Wednesday, September 25, 2019

Mac vs. PC

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Why are there more shops selling pc parts? maybe thats where the money is, I know people that have had Macs for years and never had any part failures. As far as places to buy them, well I must be lucky there are 4 stores that sell Macs within 0 miles (one being an Apple Store, and the other an Apple only dealer). Now lets talk customer service, with a Mac you call Apple, with a pc you may have to make a few calls. I for one bought AppleCare®, if it does break they (Apple) will send someone right to my house to fix it, and it wont cost me a penny (pcs cant beat that). And tech support, well there again Macs rule Microsoft charges for tech support (even on new products) and with AppleCare®, you get years of toll free no charge tech support (up from the 0 tech support) Software, I havent had any problem finding anything I want (there are some 50,000 software titles for Mac OS out there), and with OS X you can run Linux/Unix titles too, and even windows it the mood strikes you (again pcs cant beat that). Most Software vendors write titles fr the pc first due to market share, unless theyre bound by contract, if it sells well they make a Mac version. Intersting note here, Microsoft writes versions for the Mac first (Exlporer, Office) then adds the features to the Windows version later (Dont ask me why they just do, and thats from someone in the Mac apps division at Microsoft) Speed, well you can either measure that by mhz/ghz or a better measuring method thru put (I think thats measured in flops, instructions per second). Again Macs are capable of doing more per cycle than a pc, and theres less overhead in the OS. So while the pc may boast a faster mhz rating (and run quite a bit hotter) the Mac does the same task as fast or faster using less clock cycles. Graphics, I have seen both, and right out of the box Macs have some really good graphics cards. You can get an nVidia Ge force with 64 MB DDR RAM in it right from Apple. And with the ADC connector you have a 100% digital connection to your monitor, where 0% of the pc world is still using VGA, analog (the flat screen monitors are digital but the signal has to be converted).


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Expandability, with the exception of the iMac, G4s are hands down the winner here. Mine has gigabit ethernet, hard drives, 1 gigabyte of RAM, 11 mb wireless, a 56k modem, digital sound a Zip 50 drive, firewire ports, USB ( more on keyboard, one has mouse plugged into it, and more on monitor). Now with all that I still have 4 PCI slots for expansion, so in the future I wont have to remove one card to add something else. As for ease, well I havent seen a pc that even compares to a Mac for ease of upgrading Reliability, seems Apple spends more to build them and it shows in the quality and dependability of the machine Price, well this is a tricky one. If you configure a pc to the same level as a Mac the price argument goes away quickly. I have seen a few pcs that are similarly but not exactly configured to a Mac and they are quite costly, and when configured as such they have little or no expandability left. Apple puts so much on the base system you dont need to fill up the PCI slots with common things (modems, ethernet cards. 80.11b adapters, sounds cards Firewire (Sony calls it iLink). Yes you can buy a cheap pc for less, or you can buy a top of the line pc for a similar price. But please dont compare a $400 pc to a $400 Mac only on the basis of price, look at what you are getting for each. If you must compare then look at what the computer has and doesnt have. No sense buying a computer for cheap money then having to sink a ton of money into it just to use it. Another price point, while the upgrade to Windows xp only cost $/$1 (home/Pro) the full installs are $1/$ (again home/Pro) while a full install of Mac OS X is only $1. If you have more than one processor you have to buy xp Pro for either $1 (upgrade) or $ (full install). Windows has been priced higher than Mac OS from day 1, and will always cost more, another thing to think about. I am qualified to write this because i use both a Mac and a pc. I use the pc at work because I have to, but at home I use a Mac (G4 digital Audio) because I choose to. One point people seem to miss is that the desktop. On a Mac you can put what you want on it while there are icons you cant delete from a pc. Another point is that you cant remove programs that Microsoft, in its infinite wisdom has decided you cant live without i.e. Explorer, Outlook (why do these programs need to be tied to the OS?). And if you dont use them why cant you delete them? And as for resources, why is windows xp .5 gigabytes? Heres also something interesting. MediaPlayer 8 sends files to Microsoft. As reported on the AP wire, seems as though Microsoft tracks what you play in MediaPlayer 8. If you dont want your wife to know what DVDs youve been watching, dont give her your password (David Coulton lead program manager for Windows Media) Theres no easy way to clear this log, Microsoft said without crippling MediaPlayer. The only way to keep MediaPlayer from going to the Microsoft site is to make the player think you dont have an internet connection, which can be tedious if the user switches between watching DVDs and listening to Internet radio stations. As part of the downloading the information about songs and movies the program also transmits an identifier number unique to each user on the computer. That creates the possibility that user habits could be tracked and sold for marketing purposes (From the AP wire). While they (Microsoft ) say that they arent at this time selling that information, in the future they may. If users tell us that they want the ability to get recommendations, thats something we could look into on behalf of the users (Jonathan Usher Windows Media executive, also on the AP wire). Sounds to me that Microsoft is into profiling users, note Apple doesnt do this. Yet another reason to not use windows. If you dont mind, someone watching everything you do, and letting Microsoft have a higher level of control over your computer, than you do, then fine use windows. I for one will never buy anything that has windows installed on it. I have no problem with people using one system or the other. I do hate when people say things like Macs are not expandable or Macs are too expensive. Read this and decide for yourself. I did quite a bit of research before I wrote this. I expect theres some people that will condemn me for writing this but what I wrote is true and it is a free country after all.


