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The Globe Theatre of 15Things done well and with a care, exempt themselves from fearThe Globe Theatre in London was where most of William Shakespeares plays were first presented. It was built in 15 by two brothers, Richard and Cuthbert Burbage, who owned its predecessor The Theatre at Shoreditch in north London. Before 15 the Lord Chamberlains Men performed in public primarily at The Theatre, which had been leased by James Burbage, father of Richard. In the winter of 158 the lease on this theatre was due to expire because of an increase in rent to a level which the Globes company could no longer afford. The landlord was Giles Allen, a puritan, and disapproved of theatrical entertainment. The Chamberlains Men were forced to move to The Curtain, another public playing house near The Theatre. In the meantime the Theatre stood empty. (At this time, while considering alternative playing houses, Burbage purchased the Blackfriars for £600, within the city but under the control of the crown, and not city officials who were almost definitely anti-players. The local residents protested however, so it would be years before the players were allowed to use the Blackfriars as a playhouse.) Negotiations to move back in to The Theatre were at an impasse, the landlord being exceedingly avaricious. In the meantime James Burbage died, leaving the struggle to his two sons. Allens intentions was to demolish the Theatre and to ...convert the wood and timber thereof to some better use... (S Schoenbaum William Shakespeare A Documentary Life, Oxford, 175).
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However, the company owned the wood from which the theatre was built. In the winter after the rent increase, members dismantled the building piece by piece, shipped it across the Thames to Southwark on the south bank and reassembled it there. Allen was powerless to do anything, reporting of the dismantling party (in Schoenbaums book, p 15) as ryotous...armed...with divers and manye unlawfull and offensive weapons...in verye ryotous outragious and forcyble manner and contrarye to the lawes of your highnes Realme...and there pulling breaking and throwing downe the sayd Theater in verye outragious violent and riotous sort to the great disturbance and terrefyeing not onlye of your subjectes [that Allen claimed were attempting to stop them]...but of divers others of your majesties loving subjectes there neere inhabitinge. The reconstructed theatre was completed in 15 and was renamed The Globe. Built by carpenter Peter Smith the building was the mostmagnificent theatre that London had ever seen. It was situated just a few hundred metres from the Rose Theatre, run by Philip Henslowe and his son in law Edward Alleyn, the famous actor of the time (famous for his portrayal of Marlowes great characters). A year later and feeling the pressure of competition, Henslowe and Alleyn moved to new quarters, building the Fortune Theatre in St. Giles without Cripplegate. Shares of the new theatre were divided between the Burbage brothers, the land owner Sir Nicholas Brend, and five members of the Lord Chamberlains men Shakespeare, John Heminges, Augustine Phillips, Thomas Pope and William Kemp. It worked so that the Burbage brothers were responsible for half the lease on the land and shared in half the profits. The five players were responsible for the other half of the lease and shared among themselves the other half of the profits. Shakespeares share, as a householder was one-fifth of fifty percent of the profits, or 10% of the total profits. Kemp later departed the Chamberlains Men so Shakespeares share increased in value, but soon two new partners - Will Slye and Henry Condell joined them, so that his share decreased again. In any event, these were the ownership provisions of the Globe and the foundation of Shakespeares prosperity. It is not possible to determine exactly how much Shakespeare earned, but the common consensus among scholars is that it was somewhere near £00 - £50 per year, a very substantial sum by Elizabethan standards. After The Globe had been reopened The Lord Chamberlains Men continued to perform there. Shakespeare created his plays with his unique venue in mind. The exact physical structure of the Globe is unknown, although scholars are fairly sure of some details because of drawings from the period. The theatre itself was a closed structure with an open courtyard where the stage stood. Tiered galleries around the open area accommodated the wealthier patrons who could afford seats, and those of the lower classes - the groundlings - stood around the platform or thrust stage during the performance of a play. The space under and behind the stage was used for special effects, storage and costume changes. Surprisingly, although the entire structure was not very big by modern standards, it is thought to have been capable of accommodating fairly large crowds - perhaps as many as 000 people - during a performance.The Globe may have been designed similarly to another of its time - The Fortune. It is said to have been shaped like a cylinder with a thatched gallery roof which was made of straw. The roof had to be coated with a special fire-protectant. In 161 the roof was accidentally set on fire by a cannon during a performance of Henry VIII. The entire theatre burned in about an hour. The Globe was rebuilt a year later but with a tilted gallery roof and more circular in shape. In 1644, 0 years after it was rebuilt the Globe was torn down. The 1614 reconstruction of The Globe In 160 Queen Elizabeth died and James VI of Scotland became James I of England. The Jacobean age was initiated. Its practical impact was that the Lord Chamberlains Men, the most popular acting company under the old queen, became the Kings Men and continued to receive royal patronage. No company performed more at court over these years. Between 1 November 1604 and 1 October 1605 the Kings Men performed 11 performances before the King. Seven of these performances were of Shakespeares own plays The Comedy of Errors, Loves Labours Lost, The Merry Wives of Windsor, Othello, Measure for Measure and two of The Merchant of Venice. In spite of the emphasis on comedy, the new reign was known for its cynicism. There was a marked shift to darkness in Shakespeares works of this period.The theatre was rebuilt in 1614 but 0 years later was demolished by Puritans. A brewery now stands on the site.
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