dead pig's head on a stick represented the hate and the evil that was brought out of the boys. It also symbolized the total lack of humanitarianism in Jack and his band of hunters. Without these key symbols, Lord of the Flies would not of been what it is today, and it would not have made such a dramatic impact on people as it has today. It has made people think about the human race and what it's becoming as technology progresses. It has also made people think about their own lives and who they are as a member of the human race.

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Topic: Misconceptions in Writing.

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Specific Purpose I want my audience to understand that there are many misconceptions about writing.Thesis Through experience, my misconceptions of writing have shaped the way that I feel about writing today.IntroductionI.) Do you remember your earliest childhood experiences with writing? Writing was a piece of cake, right?

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II.) Writing is a difficult task. There are so many things to be aware of before becoming an effective writer.III.) Through experience, my misconceptions of writing have shaped the way I feel about writing today.BodyI.) My misconception of writing led me through horrifying experiences in the past, which initially make me dislike it.A) I remember when my teacher first talked about writing.B) Then my teacher speaks of the writing process, and confuses me.C) I asked, "Why is she making writing so difficult?"D) From this point on I was through with writing; it just wasn't for me.II.) Over the years I have been able to experience writing in all sorts of forms.A) Reading allowed me to open up the way I feel about writing.B) Some different types of writing include novels, short stories, ballads, essays, plays, and poems.C) I think poems are my favorite types of writing.D) I am grateful for being able to experience various writing styles.III.) Writing and reading has been very beneficial to my mental process.A) Writing has forced me to think a lot.B) I am now able to appreciate writings of all kinds.C) Writing makes me more knowledgeable of the wonderful world writing creates. ConclusionI.) Through my experiences in writing, I have learned a lot.II.) I guess it has taken the worst experiences in writing for me to finally unlock the mystery of it.III.) I have finally retrieved the key!

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Hector Berlioz ~ Symphonie Fantastique

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Hector Berlioz Symphonie Fantastique Nineteenth century was the time where music composers sought inspiration from sources outside music. An encounter with nature, the impressions of a voyage, love tragedy, popular legend, or even in some cases an entire play might provide a story that could be described in music. Of course it is not possible for a tale to be told thoroughly through music. But, there are certain events in the story that can be presented through music by using different colors, moods, and sound effects. One of the examples about this kind of music, which is called descriptive music, is program music. One of the most famous 1th century composer for program music is Hector Berlioz. I am going to discuss about his most celebrated work, then and now, Symphonie fantastique. Born in 180 in Grenoble, France, Berlioz pursued medicine at the request of his father before setting his mind to live his life as a musician. His angry father decided to cut him off all his living supply that Berlioz himself is forced to begin his career as a music critic to earn a living while studying music in Paris. After watching a Shakespeare play, Berlioz, as with many of other musicians, became greatly inspired by William Shakespeare's work. He composed a lot of songs for Shakespeare's play such as Hamlet, Romeo and Juliet, and et cetera. Berlioz's work such as Symphonie fantastique, Romeo et Juliette, Damnation of Faust, and The Trojans, although considered strange by French people, became a big hit in countries outside France. Berlioz's most famous piece, then and now, is his Symphonie fantastique. The music written for this piece tells such a vivid story about an author who imagines a young man who is in love with a woman. From the music itself I can sense the deep passionate, full of longing, love, sometimes loneliness and jealousy and many other different feelings described brilliantly by Berlioz through the different orchestration. A young woman, named Harriet Smithson, inspired the work itself. In this particular piece Help with essay on Hector Berlioz ~ Symphonie Fantastique