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Monday, September 23, 2019

Stress Management

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Adult Learning is affected by our ability to manage stress. Stress comes in many forms. Things like our environment, physiological well being, thoughts and social stresses can have an effect on our learning. The knowledge of stress's impact on learning has resulted in a cottage industry dedicated to teaching methods of managing it. The ability to identify sources of stress and then ways to manage them are key to resolving and overcoming stress and opening our learning channels. Environment is a major factor in causing stress and tension in all of us often without our knowledge. Noise can throw the body and mind out of synchronization and make concentration difficult. Studies have shown "that music which goes against the body's natural rhythm - the heartbeat - induces a type of stress that even babies in the womb react to by kicking the mother's tummy." ("Heighten"). On the other hand music that fits with the bodies natural heartbeat causes relaxation and allows the mind to focus better and get into a flow zone, absorbing knowledge at a greater rate. ("What")Weather and pollution can also cause stress we may not even notice. ("Stress") You know the feeling. It is a cloudy hazy day outside and you can not seem to motivate yourself to do anything. Going out feels like a huge chore and all you want to do is sit at home and be lazy. Studying and doing anything productive is out of the question. The reason is that your body is reacting to the stress the weather is causing. Relaxation techniques can counter this lethargy. ("Stress") Don't let the weather make you lazy, get out and do something constructive, you will feel better and be able to focus and make learning much easier.Traffic and crowding ("Stress") are well-documented causes of stress as well. Many of us have heard of cases of road rage. Finding parking at the mall during the holiday season is definitely a huge cause of stress. Again, relaxation is important in managing our stress so we do not hurt ourselves or others over something like parking spot or traffic conditions. (Nezu, Nezu, and Lombardo 001)


