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The literary criticism, The Endurance of Frankenstein by George Levine, diversities the novel into seven main symbolic metaphors. Birth and Creation demonstrates that bringing Frankenstein to life by referring to the powers of God. Victor tries to prove he can play the role of god by remaking a being and giving it the power to live. Levine explains the connection of the overreacher to Victor. He explains that the creator is not responsibly for his actions. For creating the monster and not taking full responsibility as if God had withdrawn his creations. His third metaphoric connection describes rebellion and moral isolation. Levine depicts rebellion seen as Victor's father ridicules Victor for pursing a life of alchemical knowledge. Victors isolates himself from life for his obsessions depriving him of a social life and unable to live a normal life. Levine criticizes the unjust society. The unjust society is a vessel for domestic purity amongst the community. If they look different from everyone else put them to death.Next the defects of the domesticity is described as the last breathe for very traditions past down by ancestors before their time. The monster believes in the need for the community, and domesticity. The Double, is noted between Victor and the monster as one. They are both very un-self-consciously accepted that everyone calls them monster, because of differences in their lives or theirs appearances. Such observations could be seen through Mary Shelly's life as in comparison to the "monsters" in Frankenstein. Lastly, technology, entropy, and the monstrous are the most obvious and most applicable word. Frankenstein is a modern term in the novel and used the basic fundamental discovers of science during the Victor's time. Frankenstein by Mary Shelly is an example of a Gothic type of literature. Levine, George, ed. The Ambiguous Heritage of Frankenstein." Los Angeles University of California, 17.
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