Sutrisno Berlioz poured in all his passion, love, longing, loneliness and even jealousy and despair of being rejected by her beloved. This can be heard clearly from his orchestration of music and different moods of music used by Berlioz throughout the program. The first part of the program was titled Reveries Passions. In this part the author imagines a young musician who is deeply in love with his beloved whom he sees for the first time. The artist describes through the music the character of his beloved. His obsession with her is such that he keeps thinking about her all the time. This is shown in the returning idee fixe, which symbolizes the artist's beloved throughout the whole piece. Berlioz introduces the first part of the music through slow, simple notes played by the flute and clarinet and a dreamlike music played by the violin and other strings. For me it seems like the author is at first introducing us to the prepares us for the beginning of the melody while the dreamlike melody suggested that the author is imagining about a young man who is in love at first sight at a woman he has just met. The slow, long notes create the sense of longing for the beloved lady. The brief idee fixe at the beginning of the passage suggests the presence of the lady and the author sees her for the first time there. The fast tempo of the violin and the dreamlike melody that comes again afterwards tells of the author's excited feeling at the sight of his beloved woman and how he dreams and fantasizes of the woman. The long, passionate notes tell how elegant the woman is in the author's eyes. The suspense that comes afterwards, the contrasting violin figures and the sustained chords that swells to fortissimo, which means very loud, suggests to me that the author realized for the first time that he had fallen in love with her. Hi feels excited but scared at the same time, which explains for the alternating violin and wind chords. The horn solo suggests that he decided at last to not to care. It seems like he is telling himself " Oh what the heck. I would not care so much again and I would continue loving this woman." The change of dynamics to fortissimo tells that the artist is surer now of his feelings. At the fourth minute Berlioz introduce the idee fixe which represents the artist's beloved. The first theme in violins with solo flute first accompanied suggests the presence of one lovely and elegant young lady. The transition, which leads to a more brilliant rapid passage followed with a short peaceful passage and then another few brilliant, rapid and fast passages of music before returning to the first theme tells me the frenzy and excited state the artist is in as he tells about the woman and the beloved woman again appears in his mind. The chromatic notes continued with the sudden long stop and long pause tells that as the artist gets more and more excited about the lady but suddenly he stops and ponders, unsure of whether he is doing the right thing or not. The idee fixe returns this time followed with low descending continuation on bassoons and cellos, crescendo and full orchestra, suggesting that once again he remembers the girl but he is in some kind of despair not knowing what to do. Afterwards come the solo oboe over strings, new long melody with big leaps that leads to the return of idee fixe much louder this time and then suddenly it became quiet before continuing again to slow simple notes. This suggests that the author is in a dilemma but he suddenly seems to have found a newfound purpose in his life. He imagines dancing with her in a ball surrounded with many people whereas the sudden silent suggested that he returned to his world. The idee fixe returns in the coda which is ended by some church like elegant melody which makes me feel that once again the artist thinks about his dream lady and expresses his longing to spend the rest of his life with her. Part two of the program is titled the Ball. The part is introduced to the audience by the downward diatonic scales then followed by the waltz. After some moment the idee fixe returns before the transition is reached and the waltz returns again. The artist is now attending a ball. He is enjoying the beautiful notes of the waltz when he suddenly remembers his love again. The harp playing in the background makes me sense the loneliness felt by the artist. The artist imagines dancing with his love in the ball when he suddenly realizes that that is only a dream and he is still in the ball. He observed the ball and the sound of the harp. The louder music indicates that there are a lot of people dancing around him. The music gets faster and faster to the end of the piece. The fast notes, creates a sense of need so urgent for the beloved woman wherever he is even when he is busy doing other things he still cannot stop thinking about the woman. The sudden presence of the strings again makes him realize that he is still in the ball and the waltz ended a few moments afterward. Berlioz