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The body itself can actually cause stress that will affect our ability to learn. Physiological causes of stress include "illness, injuries, hormonal fluctuations, and inadequate sleep or nutrition." ("Stress") Reflect back on your ability to study when your head is stuffed up, you are coughing, and your body is racked with aches. Or, imagine suffering a broken wrist and being in a cast for eight months. What if it was your writing hand and your thumb was immobilized so you could not write? It could make learning a major chore. Hormonal fluctuations such as those experienced during pregnancy might make focusing on studies very difficult (although it also provides a portable writing table and book holder so you can lay in bed and write a paper). Finally, getting enough to eat and sleep is essential to learning. ("Stress") Hunger can cause stress and detract from learning. Being overly tired can also cause stress. It can make it difficult to focus on anything but how tired we are and how badly we want to get some sleep.Our thoughts have the capacity to control our stress levels. Self-doubt or negativity from others is a commencement toward negative thoughts. Picture yourself at the office. You are experiencing heavy activity around you; the phones are continuously ringing; your computer is refusing to cooperate; your appointment shows up early and you realize you put off preparing for them because you thought you had more time. Your first thought is doom. The attitude being expressed easily attracts the attention of those around you. This type of situation can happen to anyone. Seligman maintains that "[o]ptimism, a sense of personal control and the ability to find meaning in one's life experiences are useful and important psychological resources long believed to be associated with the promotion of mental health." (qtd. In Greenglass, 001) Maintaining a positive attitude when facing situations like those stated above helps us control our thoughts that alleviate or reduce our stress levels while maintaining good mental health. Financial problems may affect some of us at one time in our lives. The key is to get hold of the problem and fix it. Do not procrastinate. Be proactive or seek professional help if your bills are getting to the point where they are drowning you in debt. Do not wait until you receive a final overdue notice before you try to make a payment. If you know that you can not make the arranged payment then call the business, explain to them what your position is and more than likely they will be very willing to work with you because of your effort. (Davis)Most people can relate to workplace stress. In its extreme, for example, the suicide rate among men in Japan has been climbing for the last 15 years and is "the 1th most common cause of death for men. (It's 1st for women)". (Lu) Whether it is from trying to identify our place in the corporate structure or simply impressing the boss by relating our dependability and worthiness, we may be setting ourselves up for tons of work related stress. If your boss gives you two or three assignments to complete by the end of the week and you already know that you are over-tasked, learn how to say no or respectfully decline the assignments and state the reason. What if we can not say no or decline a task? We may want to try delegating the responsibility to others in the workplace. Just because our boss signed up for greater responsibility does not mean that his efforts have to overwhelm us. (Greenglass)Social events can manifest into chaos. From deciding whether or not to attend to who to bring or what to wear. Creating the best impression or knowing the correct model of behavior at these events will include many factors the most important of which is to simply know the rules. (Winfrey) One way to relieve stress is to vary our environment. This can be accomplished by creating a pattern to help reduce stress going to bed and getting up at certain times; taking time off of work to give ourselves time to relax; or by setting specific times to eat lunch and dinner. We could also take an hour or two after eating to study or work on an assignment that is due; go for a jog or a walk; study after exercise; spend time with loved ones; play games; hold each other or just sit and talk about the day's events. We could try listening to some favorite music; going to the park or a movie; getting lost in a book; visiting with a friend; writing in a journal; or going out to eat. Try making a schedule, planning each day out and then including a rest and relaxation time where the most stressful points of the day occur. We simply need to be creative in relieving the tensions caused by stress. ("Stress")There are many different ways to relieve stress. Finding the right one that will work best for us is the challenge. There are seminars that can help identify areas of stress in our lives and what we can do to prevent it from escalating. Our coworkers, friends and family can also help us identify the areas of stress in our lives. Proper exercise, nutritional management, sleep, and recreational can be designed to reduce the amount of stress in our lives. Find the one that is right for you and use it to help maintain the goal of a stress-free life. ("Stress") Stress is experienced in both personal and professional venues. Personal stress can be identified with financial circumstances or the loss of a loved one. Professional stress can be caused by overloaded tasking or unrealistic deadlines to complete projects. In either case, they can cause feelings of being overwhelmed. Identifying the cause of stress helps us prepare for problem solving. Problem solving is identifying the situation and finding a possible solution. The problem solving process is breaking down the steps to reach your goal and complete the project. Problem solving is one of the methods that help manage our stress. (Nezu, Nezu, and Lombardo 001) One text notes that "problem solving is comprised of two major, partially independent overall processes problem orientation and problem solving style." (Nezu, Nezu, and Lombardo 001) What is our character when confronted with a problem?"Problem orientation" is our reaction to the problem. If we react under stress with negative actions or thoughts we will have a negative effect, but if we are comprised of positive emotions we are more apt to have a better solution. Positive and negative actions are the two characteristics associated with "problem orientation". An impulsive and avoidance problem solving style will result from negative "problem orientation".One successful problem-solving style is "rational problem solving" which is based on optimism and is an approach that involves well-thought out processes with four basic "skill domains" 1) problem definition and formulation; ) generation of alternatives; ) decision making; and 4) solution implementation and verification. (Nezu, Nezu, and Lombardo 001) Evaluating oneself and taking a positive approach is a key factor in establishing the management of stress. When we act on a positive approach, we are formulating a pattern that will make us better colleagues or leaders in the workplace. Relaxation is not a birthright, it is a learned ability. From childhood to adulthood, relaxing has always been on the bottom of the list. Every day we meet the demands of this high tech hustle and bustle society always seeming to forget to stop and smell the roses. Today the techniques for relaxation are ample, however, we either can't afford it or just do not have the time. Some of these include; massage, aromatherapy, breathing and meditation, or even something as simple as taking a walk. Relaxation doesnt have to be as difficult as we make it seem. For the corporate person all they have to do is schedule it in, for the blue collar worker all they have to do is buy a planner and learn to use it. And last but not least, for the domestic workers (i.e., at home moms, self employed) all they need to do is to absolve themselves from taking care of everyone else for ten minutes. As you can see planning is an essential part of relaxation, how ironic that sounds when all we want to do is relax. Values are simple truths that we base our main principles on. Our principles are what define our means of life. The principles on which our values are based upon are what we decide from life's experiences. What is good or bad; right or wrong; left or right; up or down. What is important or not important and what is knowledge and what is not. To clarify these values which are instilled in each and every one of us gives us drive and motivation to push us forward to succeed. Values push us to maintain our goals and to push us to best ourselves to achieve almost anything we can get out of life.Each individual has to decide for themselves what they want out of life. How each individual decides is by trial and error or by experiencing what life and others have to offer them. No one can tell what you should do but they can tell you what options you have in deciding what would be best for you to do to figure out what you, the person may want out of life for that sense of well being and spirituality.Your well being is based on how you take what life has to offer and deal with it. Spirituality comes from your faith or what you may believe in. What you base your spirituality on may vary from organized religion such as churches, religious retreats or ministries or through nature and being in harmony with it and your surroundings. Volunteer work may give you insight and a chance to learn what you can from others lives and see what their experiences have to offer you. (Gross 66-67) Understanding the issues that affect your ability to learn is critical to mitigating them. Resolution or implementation of any of the above techniques will improve your receptiveness to new ideas and open the flow to learning. Works CitedDavis, Dr. Sandra L. "A Cure for Procrastination." Handout adaptation http//www.wm.edu/OSA/dostud/moresski/procrast.htm.Greenglass, Esther R. "Proactive Coping, Work Stress and Burnout." Stress News Vol. 1 No. (April 001).Gross, Ronald. Peak Learning How to Create Your Own Lifelong Education Program for Personal Enlightenment and Professional Success. New York Tarcher Putnam, 1."Heighten Your Sensitivity - How to Increase Intuitive Reception." Oatmeal Angels The Soul Learning Company http//www.oatmealangels.com.Lu, Cathy. "Coping with Workplace Stress." Healthy Men http//content.health.msn.com/content/article/1685.5010.Nezu, Arthur M. "Managing Stress Through Problem Solving." Stress News Vol. 1 No. (July 001)."Stress and College Students." University of Florida Counseling Center. http//counsel.ufl.edu."What is Right Brain Education?" Oatmeal Angels The Soul Learning Company http//www.oatmealangels.com.Winfrey, Oprah. Oprah Magazine November (00) 81-1. Please note that this sample paper on Stress Management is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Stress Management, we are here to assist you. 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Friday, September 20, 2019

Free Style!

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In the secret in the quit place in the stillness you are there in the secret in the quit hour i wait only for you cause i want to know you more i want to know you i want to here your voice i want to know you more i am reaching for the highest goal that i might receive the prize pressing ownward pushing every hindrance aside out of my my because i want to know you more because i want to know you more. everytime that i look in the mirror all these lines on my face getting clearer the past is gone it went by like dust to dawn isnt that the way everybody gots there dues in life to pay. eggs eggs eggs eggs eggs eggs eggs eggs eggs eggs eggs eggs eggs eggs. i love them. scrambled, fried, i dont care just give me the damned eggs. if you dont like eggs you are crazy. i also like pickles, nachos, suckers, hot dogs, steak. i love them. i like fried chicken. most of all HOT WINGS. oh yeeeeeaaaaahhhhhhhhhhhhh. great great great great great great great great great great.Real Name John OsbournePlace of Birth Birmingham, EnglandDate of Birth December , 148


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Growing up in Birmingham, Ozzy and his family were very poor. He slept in one bed with all of his brothers and sisters. When older, Ozzy quit school and worked many odd jobs to make his living. During this time, Ozzy was in a band with friend Terry Butler. Later, the band split leaving Butler and Osbourne to join up with Bill Ward and Tony Iommi. The band was first called Earth; however, it was later changed to the phenomenal Black Sabbath. The band went on to record many hit records in the 70s. Later, Black Sabbath broke up. Soon after, Ozzy went solo, making some of the greatest songs metal has ever heard. Today, Mr. Osbourne is living his life with his beautiful wife Sharon, and his two kids Jack and Kelly in the city of Los Angeles. Ozzy Osbourne is credited for being the first metal star. If he was or not, he will always be the best in the metal world.---------------------------------------------------------------------------------------------Jackson PS-4Jackson DR-Schecter Jerry Horton SignatureFernandes Revolver ProWRXTIbanez JS10thDK7 Dinky


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Thursday, September 19, 2019

Staging Vs Dramatic Tension

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Dramatic tension, a fundamental cinematic attribute found in film, draws in audience interest through calamity, mystery, action, or anything attention-grabbing. However, without proper shot staging, the scene will not portray the dramatic tension in the intended way. Therefore, the filmmaker must take staging into account when producing a scene which involves dramatic tension. Shot composition became a big deal in cinema from the beginning, as it could make or break the mood of a scene. For example, a film can cause a feeling of odiousness by using low camera angles and medium close-up shots. Combine that with scary music, and you have yourself a dramatic segment in a film. In the film, The Maltese Falcon, dramatic tension is produced through staging shots in specific ways to convey anticipation, surprise, and mystery.Anticipation is a distinctive type of dramatic tension that can add significant suspense to a film, however, anticipation must be accompanied by the correct shot staging and music chorus to be most effective. When considering the office scene between Spade and Cairo, anticipation is clearly evident when Cairo decides to search the office, and check whether Spade is armed. You will please clasp your hands together at the back of your neck. I intend to search your offices, Mr. Spade. I warn you, if you attempt to prevent me, I shall certainly shoot you.Anticipation is most noticeable right after Cairo draws his gun, and right before Cairo gets himself punched out. The anticipation in this segment is caused by interesting shot compositions, which are superimposed over an exciting music track in the background. The shot depicted above is an over-the-shoulder medium shot with Cairo pointing his gun at Spade. The shot is interesting, but not quite unexpected, in that such a shot puts the viewer into Spades shoes. The shot gives the viewer an idea of what Spade sees, a gun directly pointed at his chest, thus enthralls the viewer in the film. However, that is not was makes this shot essential, the most important aspect about this shot is that it also serves as a transition point between Cairo having power over Spade, and then Spade coming back and taking control over the situation. The first shot (not shown) when Cairo instructs Spade to put his hands behind his head, shows Cairo's control over the situation. Then, as Cairo tells Spade to stand up and move forward (as to allow Cairo to conduct a search,) a sense of classic cinematic anticipation will be experienced by the viewer. In other words, the music and the shot composition will make the viewer realize something important is about to happen. The shot composition in this segment makes the characters seem almost ominous, because the camera angle is positioned so that it looks up to them from a low angle. These shots were revolutionary, as this was one of the first movies to use such composition. Thus, this shot segment conveys a sense of anticipation, because the shot composition, along with the music track, exemplify the tension that is about to unfold, as Spade moves in on Cairo.