introduces the third movement with the sound of a horn and oboe, which is sounded one after another. The traditional sound of the music creates an air of the countryside. The artist is now in the countryside where he is listening to two shepherds talking to one another from quite some distant. The gentle melody with a trail of pizzicato at the back gives us the peaceful feeling we usually get when we visit the countryside and observe the beauty of nature there. The melody by the violins and cellos suggested that the artist is lying down in the middle of a green pasture on a sunny day where the shepherds are looking after their herds. Once again he is reminded of his love as the idee fixe returns again in the music. This makes him feels excited but calm at the same time. The strings are now played in a high itch indicating how frenzy he was about his love. Once again the melody returns in clarinet indicating that the artist's thought suddenly came back to the pastures. From the music we can sense the author's feeling of loneliness and how he wishes his love could be at his side now. The closing section with idee fixe suggests that he keeps thinking about her but in the end there is only one shepherd left as there is no longer answer to the horn which is just like the artist who is alone without anyone to accompany him. The fourth movement is titled March To The Scaffold. The low sound of the horn suggested tat a deep tragedy is happening in the story. The artist feels that his love is not appreciated. This truth hits him hard in the face and he feels very depressed about this to the point where he decides to end his life by drinking some poison. The poison however is too weak to kill him. Instead he only falls into a deep slumber. This is shown by the sound of the march where there are trumpets, brass and some other instruments playing in a low range. The pizzicato technique in this piece suggests of new discoveries. In this case the artist is in a dream where he woke up and found that he is in the middle of a procession where crowds surround him and he is about to be beheaded. The loud march indicates the cheering crowd. The sudden return of the idee fixe tells that for the last time before he dies he remembers the woman he loved so dearly in his life and as his head is chopped the orchestra is playing louder and faster which makes it look as if the crowd is cheering as he is beheaded. The fifth movement, also the last part of the whole program is of a darker sound. It is titled Dream of a witches' Sabbath. The sound of bassoons at the beginning of the piece indicates that the artist just woke up and found himself in Hell. The melody is getting louder by the time, suggesting that he is in the middle of a procession, a dark one because of the low range in which the instruments are playing. The shrill clarinet sound afterwards indicates that he found out that his beloved's spirit also is there joining the procession held by witches. At the third minute funeral bells can be heard signaling the artist's funeral, where the melody is first sounded loudly and then heard distantly. We have now come to the part of the Dies Irae, which signals gloom and doom in the end. This is sounded by the tubas, which is played together with the bells. This part of the music indicates that this part is in some way sacred but not in the light way church processions are usually held but in the dark and evil way. The pizzicato technique in the fifth minute indicates that the witches are dancing in the procession. At the ninth minute the witches' dance and the Dies Irae is combined. As the clarinet is played shrilly, procession has a sort of evil sound because of the irregularity, sometimes loud, sometimes-soft music. The happy, cheerful tunes towards the end of the piece indicates that the artist feels happy at last because he has found his beloved who joined in the devilish orgy. This creates an effect which makes us imagine a group of witches and ghosts and spirits dancing around together. This effect is furthermore enhanced by the low range of the instruments. The procession finally ends as all the instruments are sounded at once with shrill sound of the strings. Program music according to my opinion does help is to enjoy a piece more. This makes me able to appreciate the instrumental music more as I know that there is a story behind each part of the music. Programs and music according to my opinion is an inseparable unit. This is because often when we listen to music they create some kind of effect of us. When I listen to purely instrumental music with no lyrics at all I often imagine that something is happening, like for example pure slow melody makes me feel like I am in another place not in my room listening to music but in the forest or beach for example. Of course the presence of the program has helped me a lot in understanding this piece of music. I can appreciate the music better when there is a program along with the music.