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Surprise is thrown into the mix when Cairo is caught off guard by Spade, most specifically by the quick moves Spade pulls to easily disarm Cairo and knock him out cold with one quick punch to the jaw. It is interesting how the shot composition and dramatic music effect come together to produce an exciting feeling of surprise as Spade retakes control over the situation. In the shot pictured, once again, a dramatic low angle shot is taken, and placed within a medium close-up shot on the screen. This shot composition works very well here, as it needs to add viewer suspense and satisfy the anticipation the viewer experienced as Spade moved in on Cairo. The shot is maximized with a loud musical note exactly when Spade makes the move and knocks the gun out of Cairo's hand to the ground. Once again, this adds overall effect to the segment, as Spade turns the tables on Cairo. However, things get really heated as Spade starts moving in on the newly disarmed Cairo. This segment utilizes the same camera angles and music; however has one new and important component. The lighting, which maximizes the amount of surprise, and causes a second level of anticipation, as the viewer knows that Spade will do something drastic. As the segment pans Right to Left, the lighting across Spade makes his face look even more ominous and powerful then it did before. The three effects (shot composition, music, and lighting) come together fantastically in this portion of the film, and give the viewer a real sense of anticipation and surprise.Once Cairo is unconscious on the sofa, Spade decides to empty the contents from his pockets. Now that the danger appears to have been suppressed (Cairo is unconscious,) the music slows down, and the camera angles and shot compositions change dramatically to produce a mysterious type feeling in the film. The shots are now mostly composed of Medium Close-ups to Extreme Close-ups, because the film wants to focus on the actual contents Spade uncovers. The music too, changes, and now utilizes slower beats, and softer symphonic melodies. This is an important part in the film, as the plot must show the viewer exactly what Cairo is about. Here are the contents that Spade finds within Cairo's pocketsA Greek passport with Cairos name and pictureOther passports - French and British An orchestra seat ticket to the Geary Theater in San Francisco for the evening performance on Wednesday the 18th (that evening) A wallet containing a wad of money A scented silk handkerchief $5,000, the price that Cairo offers to pay, isnt thereIt is interesting how these parts come together, to create either a mysterious, surprising, or anticipatory effect over the film. The camera angles, the shot composition, the lighting, and the music play important roles when staging a shot from dramatic tension. The way the camera is positioned, and the amount of lighting, can easily change the mood that is placed into a segment. The music can make or break the mood, and is usually added as the last layer to a completed film. Audience interest can be manipulated in an infinite number of ways; consequently, it is always possible to get the desired reaction out of an audience, whether it is anticipation, mystery, or surprise. In the Maltese Falcon, it is evident that shot staging was a very important part when it came to creating dramatic tension.


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Tuesday, September 17, 2019

Honors

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Monday, September 16, 2019

Minorities

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Throughout history, minorities have been ill-represented in the criminal justice system, particularly in cases where the possible outcome is death. In early America, blacks were lynched for the slightest violation of informal laws and many of these killings occurred without any type of due process. As the judicial system has matured, minorities have found better representation but it is not completely unbiased. In the past twenty years strict controls have been implemented but the system still have symptoms of racial bias. This racial bias was first recognized by the Supreme Court in Fruman v. Georgia, 408 U.S. 8 (17). The Supreme Court Justices decide that the death penalty was being handed out unfairly and according to Gest (16) the Supreme Court felt the death penalty was being imposed "freakishly' and 'wantonly" and "most often on blacks." Several years later in Gregg v. Georgia, 48 U.S. 15 (176), the Supreme Court decided, with efficient


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controls, the death penalty could be used constitutionally. Yet, even with these various controls, the system does not effectively eliminate racial bias. Since Gregg v. Georgia the total population of all 6 death rows has grown as has the number of judicial controls used by each state. Of the ,1 people on death row 41% are black while 48% are white (Gest, 16, 41). This figure may be acceptable at first glance but one must take into account the fact that only 1% of the U.S. population is black (Smolowe, 11, 68). Carolyn Snurkowski of the Florida attorney generals office believes that the disproportionate number of blacks on death row can be explained by the fact that, "Many black murders result from barroom brawls that wouldn't call for the death penalty, but many white murders occur on top of another offense, such as robbery" (As cited in Gest, 186, 5). This may be true but the Washington Legal Foundation offers their own explanation by arguing that "blacks are arrested for murder at a higher rate than are whites. When arrest totals are factored in , 'the probability of a white murderer ending up on death row is percent greater than in the case of a black murderer" (As cited in Gest, 186, 5). According to Professor Steven Goldstein of Florida State University, "There are so many discretionary stages whether the prosecutor decides to seek the death penalty, whether the jury recommends it, whether the judge gives it" (As cited in Smolowe, 11, 68). It is in these discretionary stages that racial biases can infect the system of dealing out death sentences. Smolowe (11) shows this infection by giving examples of two cases decided in February of 11, both in Columbus. The first example is a white defendant named James Robert Caldwell who was convicted of stabbing his 10 year old son repeatedly and raping and killing his 1 year old daughter. Thesecond example is of a black man, Jerry Walker, convicted of killing a -year-old white man while robbing a convenience-store. Caldwell's trial lasted three times as long as Walker's and Caldwell received a life sentence while Walker received a death sentence. In these examples, it is believed that not only the race of the victims, but also the value of the victims, biased the sentencing decisions. The -year-old man killed by Walker was the son of a Army commander at Fort Benning while Caldwell's victims were not influential in the community. In examples such as these, it becomes evident that racial bias, in any or all of the discretionary stages, becomes racial injustice in the end. Smolowe (11) also makes the point that Columbus is not alone "A 10 report prepared by thegovernment's General Accounting Office found 'a pattern of evidence indicating racial disparities in the charging, sentencing and imposition of the death penalty." In an article by Seligman (14), Professor Joseph Katz of Georgia State "and other scholars have made a separate point about bias claims based on the 'devalued lives' of murder victims." Seligman also asserts that those claiming bias believe that it is in the race of the victim and not the race of the defendant, and because the lives of blacks have been "devalued,' people who murder blacks are less likely to receive death sentences than those who murder whites" (Seligman, 14, 11). An Iowa Law Professor, David Baldus, also found that "juries put a premium on the lives of victims" (As cited in Lacayo, 187, 80). In a study of more than ,000 Georgia murder cases, Baldus found that "those who killed whites were 4. times as likely to receive the death penalty as those who killed blacks. And blacks who killed whites were most likely of all to be condemned to die" (As cited in Lacayo, 187, 80). According to Gest (16), of those executed since the reinstatement of the death penalty, 80% have murdered whites, while only 1% of those executed in the same time period have had black victims. These figures show an obvious trend of racial bias against those who murdered whites. Could these disparities be because, as sociologist Michael Radelet put it, "Prosecutors are political animals, they are influenced by community outrage, which is subtly influenced by race," or is it because "it is built into the system that those in the predominant race will be more concerned about crime victims of their own race," as stated by Welsh White of the University of Pittsburgh Law School (As cited in Gest, 186, 5).Because of the immense possibility of discrimination in sentencing in capital punishment cases, each stage of prosecution must be controlled as much as possible. Although these offenders are the worst the criminal justice system has to offer, prosecutors must be encouraged to consider the crime and not the race of the victim or offender and the judge must attempt to exclude the same racial issue when deciding the punishment. I believe Justice Brennan said it best when he wrote the dissenting opinion in a capital punishment appeal. He wrote, "It is tempting to pretend that minorities on death row share a fate in no way connected to our own, that our treatment of them sounds no echoes beyond the chambers in which they die. Such an illusion is ultimately corrosive, for the reverberations of injustice are not so easily confined" (As cited in Lacayo, 187, 80). With great effort, the judicial controls can begin to battle the racial bias of Americas Judicial system but to completely eliminate such a bias, the people involved in the judicial process must learn to look past the race of the offender or the value of the victim, and instead focus on circumstances of the crime.


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Thursday, September 12, 2019