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George Washington

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Being indispensable has lofty connotations. Some might say that it is the highest prestige and most generous compliment. A statement that includes one's indispensability lends itself to be scrutinized by skeptics and researched by historians. By boldly concluding that George Washington was absolutely necessary, essential, and irreplaceable, James Flexner proposed an interesting question Could the young republic of the United States have survived with similar success had Washington not been the original executor? Throughout his political career, Washington continued to prove himself to be one of the most courageous, knowledgeable, qualified, and mature leaders in U.S., if not world, history. If the definition of indispensable is irreplaceable, than George Washington was truly an indispensable man.The main quality that Washington possessed that made him and his term in office so distinct and essential to the early republic was his powerful mentality that he was going to make the new government work, no matter what. He was not interested in personal gain and was not motivated by a selfish agenda. He never saw the position as a soapbox for his own views, but rather a podium for the Constitution. Washington purposefully surrounded himself with some of the best minds that this country had to offer. He certainly was also well aware of the fact that his cabinet members' political views contrasted sharply. By appointing Thomas Jefferson and Edmond Randolph, Washington could collect information from two of the brightest liberals in America and become more learned of the action in the South and West. With the appointments of conservatives Alexander Hamilton and Henry Knox, he was able to keep tabs on the Northeast1. Receiving advice from both sides of the political system, Washington was able to make much stronger, more advised decisions.To assert that someone was indispensable, one must provide arguments that prove that nobody else could have taken his place at the time. Looking at two of the most influential political figures of Washington's time, Jefferson and Hamilton, one is able to draw comparisons and theorize how they would have acted in Washington's place. Hamilton would have been a much more biased president had he been inaugurated first. A personal agenda would have been strikingly evident throughout his tenure. Not only would it be obvious that his extremely partisan stance was guiding his presidency, but Hamilton would also succeed in alienating the entire south and west with his one-sided approach to politics. Hamilton's policy was acted out with a "seeming disregard for states' rights and agrarian interests," and this was the cause for distrust in much of rural America. Likewise, Jefferson, had he been the original president rather than being able to learn from those in front of him before he took office, would have upset a strong percentage of the population (mostly in major cities) with his stances. If Jefferson's ideals had been the ones that began laying the foundation for the United States, than the cities in the Northeast would have surely suffered from it. Also, Hamilton probably would have never gotten a chance to express his brilliant ideas for the country had the executive branch been run by anybody other than Washington, especially Jefferson.George Washington was a very knowledgeable man. Not specifically book smart knowledge, but that of experience. As a surveyor at a young age and a soldier for a good portion of his life, Washington was well aware of the country, both economically and geographically, he was soon to govern. His military career made him experienced in diplomacy and by spending an seemingly large amount of time with his soldiers (i.e. Valley Forge), Washington learned about the character of Americans and became more in touch with them. His inclusion in the Continental Congresses and the Constitutional Convention made him experienced in the debates that lingered throughout his two terms, as well as very informed about the Constitution itself. The fact that Washington seemed to experience many different aspects of American society had an impact on the way that he governed. Originally he was but a meager farmer, raises through the ranks of society by inheriting Mt. Vernon, becomes a soldier, and raises through the ranks of military as well. Adding in his political life, Washington was a fairly well rounded individual with both humbling and glorifying events defining his life.

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Washington was responsible for keeping the young United States out of war. By staying neutral in the war between France and England on North American soil and on it's seas, Washington didn't accept entirely the recommendations of either Jefferson, with his pro-French views, or Hamilton, who leaned more towards the British.4 Washington saw that the country was much too fragile to go through another war and even more hardships. "Washington…saw beyond the immediate provocations of Old World powers to a day when a mature and united America might defy any aggressor on earth."5 The new Constitution needed enough time, in peace, so that it could properly spread its roots and begin growing into what had been dreamed up in the convention in Philadelphia in 1787. His devotion to staying out of war was one of the best foreign policy moves that has been made in United States history, mostly because it had a huge part in the forming of the United States.If the definition of indispensable is irreplaceable, than George Washington was truly an indispensable man. His display of courage, justice, judgment, wisdom, and self-control has been a model of strength and stability for the successors of his position. It becomes obvious through his wide array of virtues that the country certainly needed a man of his stature and stability. Jefferson wrote of his friend years after his death, "On the whole, his character was, in its mass, perfect, in nothing bad, in few points indifferent; and it may truly be said, that never did nature and fortune combine more perfectly to make a man great, and to place him n the same constellation with whatever worthies have merited from man an everlasting remembrance.

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