Social Dimensions, Dramatic Irony, and Fashion in Three's Company

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Television -- particularly situation comedy television -- has been designated as everything from the one-eyed idiot box to the scourge of mankind. Had these indignities been truly merited, television would have been relegated to the storage room of failed inventions, somewhere between the electric vegetable peeler and the countless flying contraptions that could never quite become air-borne. The fact remains, though, that television, especially the aforementioned sitcom format, has persisted. Today, all successful sitcoms owe their prosperity to one particularly astute and revolutionary program Threes Company. Threes Company, which enjoyed a seven-year engagement from 177 to 184, boasted a premise which, despite being based on a previously existing British comedy, still managed a remarkable freshness and innovation. To the casual observers, Threes Company was a buoyant, insubstantial program, the sole purpose of which was to instill mirth. For the true observers, though, the experienced and open-minded television viewers, those with an eye for keen and succint, half-hour social commentaries, Threes Company explored prodigious cultural question marks and demonstrated a powerful understanding of human nature. Threes Company dealt with everything from homosexuality to rebellion against establish-ed conventions, from the relevance of dramatic irony to the injustices of the con-temporary workforce, and from the trials and tribulations of marriage to the human beings shadowy, hidden dimensions. This program even prompted the discus-sion of characterization through fashion. Truly, Threes Company was a profound and sagacious cornerstone of popular culture. The first observation one would make, even with a cursory glance at the program, was its premise. An aspiring chef named Jack Tripper lived in an apart-ment with two women, florist Janet Wood and secretary Chrissie Snow (later, Chrissies cousin Cindy took her place for a short time, before being replaced for the remainder of the program by nurse Terry Alden), and enjoyed a perfectly Pla-tonic relationship with them. In spite of Jacks light-hearted libidinous advances, the characters never once succumbed to the more base desires, and instead op-ted for a friendly, non-romantic relationship while engaging in the preposterous exploits that made the show famous. While perhaps not so revolutionary today, in 177 this mixed-gender arrangement was the cutting edge of social habitation. Like many revolutionaries who had to operate in secret, such as J. Robert Oppenheimer and societies like the Molly Maguires, Jack and the girls, had to conceal the true nature of their circumstances. Knowing the landlord, Mr. Roper, an ill-tempered traditionalist, would never allow such an arrangement, the charac-ters told him, and later maintained the impression that, Jack was homosexual. That these characters had to resort to a pretense of this nature illustrated how contrary their behavior was to social convention. Jack adopted a persona that, in 177, was still taboo and in the closet, so to speak, in order to get away with an equally taboo and misunderstood situation. That he was willing to exchange one negative perception of him for another equally negative one disclosed how strong-ly Threes Company stressed the necessity to rebel against conventions and social norms, no matter the cost. Another social issue treated in numerous episodes was the difficulty in-herent in belonging to the contemporary American workforce. The Threes Com-pany characters faced innumerable problems in their places of employment. Terry, the nurse, was constantly overworked at the hospital, usually on the grave-yard shift, to borrow a phrase she abhorred. Janet was under tremendous pres-sure at the flower-shop, facing impending deadlines, difficult customers, lustful bosses, and even the occasional efficiency expert, called in to supervise the pro-ceedings. Jack, the hard-working chef, was also under dreadful pressure from his overbearing boss, Mr. Angelino. The hot-tempered Italian had a habit of firing Jack during fits of rage, and then rehiring him once he, Mr. Angelino, had calmed down. Even Ralph Furley, the eccentric second landlord of the characters apart-ment building, seemingly in control of his destiny, always had to answer to a high-er authority the owner of the building and Mr. Furleys own brother, Bart. The role the workforce plays in the average citizens life was made lucid by the pres-sures and insecurities faced by these characters. The considerable challenge of holding down a job was exhibited unequivocally in Threes Company, yet the cha-racters managed quite well to both pay their rent and to enjoy rewarding leisure time. Threes Company conveyed the message that such a balancing act, if pos-sible for these average, personable characters, is in fact a universally achievable goal. It must be stressed, though, that in living together, these characters did not, at any time, form any romantic attachments with one another. No two principle characters ever married any other main character, nor did the writers suggest that such an eventuality would ever take place (excluding the odd time when, for what-ever ludicrously-complex reason, marriage required simulation). This Platonic re-lationship served as a contrast to the marriage of the original landlords, the Ropers. Stanley and Helen Roper exhibited a union that, in all outward appear-ances, was terribly dysfunctional. Helen was a hopeless romantic, but Stanley was a tight-fisted, apathetic, and sometimes downright mean-spirited man. Their rancor was amusing to watch, but only because we knew that, at heart, Stanley was an old-fashioned knight-in-shining-armor. Though he would have never ad-mitted it, Stanley loved his wife dearly. We have seen how swiftly he could rush to her rescue and we have watched his heart-broken, desperate pining when the possibility arose that Helen might leave him. Through the Ropers marriage, Threes Company made clear its beliefs about love and long-term commitment. Additionally, when the series ended, all three characters were happily married (though, of course, not to each other) -- the classic comedic ending -- further illustrating the link Threes Company made between ideal marriage and hap-piness. Being the consummate program that it was, though, Threes Company was careful to provide the opposing viewpoint. Through Mr. Furley, the confirmed bachelor, Threes Company proved that the ever-changing world of the unattach-ed individual can be very satisfying, and that marriage is not the only source of happiness.


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Threes Company had a sound grasp of the human character and took pains, despite its being a comedy, to depict the darker side of humanity. In per-haps an effort to avoid alienating them from the audience, none of the main cha-racters were ever shown having an overtly dark side. That is not to say they were perfect -- they had their quirks, their fears, and their malevolencies -- but rather they derived insight into the nebulous nature of humankind through the occasional frightening event that would occur. For example, in a memorably-dark episode, Jack was convinced a new tenant was an international bank robber who had just murdered his wife in the next apartment. In another episode, Janet and Jack found compelling evidence that Cindy had been forcibly kidnapped by a knife-wielding maniac. These two incidents were revealed as elaborate misunderstand-ings (the murderer was actually a ventriloquist and Cindys kidnapper was her elderly father), but the characters were not always so lucky. Jack was once arrested after being targeted and framed by diamond thieves. Janets flower shop was once robbed. Mr. Furley had his heart broken by a con artist. Together, the characters dealing with deleterious events, those both real and grotesquely exag-gerated, illustrated that dire things can, and do, befall even the most innocent and well-meaning of people. Threes Company rarely put its characters in any real danger, but vividly expressed that danger, both criminal and moral, does exist in other people and sometimes must be confronted. In continuing to humorously explore the somewhat less positive dimensions of the human being, Threes Company used dramatic irony -- when the audience is privy to information not known to the characters -- to illustrate how prejudice, misinterpretations and taboos can cloud our perceptions. Because of the human preoccupation with sex, dramatic irony was virtually always of a sexually-suggestive nature on Threes Company. For example, in one episode, Terry believed Jack was giving the wife of a colleague love lessons in the kitchen. Mr. Roper once thought a lurid diary belonged to Chrissie and that she was conse-quently in love with him. Jack thought a party being thrown for him was for reasons other than his graduation from chef school, so he put sawdust in the cake as a means of revenge. Despite the comical results of these incidents (Jacks associate ended up with a bowl of chicken cacciatore on his head, Mrs. Roper succumbed to a hysterical laughing fit, and Mr. Roper found the cake delicious), the dramatic irony was very revealing of human insecurities. The unconscious, Freudian taboos on sex came stampeding forth thanks to these misunderstandings. Threes Companys sexual morality was often evident in these ironies as well, as in the time Mr. Roper overheard Chrissie referring to a wart on her finger, thought she was pregnant, and was convinced she was about to abort the child. Threes Companys anti-abortion stance was made clear through Mr. Roper. Also, Mr. Furley, ever the homophobe, would constantly mis-understand Jacks statements as come-on lines, allowing Furley to expound his, and some would say the shows, opinions on sexual orientation. Although modern critics would argue that Threes Companys values are now archaic, it is unde-niable that the show believed strongly in its once revolutionary, now conservative politics, and naturally, the shows dated appearance provides a vivid roadmap for the changing values of North American culture. The extraordinary people in Threes Company who personify this changing culture were characterized in numerous ways, not the least of which was fashion. As their personalities often clashed on the small screen, so did their attire. Jack, Janet, and Chrissie (and later Cindy and Terry) were dressed in the popular cloth-ing of the time. Their average, utilitarian fashions reflected the everyday, blue-collar ambition the three actors were trying to portray in their characters. Con-versely, not all the characters had such admirable traits. Enter Larry Dallas, Jacks best friend and upstairs neighbour. Larry was a womanizing, scheming, used-car salesman a prime example of Platos unjust man. Larrys character reflected clearly in his ubiquitous, shiny, purple corduroy trousers, his debauchery revealed in his open-chested shirts and tasteless plastic neckties. No discussion of Threes Company, though, would be complete without an analysis of Ralph Furleys wardrobe. Mr. Furley possessed the most colorful, complex, and visually-astounding set of clothing of any character on television. His hallucinogenic Hawaiian shirts, bright yellow and pink cravats and pastel-colored pants reflected the myriad facets of his character. At heart, Ralph Furley was the most pleasant, congenial man one could hope to meet, but he used his loud and flashy wardrobe to conceal his insecurities. Afraid of failure, Mr. Furley assumed a calm, macho persona, which, unfortunately for him, was prone to spectacular collapses. Mr. Furleys frenzied shouting and hyperventilation re-vealed an extremely sensitive, emotional man. His presumptuous strutting and preening was humorous because it was so obvious and so very fragile. Mr. Furley came across as a sympathetic character whose soul was as broad as his shirt collars. In that small, two-bedroom, Californian apartment, we, as viewers, were treated to a seven-year long microcosm of society. Threes Company used tactful yet biting commentary on social conventions such as marriage and the nuclear family to illustrate both mankinds strengths and insecurities. Threes Company used startling dramatic irony in exploring our sexual attitudes. This program even managed to employ fashion to unveil the uniqueness in each person. Threes Company was a distinct, memorable portrait of a more innocent time; a time that thought, perhaps somewhat naively, that it was in the throes of vigorous change. More accurately though, Threes Company was actually pointing toward an even more complex and transient time to come.


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